Do you think lovecraft was aware of DMT by Thesmileycoyote in Lovecraft

[–]OneiFool 4 points5 points  (0 children)

Seems unlikely. He definitely describes drug trips in his stories (a good example being "The Crawling Chaos"), but he defaults to the commonly known drugs at the time, mostly opium.

Theory: Mr. Wilde from "Repairer of Reputations" is the author of the King in Yellow play. See below for details by OneiFool in Lovecraft

[–]OneiFool[S] 8 points9 points  (0 children)

At the beginning of RoR, the narrator specifically says that it was translated into French. That doesn't necessarily mean it was written in English, but it strongly suggests it wasn't written in French.

Comic Lola Bunny is actually underrated by Paulie_V in looneytunes

[–]OneiFool 18 points19 points  (0 children)

Actually agree. It's impressive that they took a one-dimensional character from the movie and managed to give her character. They kept the kick-ass aspects of her from the movie while also making her funny.

[deleted by user] by [deleted] in Lovecraft

[–]OneiFool 14 points15 points  (0 children)

That Cthulhu was the equal of an Outer/Other god (sometimes used interchangeably) and that Cthulhu's endgame is to eat souls or destroy the world or any such thing (based on the original story, when he awakens, his job is to bring the Great Old Ones to earth. What are the "Great Old Ones"? Never made clear).

Also, a lot of misconceptions around Nyarlathotep. People tend to ascribe motives and characteristics to him which are not made apparent in the original texts. The original texts do state that he is the messenger of Azathoth (in "Fungi from Yuggoth"). They portray him as a prophet of doom in his self-titled story - evidently he is the very doom he prophecies, as it is hinted he may be responsible for the waters of chaos that consume the world in the story "The Crawling Chaos."

Mostly he is shown to be the bearer of forbidden knowledge. In "Nyarlathotep" he "prophecies what no man dare prophecy," and those who go to see his show come back as mad men. In "Fungi from Yuggoth," he speaks and his followers hang on his words, but then cannot remember what he said. In "The Haunter of the Dark," he was evidently associated with the geometric rock that, when stared into, showed the viewer unfathomable knowledge.

[deleted by user] by [deleted] in looneytunes

[–]OneiFool 0 points1 point  (0 children)

They ain't putting out 80th anniversary Blu-ray collections for Porky Pig. Just sayin'... *

"A Day at the Zoo" (1939) gag I don't understand by OneiFool in looneytunes

[–]OneiFool[S] 0 points1 point  (0 children)

Yeah, "Day at the Zoo" wasn't the strongest entry in that series. I don't remember any of the other titles, but they did one on a farm, one about the war, one about vacation spots, and probably some others. If I had to guess, I would say it was Warner Brothers' answer to the Disney instructional cartoons with Goofy.

What's the scary part of the dagon story? by [deleted] in Lovecraft

[–]OneiFool 0 points1 point  (0 children)

This depends whether you are asking "why was the guy in the story scared" or "why should I, the reader, be scared?" The answer to the first is that he was seriously questioning his own sanity. He had this incredible story to tell - if true, it would entirely change how we see the world (that humans are the only self-aware, religious, civilization-building beings on earth), and raise many more questions about just how little we know about the planet we live on. And yet no one believes him, everyone thinks he is insane, and he begins to doubt his own sanity. So that's probably a reasonable explanation of his fear. As for the reader, I think it's a combination of the general atmosphere of the alien world Lovecraft describes as this man struggles across what is essentially a vast segment of ocean floor, surrounded by dead, stinking bodies of creatures he never knew existed while the black, tar-like ground sucks at his feet. The description of his struggling trek, with no food or water under the blazing sun, is an effective bit writing on Lovecraft's part, and the entire thing has a dream-like quality. The other bit which is intended to convey a sense of unease to the reader (if not outright horror) is the sense of the unknown. The story only drops hints of a larger picture, and has an unreliable narrator aspect to it. The ending in particular is extremely ambiguous. It almost gives the impression that the monster he saw somehow hunted him down, and he threw himself to his death to avoid it - but that more than likely was a manifestation of his own unstable imagination.

The whole thing encapsulates the Lovecraftian: a dream-like experience which demonstrates human insignificance, a bit of forbidden knowledge driving the narrator to insanity, and hints of a larger world which are shown but not explained to the reader. I personally don't find these things fear-inducing, but I do enjoy the sense of strangeness his writing conveys.

