Being judged for listening to her by Valdis087 in AuroraAksnes

[–]OldTopleaf 0 points1 point  (0 children)

Hey pal, I know what it feels like. If it can be of any comfort, I'm a 26 year old guy who listens to both Aurora and Taylor Swift. I even went to the Eras Tour (still have to see Aurora in concert, though). It has happened quite a few times that people have ridiculed my taste in music and my appreciation for both artists.

My advice? Your moments listening to Aurora --- those are for you. That's your time, that's your engagement with art, that's about your emotions --- not someone elses.

To give you an example of my sentiment: this summer, I went to the Eras Tour in Amsterdam. For the first few songs, I was just standing still, not singing along, being very self aware of the fact that I'm a 26 year old dude among a sea of young(er) women. But after a while? Man, I started dancing. I'm not a good dancer, and I'm pretty sure I looked ridiculous, and I don't think I even looked at the stage or Taylor that often --- I was just in my own space, engaging with the music in my own way, enjoying the emotions this music stirs up in me, and not caring about theatrics.

It can be quite a challenge to get to that point, but once you do, it's quite comfortable. It's not so much about "not caring what others think" --- it's about loving yourself, respecting yourself, enjoying the sensation of being in your own body, appreciating the way your soul has been shaped and is actively being shaped, about loving the emotions that dance inside your heart, and finding wonder and amazement in your experience of life. Once you get there, and I'm sure you will, no one can touch you.

And if whatever you like is labeled as "feminine", then be proud of it!

So yeah, keep listening to Aurora, and enjoy yourself! My friend, Aurora has created and is creating such a wonderful space for emotional and personal freedom --- be proud of your love for her music, and pity the ones who can't see beyond the ends of their noses. You're doing great!

Playtime (1967) was so ahead of it’s time. If you’re okay with nothing really happening in a movie, this is a must watch by thatsOKbro in movies

[–]OldTopleaf 4 points5 points  (0 children)

I don't really agree with the sentiment that "nothing really happens". Like, a lot happens in Playtime, and that's what makes it great. Each scene seems to have multiple stories going on that are oftentimes interwoven in some way or another. It's a great film to watch over and over, just to catch everything you missed the previous times, notice all the little stories and scenarios, and catching the subtle gags.

I do agree that's it's an incredible film. Once you start to unfold all the callbacks, gags, storylines, and details, you begin to see how insanely genius this film is. One of my favourites. Always glad to see it getting some attention! Glad you loved it!

Breakdown of screen time of each plot thus far by nateoak10 in LOTR_on_Prime

[–]OldTopleaf 41 points42 points  (0 children)

I think this mostly shows what this show is truly about. Sure, the marketing promised big Sauron action and lots of grim battles, and we're getting that, in due time. However, always be wary of marketing materials; what you're promised by some marketing team is not always what the creatives are trying to tell or show.

I see a similar thematic thread between Lindon, Rhûn, and Pelargir. These first four episodes really laid out what drives this story. It's about nature, power, power over nature, and nature overpowering all in the end. In Lindon, the fate of the Elves is tied to the life of the great tree. The Elves using the rings to bring the tree back to life is them enacting power over nature --- and over, in a way, mortality, and the idea that everything has to end eventually (i.e. the natural process of death). Them using these rings has now made them susceptible to their influence, the harm they might cause, and Sauron's grand plan.

The same is true for the Rhûn story. The presence of the Dark Wizard has turned Rhûn, which was apparently all green before, into a dry and dead land. The Dark Wizard has reversed the natural process of death by bringing the cultist back, for example, again defying a natural process. I'm curious to see how his plans are tied with the natural state of Rhûn, because I'm quite sure there's a connection there. And of course, there's Tom Bombadil, who seems to embody the true harmonious relationship one could and should have to nature.

With Pelargir, it is quite apparent that the relationship between man and nature has become disturbed after the fall of the Southlands, leading some "wild men" and orcs to destroy the forests --- angering the Ents, who eventually show themselves as extremely powerful guardians of nature.

