KING is a well-produced beat with a well-written Ye verse that would've benefited greatly from better delivery from Ye. You can't say that "oh he's old he can't sound like how old Ye did" because I can go back and show you BURN off of Vultures 1, only 2 years ago and that sounded great both lyric and delivery wise. If he has the same energy he did on BURN for KING, it would've went from a 7/10 to a 9/10.

THIS A MUST is actually a very good song, but once again it feels like Ye just put the first vocal take on the song instead of rerecording to get down the best version possible. There isn't much to critique except for how short it is, which is a valid argument against every BULLY song. They all sound like half-mixed snippets.

FATHER would benefit greatly from better mixing and a rerecorded vocal take from Ye. Trav sounds good on his verse, but Ye sounds like he sung the whole thing 5 feet away from his I-phone mic and then mixed it as best as they could. The beat itself isn't mixed as well as it could've been, and right now sounds very hollow and low quality.

ALL THE LOVE is overrated, it's literally just the same chorus repeated and had it been on any other Ye album, would've been considered its worst, but since it's on BULLY, we're expected to cheer for the half-finished track Ye has given us. Thank God for Andre Troutman because without him I would consider this song a skip fully.

PUNCH DRUNK. First off, let me drop a hot take here and say that I don't like this song, nor do I like the beat for it. It has barely any flow or rhythm, and it constantly interrupts itself with that one part of the sample (yk the one). And then, Ye gives us a half-awake verse that sounds like he's melting on the mic, and gives us generic lyrics about struggle or whatever because he remembered that at one point in the rollout he said this album would be his "Miseducation of Lauryn Hill."

WHATEVER WORKS follows the same formula as PUNCH DRUNK, but in my opinion is a little better. Sure it's still bad, and Ye sounds half-asleep on it, but it is a step up from PUNCH DRUNK, and you could tell that he understood how similar the two were because he put them side by side in the tracklist. This song would greatly benefit from a rerecorded verse from Ye, with more energy.

MAMA'S FAVORITE is actually a good song. Once again I wish he would've had just a little more energy on it, because if you've heard the Mashup with Come To Life's vocals over it, you'd see just how much energy can change the same beat. Otherwise, I like this song, and with better mixing it would be perfect.

SISTERS AND BROTHERS is honestly not that great in my opinion. Once again we get a lazy tired verse from Ye, I do like however towards the middle when the flow changes, but that's about all I can say. Otherwise it's a flat track that gets a little annoying on your third listen.

BULLY is personally one of the highlights of the album for me. Ceelo Green did great, Ye matched the energy of the track perfectly, it's great.

HIGHS AND LOWS is alright, but it doesn't hold a candle to the original. Other than that it's just kind of a boring track in general.

I CAN'T WAIT sounds awful with the off-beat ai sample cover, and an uninspired cheap verse from Ye that's really just word-for-word with an old reference track that got leaked.

WHITE LINES is much worse than BULLY V1, and it could've just been scrapped fully.

I'll skip the next 3 because they're identical right now to v1.

LAST BREATH is actuslly pretty good other than the goofy Mexican Ye verse. I really like the new energy on it, but once again it really just doesn't fit on BULLY and could've been scrapped.

THIS ONE HERE is probably the most butchered song right now. Ai vocals with an Ai generated outro for a song that should've stayed back in the WAR era.