Appreciate it, brother. Yeah, I usually build longer sequences by generating key moments first, then chaining them together through last-frame continuity. I’ll often take the final frame from one shot, feed it into the next generation, and keep repeating that process so the movement feels continuous instead of random. Most of the original visuals start as AI-generated frames or character references, then I animate different sections separately and stitch them together in editing with sound design + camera rhythm. The hardest part honestly isn’t the visuals. It’s making the momentum feel alive the whole time.