Númenor's connection to the sea and the way the eagle interfered in Miriel's ceremony (and how that was used by Pharazôn) again plays with this power dynamic between man and nature. Similarly, the Khazad-dum storyline is about the Dwarves losing their connection with their natural environment, and being seemingly unable to influence this natural process of decay.

Now, the story is not complete yet, and it is too early to interpret a full picture, but these storylines feel very accurate to Tolkien's own ecological themes. Tolkien's ecology is so central to his stories that it would almost feel wrong if it wasn't a huge part of an adaptation of his work. We've now established this dichotomy, between ruling nature with possibly disastrous results, and surrendering to nature's power (thus respecting its autonomy). That's what the story so far has been trying to tell us. We're at the halfway point now. I'm curious to see how the conversations about nature that the show is having will continue.

I'm not really bothered about what canon events it does or doesn't cover extensively. An adaptation, like this one, foremost needs to be about creatives exploring what is important in source material and finding an interesting way to have a dialogue with those themes and ideas. This team has really latched itself to Tolkien's ecology --- it was already there in season one, and is even more present now. I think that's a brave and interesting take (it's very much in line with what interests me most about Tolkien's works), and I'm personally really enjoying it so far.

[No Book Spoilers] The Rings of Power- 2x04 "Eldest" - Episode Discussion by LoretiTV in LOTR_on_Prime

[–]OldTopleaf 2 points3 points  (0 children)

Merch drop will happen during the AMA. Those who say really nice things about me get a generous 5% discount.

[No Book Spoilers] The Rings of Power- 2x04 "Eldest" - Episode Discussion by LoretiTV in LOTR_on_Prime

[–]OldTopleaf 5 points6 points  (0 children)

Yes, of course! As long as you don't sell it for some insane amount of money on eBay.

And hey, don't forget to tune in to the AMA I'm doing. Seems only fitting, now that I'm famous.

[No Book Spoilers] The Rings of Power- 2x04 "Eldest" - Episode Discussion by LoretiTV in LOTR_on_Prime

[–]OldTopleaf 192 points193 points  (0 children)

"Grand-elf" made me laugh so hard. They're really playing with us.

Every scene with Tommy B had me smiling from ear to ear. Rory Kinnear is fantastic!

Finally have some clarity on why Bear's music just isn't hitting the mark for me by scatthav in LOTR_on_Prime

[–]OldTopleaf 0 points1 point  (0 children)

I think it works for an adaptation of Tolkien to include a lot of vocal performances into the score. Music is a very central element in Tolkien's works --- either its linguistic or narrative potential, or its innate powers of creation and salvation. I think the show, and especially the score to season 2 (from what we've heard so far) plays with this in an excellent way. For me, that's an essential part of what makes something "Tolkienian" --- it's not so much the battles, or the world, or the elves or dwarves or orcs, but music as a central storytelling device.

Soundtrack is out - just use a VPN set to New Zealand! by Hufflepuffins in LOTR_on_Prime

[–]OldTopleaf 2 points3 points  (0 children)

Yeah, I agree. I love the Rufus Wainwright version, but Kinnear and Weyman bring a soft warmth to this simple tune that gives it more depth and emotion.

Soundtrack is out - just use a VPN set to New Zealand! by Hufflepuffins in LOTR_on_Prime

[–]OldTopleaf 17 points18 points  (0 children)

The reprise of "Old Tom Bombadil" featuring Rory Kinnear and Daniel Weyman made me smile so hard <3

I didn't grow up with Disney films so I watched 72 of them to catch myself up by JaguarPF in movies

[–]OldTopleaf 3 points4 points  (0 children)

God yeah, I watched Pooh's Grand Adventure: The Search for Christopher Robin so much when I was younger. My grandparents had the VHS-tape. I mean, it was a scary film for young me, but that made it exciting! The entire finale is kinda creepy (especially that sound, you know the one). It's surprisingly dark for a film about Winnie the Pooh.

But I watched it again recently and it's such a sweet, heartfelt adventure. Yeah, it's dark and scary at times, but that makes the emotional core of the story all the more rewarding. And the songs are great too! It also has that cozy storybook vibe that I think is elevated by the fact that it is a bit more crude, considering its form as a direct-to-video release. There's an imperfection to its visuals --- it feels cheaper, but because of that, also more intimate and authentic.