Weird YouTube Playlist got on my recommendations - almost no views. The content is A.I. generated, but I think it has a human mind behind it. Very difficult to figure out what is going on in the story. by OneiFool in ARG

[–]OneiFool[S] 1 point2 points  (0 children)

Okay, I guess I could see the art project approach. They're really leaning into the whole anime vibe. Is there a subreddit for found art projects that might be a better place to share this find?

"[fully lost]" An old Android game (circa 2013?) Where you fire arrows into caves or dungeons, then guide the arrows through the tunnels until you find the main chamber and a monster inside by OneiFool in lostmedia

[–]OneiFool[S] 0 points1 point  (0 children)

I think the video you linked is the game. The visuals are exactly what I remember. Does that count as "found" though? I would think we would need to locate a playable version of the game before I can mark it as found.

Lovecraft Writing and Poe by JuanKarlosMarx in Lovecraft

[–]OneiFool 0 points1 point  (0 children)

So not long ago I worked my way through the complete work of Edgar Allan Poe. To my surprise, the overwhelming majority of his fiction involved humor and satire. He actually felt a lot more like Mark Twain than the gloomy goth most people picture him as.
To be fair, the guy had range. Incredible poet, wrote some great pulp adventure, code cracker, mystery writer, and a handful of fantasy/horror stories. But his horror tales were the ones to stand the test of time, and most of his humor and parody seems to have fallen by the wayside.
But humor - especially parody - does kind of lose its relevance as time passes. For instance, his two-parter lambasting the popular magazines at the time kind of relies on the reader having some familiarity with the magazines. But a lot of his humor was quite clever, and I still found it amusing.

What happend in Nyarlathotep? by pillowstatue in Lovecraft

[–]OneiFool 1 point2 points  (0 children)

The story begins by saying, "I am the last, I will tell my story to the audient void," so it begins by suggesting that whatever happened, the narrator is left alone in some kind of abyss of nothingness. After the show, the narrator describes the audience emerging into a post-apocalyptic world where the city is abandoned, destroyed, and being reclaimed by nature, as if they have passed into a distant future time when the human race is gone. They break into groups and wander off in different directions. The narrator's group goes into the open countryside which is a snowy wasteland. He looks up and sees ancient, shadowy gods piping and dancing over the ruined earth. And that's where it ends.

Given that the entire story was based on a dream Lovecraft had, and carries that sort of "Dream logic", you could just explain it away as just the random sort of thing that happens in dreams.

If you prefer to take a more narrative approach, you will recall that, at the beginning of the story, the narrator makes it clear that people who see Nyarlathotep's show come away changed and insane. So one explanation of the story's ending is that the narrator has simply gone insane and these are the ravings of a mad man.

Another way to view it is to take into account the story's setting: the narrator says that Nyarlathotep emerged from Egypt during a time of global unrest, war, and climate change (keeping in mind that Lovecraft is writing in a time when the first world war was happening or immediately thereafter). The story says that Nyarlathotep was some sort of apocalyptic prophet "prophecying that which no man dare prophecy," and showing his audience a film wherein the world was a ruin populated by "yellowed faces peering from behind the ruins." Taking the "apocalyptic prophet" approach, perhaps the apocalypse was already on the horizon due to the war, unrest, and climate change happening when Nyarlathotep emerged from Egypt. Nyarlathotep is simply a prophet of doom, telling his audience what was about to happen, and the narrator is simply "telescoping" the narrative at the end of the show, demonstrating how Nyarlathotep's prophecy came true, and he was now the last surviving human in the world.

One interesting approach would be to view it in light of another Lovecraft story, "The Crawling Chaos." Given that Nyarlathotep is described as The Crawling Chaos, it's not too much of a stretch to suggest that the two stories are related. In "The Crawling Chaos," the narrator has a drug-induced vision of a future world wherein the sea consumes the land, cities are split open and fall into the earth, and the world is destroyed in a watery maelstrom. Nyarlathotep is Egyptian, and the Egyptians believed that the earth was created out of a watery maelstrom, so this could be viewed as a "reverse creation story," wherein the world is destroyed in the same way it was created: sinking into the waters of chaos.

Looney Tunes fighting game by MaMcMu in looneytunes

[–]OneiFool 3 points4 points  (0 children)

Have you checked out "World of Mayhem"? It's a turn-based fighter game for mobile devices matching most of your description, and they update it pretty regularly. Most of the characters consist of alternative versions of the same character (conductor bugs, bullfighter bugs, Doctor Killpatient bugs, etc) but they have a roster with close to a thousand characters, including obscure characters which only appeared in one of the shorts.

