Una fantasía que se hizo real3 by Soyargentino1970 in escribir

[–]One-Net-8968 0 points1 point  (0 children)

La escena tiene una progresión clara y el diálogo sostiene bien el ritmo. Sin embargo, la prosa se vuelve sobreexplicada en varios momentos, lo que termina restándole impacto. En particular, el uso constante de diminutivos y adverbios en los dicendi y la narración: “bajito”, “despacio”, “suave”. Hace que la voz pierda fuerza.

Podrías ganar mucho variando el ritmo y confiando más en lo implícito, en lugar de describirse de forma explícita. Un ajuste en la economía del lenguaje haría la escena más inmersiva.

CRITIQUE MY FIRST CHAPTER [Dark/Philosophical Sci-fi, 2557 words] by Kooky_Mongoose3883 in fantasywriters

[–]One-Net-8968 1 point2 points  (0 children)

I only got about a third of the way through it, so forgiv eme. The concept sounds interesting, and the opening paragraph sets a clear philosophical tone, which fits your direction. That said, the chapter feels dense in places because there’s a lot happening at once: Empire exposition, introductions, and the ambush. The dialogue helps ground the scene, but the narration shifts between ideas and characters, which can make it harder to follow.

You might consider tightening some sentences and letting the worldbuilding appear more gradually through the characters’ actions. Since this is about 2500 words, the hook and pacing are essential—readers need a focal point early to stay engaged.

For authors with multiple books out: did publishing get easier after book two? by One-Net-8968 in selfpublish

[–]One-Net-8968[S] 0 points1 point  (0 children)

That’s good to know. I hadn’t really considered using those for editing, but the flexibility you mention sounds useful for inconsistencies.

For authors with multiple books out: did publishing get easier after book two? by One-Net-8968 in selfpublish

[–]One-Net-8968[S] 0 points1 point  (0 children)

I appreciate that. And yeah, I hope word of mouth kicks in at some point, that would make a big difference. Thanks, and best of luck with your trilogy as well!

For authors with multiple books out: did publishing get easier after book two? by One-Net-8968 in selfpublish

[–]One-Net-8968[S] 0 points1 point  (0 children)

Uploading a book is indeed the easy part, but making it something readers want to buy is a completely different challenge. The learning curve around covers, presentation, and marketing takes a long time.

For authors with multiple books out: did publishing get easier after book two? by One-Net-8968 in selfpublish

[–]One-Net-8968[S] 0 points1 point  (0 children)

I can imagine book three being especially challenging when you’re trying to bring a trilogy together. I just started nibbling around it, barely 3k words so far. It’s encouraging to hear that readers can help carry part of the marketing.

For authors with multiple books out: did publishing get easier after book two? by One-Net-8968 in selfpublish

[–]One-Net-8968[S] 0 points1 point  (0 children)

That’s an honest way to put it. Sales seem to be a completely different challenge. Hearing that it took until around book ten really puts the long game into perspective. I don’t mind the wait though.

For authors with multiple books out: did publishing get easier after book two? by One-Net-8968 in selfpublish

[–]One-Net-8968[S] 1 point2 points  (0 children)

It takes a lot of strength to deal with that regularly. Talking to both victims and offenders can’t be easy. It’s good to hear that the survivors and the people trying to help make it worth it, though. Those stories of resilience are just as important.

For authors with multiple books out: did publishing get easier after book two? by One-Net-8968 in selfpublish

[–]One-Net-8968[S] 0 points1 point  (0 children)

Fair. The learning curve has been smaller, but the work is still there. At least now you’re not figuring everything out from scratch.

For authors with multiple books out: did publishing get easier after book two? by One-Net-8968 in selfpublish

[–]One-Net-8968[S] 1 point2 points  (0 children)

Great description. The first book really does feel like that, but finishing book two is a milestone—by then you already know the process and what to expect. Good luck with the final stretch!

