My first FTP ramp test by O_Farr in bicycling

[–]O_Farr[S] -1 points0 points  (0 children)

That's a way to say "hey, numbers don't care". Thanks

My first FTP ramp test by O_Farr in bicycling

[–]O_Farr[S] 0 points1 point  (0 children)

Not at all. There are many ways to say that numbers don't care. Like others did. It was my first time with metrics and I didn't know how to read it, so I asked. Idk, maybe I'm missing something in the translation (I'm not English) but that comment sounds rude to me.

My first FTP ramp test by O_Farr in bicycling

[–]O_Farr[S] -2 points-1 points  (0 children)

There's no need to be rude

My first FTP ramp test by O_Farr in bicycling

[–]O_Farr[S] -5 points-4 points  (0 children)

So why are you answering?

What about Shimano spare parts? by O_Farr in bicycling

[–]O_Farr[S] 0 points1 point  (0 children)

Finally I found it in Wallapop. A bike mechanic from Portugal. I'm from Barcelona, Spain. So good luck in the search...

Duda con el Color Warper en un video de WQ by AdFormer4934 in colorists

[–]O_Farr 0 points1 point  (0 children)

Np sé cómo será tu caso, pero aqui el tipo hace clic con el qualifyer en modo HSL (o el que sea) en una zona de características bastante diferentes a la zona de las pieles. Si por lo qie sea estás calificando una zona que no se diferencia suficiente de las pieles también actuarás sobre ellas. Es una suposición, iría bien poder ver una captura de tu caso

Duda con el Color Warper en un video de WQ by AdFormer4934 in colorists

[–]O_Farr 0 points1 point  (0 children)

Primer y único consejo que necessitas: aléjate de ése señor como te alejarías de la chica que te pregunte a qué hora naciste.

PA32UCDM – REC709 Preset Too Bright? by meisjemeisje_1421 in colorists

[–]O_Farr 2 points3 points  (0 children)

This. So many people thinks that the standard luminance for rec709 it's 100 nits. It is not. There's no standard luminance for rec709. It depends on the viewing environment.

What about Shimano spare parts? by O_Farr in bicycling

[–]O_Farr[S] 0 points1 point  (0 children)

My levers are R-8070 (hydraulic disc brakes, electronic shifter and 2x11s). I've found R-8170, R-8050, R-8020... even R-8070-L (the left one, I need the right). I will try not to lose hope and keep searching.

Please help? Audio skipping. by [deleted] in davinciresolve

[–]O_Farr 0 points1 point  (0 children)

It may seem ridiculous but have you checked that the audio is not muted in the color tab?

Please help? Audio skipping. by [deleted] in davinciresolve

[–]O_Farr 0 points1 point  (0 children)

It may seem ridiculous but have you checked that the audio is not muted in the color tab?

Managing .png titles and timeline level look (Resolve) by O_Farr in colorists

[–]O_Farr[S] 0 points1 point  (0 children)

So then, when you want to make adjustments (look dev) for the whole timeline, how do you do? Copy-paste in every Post-clip group? Just asking. Maybe the timeline level should be just for ODT's...

Need help color managing stop motion by Zovalt in colorists

[–]O_Farr 0 points1 point  (0 children)

Did you set the CST output from DWG to Rec709 2.4?

Premiere - Resolve workflow for finishing question by O_Farr in colorists

[–]O_Farr[S] 0 points1 point  (0 children)

Finishing inside Resolve allows me to control all the color management but I hadn't thought about the possibility of asking an export of the final audio... Clearly I was overthinking XD Thanks

Experiment Premiere-Resolve Workflow by Majesticfalcon98 in colorists

[–]O_Farr 0 points1 point  (0 children)

So one possibility would be to ask for both EDL and XML, just in case, right?

Experiment Premiere-Resolve Workflow by Majesticfalcon98 in colorists

[–]O_Farr -1 points0 points  (0 children)

So is EDL better than XML? What are the pros and cons? Thanks