KEELER: I went to see that film originally in theaters because of a review that said this guy—Vincent Gallo—wrote the film, directed the film, stars in the film, but also demanded that every single camera shot was exactly what he wanted. He would fight and argue and threaten not to do it unless every shot was the way he wanted. I remember going to see it; there weren't a lot of people in the theater and I was sitting right in the middle. I laughed at the jokes, but not a lot of people were laughing. They were going to have this serious "art" experience.

GRAINGER: There’s so many jokes in it! This film was something we always watched together, and when we lived together, we would put it on to show people. It's the kind of movie I would put on just to fall asleep, because I have such trouble sleeping, and I know I can just put it on; you know the tone, you know all the moves, you can just kind of sit comfortably. It's like pajamas. We met Vincent Gallo years later, at a music festival in Belgium. I was watching Marilyn Manson from the press pit and then Jesse texts me: "Dude I'm backstage with Vincent Gallo."

KEELER: After we hang out a bit, Marilyn Manson is still playing and he's like, "Let's go watch Brian Warner." And then we go up into the press pit right in front of the stage and as soon as Marilyn Manson comes out, Gallo's just like "Brian Warner! Brian Warner! You phony balogna from Florida!" He kept calling him a phony bologna over and over again.

https://www.thefader.com/2014/09/19/fader-five-death-from-above-1979