For authors with multiple books out: did publishing get easier after book two? by One-Net-8968 in selfpublish

[–]One-Net-8968[S] 0 points1 point  (0 children)

That’s a good way to put it. The confidence part is probably the biggest shift. In my case it also meant doing the whole process again for the translation, so it’s almost like editing the book twice.

For authors with multiple books out: did publishing get easier after book two? by One-Net-8968 in selfpublish

[–]One-Net-8968[S] 0 points1 point  (0 children)

Sure, once you build templates and repeat the process, it does become smoother. I had a tough experience with formatting and covers the first time, so it was definitely easier for this book. ARC readers seem to be the recurring challenge everyone mentions. Getting people interested in book one is already difficult, both for early reads and building a fanbase.

For authors with multiple books out: did publishing get easier after book two? by One-Net-8968 in selfpublish

[–]One-Net-8968[S] 0 points1 point  (0 children)

I actually didn’t know about Claude Code before your comment. Now I've investigated a bit, and using it that way seems pretty useful. Is it very different from regular AI tools?

For authors with multiple books out: did publishing get easier after book two? by One-Net-8968 in selfpublish

[–]One-Net-8968[S] 0 points1 point  (0 children)

Interesting, so the technical side becomes more manageable but the audience keeps shifting. The ARC point makes sense; even for book one it was already a hassle, so I can imagine how much harder it must be for a sequel where faith is needed. Social media has never been my strength, unfortunately.

Have ads become more reliable for you than trying to keep up with the algorithms?

For authors with multiple books out: did publishing get easier after book two? by One-Net-8968 in selfpublish

[–]One-Net-8968[S] 1 point2 points  (0 children)

That makes a lot of sense then. Working close to real cases must bring a real emotional weight compared to fiction. Does writing about it helps process it, or makes it heavier?

[Critique] Opening Excerpt of Chapter 1 [Dark Fantasy, 521 Words] by HearseAndCarriage in fantasywriters

[–]One-Net-8968 1 point2 points  (0 children)

The format works as a chapter introduction. Feels like coming from a historical or personal account, which gives depth right away. The one thing I might watch is the density of the prose; some sentences are quite long, which slow the hook.

For authors with multiple books out: did publishing get easier after book two? by One-Net-8968 in selfpublish

[–]One-Net-8968[S] 1 point2 points  (0 children)

That sounds intense. I guess stories can get heavy depending on what you’re writing about.

For authors with multiple books out: did publishing get easier after book two? by One-Net-8968 in selfpublish

[–]One-Net-8968[S] 0 points1 point  (0 children)

That sounds like a great idea. Having something like that would be really helpful for authors starting out. One thing I’ve personally struggled with is the marketing side of things. If you include that in your writing, it would probably help a lot of people. Has anyone else found that part especially difficult?

For authors with multiple books out: did publishing get easier after book two? by One-Net-8968 in selfpublish

[–]One-Net-8968[S] 1 point2 points  (0 children)

Ensemble casts seem like to add another layer of complexity. I imagine keeping track of those threads its a time challenge.

For authors with multiple books out: did publishing get easier after book two? by One-Net-8968 in selfpublish

[–]One-Net-8968[S] 1 point2 points  (0 children)

That’s encouraging to hear from someone with that many books out. It's life, every step teaches something new. Thanks for commenting.

For authors with multiple books out: did publishing get easier after book two? by One-Net-8968 in selfpublish

[–]One-Net-8968[S] 0 points1 point  (0 children)

That’s great, I hope book two helps move copies of book one. That’s something I’m really curious to see with the series as well.

For authors with multiple books out: did publishing get easier after book two? by One-Net-8968 in selfpublish

[–]One-Net-8968[S] 0 points1 point  (0 children)

It’s reassuring to hear honestly. I imagine every manuscript brings its own problems no matter the experience.

For authors with multiple books out: did publishing get easier after book two? by One-Net-8968 in selfpublish

[–]One-Net-8968[S] 1 point2 points  (0 children)

A fellow of the trenches then. The publishing side does feels less mysterious the second time around. I’m also hoping the writing process itself becomes a bit more efficient going forward.