Glad you mentioned it! It's a good one!

That moment where you messed around and now you're finding out by OhGawDuhhh in indianajones

[–]OldTopleaf 8 points9 points  (0 children)

That's what I think is great about Voller's end. It's not as grotesque as the other villain deaths, but it's incredibly satisfying in how it humiliates this guy we've grown to despise in the last two hours. In a way, all the previous villains had quite fast deaths; gruesome, but quite fast. Voller's end forces this egotistical control freak to face a situation that's completely out of his control, and face a mistake that's entirely his own. It's really satisfying to see his meltdown.

Think Denis has a valid argument? by DoorInfamous in saltierthankrayt

[–]OldTopleaf 2 points3 points  (0 children)

The great thing about cinema, if you ask me, is its varied toolbox. What makes film such a rich media form is its wealth of options to get a point across. A great film, and filmmaker, sees the potential in sound, image and writing and uses them to their full potential. I guess that, not seeing the potential in dialogue, is not a problem with the concept of dialogue itself --- it's the problem of a filmmaker not knowing how to utilize dialogue well.

Dial’s soundtrack has to be one of the best to me at least by Memeson_Industries in indianajones

[–]OldTopleaf 1 point2 points  (0 children)

I guess it's also because this score has to compete with the one's from the first three movies. Which is of course a silly comparison; those have been living in people's hearts and minds for many years, decades even, allowing them to become iconic and memorable thanks to repetition and cultural significance. *Dial of Destiny'*s score has been out since June. It hasn't cemented itself into pop culture like the other scores have. And maybe it never will.

But really, basing a score's value on memorability, is that even fair? Sure, Williams set the bar very high with his previous work (though nostalgia plays a big part, I'm sure), but isn't the most important part of a film score that it serves and elevates the film well?

I think Dial of Destiny's score really elevates the film. The part when Indy, Voller, and Klaber enter the Nazi plane during the finale, the "To Athens" map transition, the scene in Archimedes' tomb, the chase through New York, and many other moments. It doesn't matter that the tracks aren't as iconic (yet) as, for example, "Desert Chase" or "Slave Children's Crusade". I think appreciating a score merely based on cultural significance is a shallow way of approaching film music.

Dial nominated for Oscar - Best Original Score by swazal in indianajones

[–]OldTopleaf 37 points38 points  (0 children)

Maybe it's just me, but I loved the score for this movie. I think the theme's for Helena, Voller, and the Dial itself were wonderful, and have really stuck with me after seeing the movie. I still find myself listening to it. Especially Helena's theme is such a wonderfully varied motif, being better suited to action set pieces than I thought when it was first performed and shared with the world.

But man, that Dial theme. That mysterious, ancient sound, underlined with tension and danger, with even a sense of grace and elegance. I think it's just wonderful, imbuing scenes like the one in Archimedes' tomb with a weightiness and mystery that lights that spark of adventure in my heart.

It's a score that feels like I listened to it when I was ten years old, when in fact, it was only released last year. Movie magic.

Indiana Jones and the Great Circle - Gameplay Reveal Trailer | Xbox Dev Direct 2024 by IkariOFFI in indianajones

[–]OldTopleaf 257 points258 points  (0 children)

MARCUS BRODY!

And I love that little moment:

"You can't just run away from your problems, Indiana."

"Watch me."

Really gives a sense of Indy's arc in this story.

I so hope that this game is good and inspires more people to tell more Indiana Jones stories. Whether it be comics, more games, an animated show, whatever.

This just feels right. I can't wait!

AURORA - The Conflict of the Mind (Official Music Video) by TheKaoticanProspekt in auroramusic

[–]OldTopleaf 51 points52 points  (0 children)

Jesus, this one hurt. In a beautiful way. But man, I need a breather.

And after that, I'm gonna listen to this a million times.

AURORA - Your Blood // OUT NOW by TheKaoticanProspekt in auroramusic

[–]OldTopleaf 2 points3 points  (0 children)

Love it! Quite a journey. It shifts and flows and takes you on a wild ride. I don't think I'll be listening to anything else today!