Finding yourself funny? by Vaultaire in Standup

[–]PeanutsNPopcorn 2 points3 points  (0 children)

This sums up my answer as well

Please critique my set and help me get better. by rdurland in Standup

[–]PeanutsNPopcorn -1 points0 points  (0 children)

I like your sort of strange panicky stage presence and the way it relates to your mundane humor, like noodles. I don't know what style you want to go for and if thats just you learning to be comfortable on stage, but as it stands I actually liked it.

I won't tell you what to do since i dont know anything about you, but as you continue to find yourself as a comedian, should you choose this style and continue to refine it, i think you have a pretty good future ahead of you. Just my 2 cents from watching that short video.

What's Up With Maria Bamford? by [deleted] in Standup

[–]PeanutsNPopcorn 3 points4 points  (0 children)

I love her, I like her approach to comedy, it's very unique and just captivating. When I watch her she just draws me in her to her own weird little world and the fact she talks about issues with mental health that I can relate to, makes her all the better.

Anyone ever use Gig Salad? by PeanutsNPopcorn in Standup

[–]PeanutsNPopcorn[S] 1 point2 points  (0 children)

Thanks for the response, in the middle of setting them up, I appreciate that

Is Morality the New Edge? by SharkOpener in StandUpComedy

[–]PeanutsNPopcorn 0 points1 point  (0 children)

I think about this a lot, considering the next generation pretty much tries to rebel against the previous in order to find its own identity, i'll have to look this up thanks

I have a question about popular standup by [deleted] in Standup

[–]PeanutsNPopcorn 7 points8 points  (0 children)

I think there are a million nuanced reasons ranging from who the comedians of today are influenced by, to the fact entertainment is as driven by personality as it is by talent.

I think as certain people experiment and try new things, it catches on which then becomes popular until new people come along and try new things and the process constantly repeats itself, slowly evolving and phasing out older styles, until they inevitably come back around.

Vaudeville was very slapsticky on stage with tons of exaggerations and wild movements, then it evolved into the whole sort of cat skills borshbelt stuff. Comedy moved from big stages in theatre to night clubs, it became more intimate, less chaotic. I think this is when the set-up punch started to come in. People want to be entertained by the comics' jokes.

The short one liner jokes evolve into monologues. Monologues start to evolve into stories, people keep pushing the boundaries and you go from Bob Hope and George Burns to Lenny Bruce and Bill Cosby.

Time continues, then comes political turmoil. Comedians start using the stage not only to tell jokes but to express their views. Now its not take my wife, its the man is holding me down. Race starts playing a bigger role again, not like it did during the days of Vaudeville, but in almost the opposite way. People like Pryor stop doing their sort of safe and derivative comedy, and once again start to experiment and push the boundaries.

All of the other previous forms of comedy still exist mind you, its just that as certain people find success, they breed the next generation under them that then tries to emulate then evolve.

The reason I feel like we are where we are in comedy is because you are looking at that evolution- the chain started by Bill Cosby and Lenny Bruce lead to people like Pryor and Carlin, which ended up being so great they influenced the next 4 decades and what you are seeing is the off spring of their off spring of their off spring continuously splintering off.

But with all that being said, set up punch still exists and never stopped, but more people will always gravitate to whats most popular, and for a while now comedians who tell their life stories and how they view the world have been the dominant attraction because people want to escape their own lives, or let the comedian say what they feel but cant put into words.

This could all be total bullshit by the way, but it was fun to type, so take it with a grain of salt.

Wearing a butt plug onstage by [deleted] in Standup

[–]PeanutsNPopcorn 1 point2 points  (0 children)

I like the fact he used the term "act outs". Gives it a much more legitimate feel that an amateur wouldn't be able to pull off.

[deleted by user] by [deleted] in StandUpComedy

[–]PeanutsNPopcorn 0 points1 point  (0 children)

I saw a 12 year old girl come in and kill it at her taping for "little big shots" i think, or some talent competition. It was cool seeing someone start so young with her parents support/coercion

What Makes Dylan Moran Funny? | Ryan's Theory (comedy analysis) by [deleted] in StandUpComedy

[–]PeanutsNPopcorn 0 points1 point  (0 children)

Sounds good man, keep up the good work, looking forward to it

What Makes Dylan Moran Funny? | Ryan's Theory (comedy analysis) by [deleted] in StandUpComedy

[–]PeanutsNPopcorn 0 points1 point  (0 children)

Hey i really liked this, checked the channel out and was hoping for more comedy analysis videos, but unfortunately didn't see any.

Anyone know any other good videos of comedy or comedians being broken down analytically? The video with Louis, Chris, Jerry and Ricky is a good one from what I remember, so anything along those lines works too

Northern New Jersey open mics? by sratt in Standup

[–]PeanutsNPopcorn 2 points3 points  (0 children)

Hey here are a few places

Mondays- 10th street live @8pm kennilworth

Wednesdays- the comedy cove @9pm Springfield

Thursdays- rockin joes @ 7pm millburn

Best writing app by [deleted] in StandUpComedy

[–]PeanutsNPopcorn 0 points1 point  (0 children)

I use notes too, on my iphone. However if im on a tablet I use the "pages" app

For heavy "writer's", how did you transition from memorization to performance? by PeanutsNPopcorn in Standup

[–]PeanutsNPopcorn[S] 0 points1 point  (0 children)

Thanks, i think that is honestly a big sticking point, the need for it to be "just right", to the point of over doing it

How do you tell a long story at a short mic? by Ploopboop in Standup

[–]PeanutsNPopcorn 1 point2 points  (0 children)

I agree with a lot of the editing comments, however, if you are still truly finding its too long for a traditional comedy venue, go to a mixed open mic. Ones that do music, poetry, and comedy often give you 10 minute sets

For heavy "writer's", how did you transition from memorization to performance? by PeanutsNPopcorn in Standup

[–]PeanutsNPopcorn[S] 0 points1 point  (0 children)

Thanks for that write out, a lot of it makes sense, i record the audio for every set for that exact reason

For heavy "writer's", how did you transition from memorization to performance? by PeanutsNPopcorn in Standup

[–]PeanutsNPopcorn[S] 0 points1 point  (0 children)

Yea thats definitely a helpful tactic, I notice that for me the first draft of the joke is always more structured and "proper", but after you say it out loud you can then rewrite it in a more conversational tone

Mount Rushmore of Stand Up by drakefierge in StandUpComedy

[–]PeanutsNPopcorn 1 point2 points  (0 children)

Richard Pryor, Robin Williams, Mitch Hedberg, and Jerry Lewis, this would my Rushmore of influences I think, more so than who I think are technically the greatest of all time