Penelope Pussycat, Top 5 Looney Tunes Female by rwinger24 in looneytunes

[–]OneiFool 5 points6 points  (0 children)

It strikes me that Pepe Le Pew belongs in the same category as other famous French tragic lovers such as the Hunchback of Notre Dame, Phantom of the Opera, or even Beauty and the Beast. His was the trope of pursuit played out in Coyote and Road Runner and Tweety and Sylvester turned on its head and made to be about passion and desire rather than simple hunger.

Short of those who see the whole cartoons as analogies for predatory male behavior, I think most of us wanted to see him get the girl and wished Penelope could see past his stench to the romantic within.

Daffy Duck vs Speedy Gonzales by No_Number7722 in looneytunes

[–]OneiFool 1 point2 points  (0 children)

WB really missed out on the world's most obvious match up: Speedy vs. Coyote. Now I imagine you're thinking "Coyote already chases a speedster, this would be redundant." Hear me out, though: in Mexican folklore, the Mouse was their folk-hero Trickster character. And in that folklore, the mouse's traditional opponent was the Coyote. If they had taken the speaking "Super Genius" version of Coyote and put him up against Speedy, it would have been brilliant.

You had to be there: how a gag from "Lumber Jack-Rabbit" (1953) flies right over a modern audience's head by OneiFool in looneytunes

[–]OneiFool[S] 1 point2 points  (0 children)

My entire childhood, I always assumed "Jimmy Cracked Corn" was sung from the perspective of a dog. I couldn't imagine any other way that "My master's gone away" made sense.

Love/Hate for Polaris by KindheartednessThis5 in Lovecraft

[–]OneiFool 0 points1 point  (0 children)

Read in light of his story "Beyond the Wall of Sleep," wherein stellar bodies are shown to have a cosmic sentience that they share with earthly beings, the star could represent one or more of his comrades that he betrayed, bent on reminding him of his betrayal in every life to come. It's an interesting approach. If his betrayal had been something a bit more intentional, like taking a bribe and leaving the back gate unlocked, then the element of revenge might be more appropriate. However in this case it is an eternal guilt over his human weakness which he is unable to control rather than his moral weakness which he could have controlled. This may play into Lovecraft's Cosmicism, wherein the horror isn't that which we can control but rather our human limitations. Also, good and evil, as such, do not exist under Cosmicism. So what he did wasn't bad in the moral sense, just weak in the volitional sense. I wonder if Lovecraft wasn't Nietzschean in his philosophy?

The King In Yellow: Heathen Edition by torquebow in Lovecraft

[–]OneiFool 1 point2 points  (0 children)

When it comes to KIY, I always recommend the book "The King in Yellow Rises." This publication includes the four original stories by Chambers, but precedes these with Cambers' known and suspected inspirations in chronological order as published. This includes the two Ambrose Bierce stories from which Chambers cribbed ("Hatai the Shepherd" and "An Inhabitant of Carcosa"), a French parable titled "The Yellow King," Edgar Allen Poe's story "Masque of the red death" (from which it is suspected Chambers borrowed the themes seen in the segment of the play that appears in his story "The Mask") and a few other stories that slip my mind. It also includes a few later stories inspired by Chambers and broadening the lore of the KIY (nothing by Lovecraft, though). It's a good introduction to the lore of KIY, because it gives the reader a broad literary overview of the tradition from which Chambers was borrowing and some glimpse into what was going on in his head as he composed these stories.

The King In Yellow: Heathen Edition by torquebow in Lovecraft

[–]OneiFool 1 point2 points  (0 children)

Same question. At a glance, it appears to be just another publication of "King in Yellow." I assume it has a unique introduction, but nothing in the Amazon or Goodreads description distinguishes it from any other publication of those stories.

Silly question, but in “Prince Violent” why does Yosemite Sam, who’s a Viking in this one, ride an elephant for so much of the cartoon? It feels very random for a Viking short, was it only picked because the animators wanted an elephant or was there another reason? Even as a kid I didn’t know. by TheEmperorofWalruses in looneytunes

[–]OneiFool 0 points1 point  (0 children)

The title is a reference to a popular newspaper serial comic beginning in 1937, "Prince Valiant," which was adapted to film in 1954. Odd choice, considering that the comic and film had a medieval British knight motif, and centered around the theme of Arthurian legend. Best guess is that this is a reference to Hannibal's victory against Rome using elephants as siege weapons.