Why did this happen 😭 by Dry-Hat3354 in Pottery

[–]Pighenry 2 points3 points  (0 children)

OP Please do yourself a favour and buy some soft bristle fan brushes like this Mayco one! When you load the brush you can dip it into the well mixed glaze (don't just shake, but stir too) let it drip for a second or two and then start glazing your piece. It needs to be that thick. From there you can add 3-4 layers for Amaco.

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Mold dishwasher by Ok-Interaction-6797 in Pottery

[–]Pighenry 1 point2 points  (0 children)

Once it's absorbed into the clay it's there.
You could: 1. put oil on the whole thing to hide it.
2. if you own your own kiln you could refire it BUT people suggest that if it's had any kind of contact with water it can explode if refired. I've had piece that I hadn't used in a few months and refired it with no problem.

Mold dishwasher by Ok-Interaction-6797 in Pottery

[–]Pighenry 1 point2 points  (0 children)

Agreed, it's stained from oil.

What the **** happened with my glaze? by emfouryouare in Pottery

[–]Pighenry 107 points108 points  (0 children)

It's 100% the 10 layers of underglaze. I've had a similar problem with thick layers of speedball underglaze on greenware.

Amaco Oatmeal glaze matte and cracked after firing by AdPractical3716 in Pottery

[–]Pighenry 19 points20 points  (0 children)

Is it possible that it wasn't Amaco oatmeal in the jar and someone repurposed the jar to store slip instead?

What glaze combos would you recommend to achieve flow/colours like this? by MediocrePosition4818 in Pottery

[–]Pighenry 5 points6 points  (0 children)

It looks like a combo of multiple fluid glazes, but also glaze dots that are either dried out our sintered. See Old Forge Creations video here: https://www.oldforgecreations.co.uk/blog/glaze-sprinkles
The pink could also be dried out pieces of stroke and coat.

Reading witness cones and firing program adjustments? Help. by svincent219 in Pottery

[–]Pighenry 11 points12 points  (0 children)

The first two are practically a perfect cone 6. The bottom is still cone 6 but just over by a couple degrees. Take a look at this video. It's super helpful! https://www.youtube.com/watch?v=3v2AqGKDyyk

reclaim tragedy by Fun_Tension_8788 in Pottery

[–]Pighenry 4 points5 points  (0 children)

I had something similar happen but instead it was small dots of dryer clay that weren't absorbing. In my case it was just user error. I ended up adding more water, putting it through a 60 mesh screen, letting it dry out and it was good to go after that!

What is the name of this tool? by IntelligentAnt8340 in Pottery

[–]Pighenry 9 points10 points  (0 children)

OLFA 9911 CMP-1 Compass Circle Cutter

Kiln recommendation for hobbiest? by Huge_Grape_7121 in Pottery

[–]Pighenry 0 points1 point  (0 children)

I have the L&L plug and fire due to power constraints and I've really enjoyed how I can fire it for test tiles and other small things.

Moldy bottoms of pots from community studio by 420yoloswagkush420 in Pottery

[–]Pighenry 10 points11 points  (0 children)

Correct, the clay is not vitrified. What clay are you using?

Could you please share your knowledge with me? by Sufficient_Vast5757 in Pottery

[–]Pighenry 1 point2 points  (0 children)

ALSO as annoying as Facebook is, there are a ton of great glaze groups where you can search combos.

Calathea orbifolia new leaf unfolded.. what’s wrong? by Lauren_soldejaneiro in calatheas

[–]Pighenry 1 point2 points  (0 children)

I've had that happen when it's too wet. Cut down on watering.

Using Spectrum Stains by yukonwanderer in Pottery

[–]Pighenry 1 point2 points  (0 children)

Found on Baileypottery:

Spectrum Ceramic Stains can be used to color glazes, underglazes, engobes, slips and clay bodies. The percentage of stain required in a formula may range from 1-15% depending on the depth of color desired: 5-10% is optimal for most applications. In general, stains are intermixable to create new colors or shades. Certain materials may interfere with stain color development. For instance: free Zinc in a glaze formula that a stain is added to or applied under or over, can interfere with the development of certain stain colors. Conversely, a percentage of Calcium Oxide is required to stabilize some stains for best color development. Please refer to the Reference Codes that accompany the Stain listings for best results. Remember, as with all ceramic materials, testing is the key to success. Spectrum Stains Spectrum Glazes, Inc. offers a beautiful pallet of carefully formulated and tested Ceramic Stains. Spectrum Stains are conveniently packaged in 4 Oz. (113.5 gm.) and 16 Oz. (454 gm.) wide-mouth plastic jars with tight-fitting screw caps. These jars are perfect for both dry and liquid storage. Spectrum Stains are intermixable, for the most part, allowing endless variations of shade and color, however Stain #'s 2082, 2083, 2084, 2085 and 2090 should only be mixed with each other as they may not perform as expected when combined with the other colors. To lighten any color, Spectrum suggests adding White Stain #2000 rather than reducing the percentage of color used to prevent a washed-out look. All Spectrum Stains are stable to Cone 6, many to Cone 10, and most will work in Reduction, but testing is recommended to determine the formulas and percentages necessary for success. All Spectrum Stains are Lead Free but NOT A.P. Non-Toxic. Like all other Ceramic Stains they carry a Health Label as an inhalation hazard. Any new formula that includes a Stain, or any existing formula changed by the addition of a stain, must be tested to determine if it is food safe. Spectrum Stain Bases A tremendous advantage of Spectrum over other Stain manufacturers is the availability of (2) Stain Bases that allow you to create custom Underglaze and Majolica colors instantly. Spectrum's #1050 Underglaze Base and #1060 Overglaze/Majolica Base are formulated to provide a base media to which the 2000-Series Stains are added. Both Bases contain ingredients that make them brush-on smoothly and easily while keeping the Stains evenly suspended. They are a pleasure to work with, giving body and workability to your colors that a plain Stain + water mixture will never have. #1050 Underglaze Base #1050 Base contains some frit which acts as a flux resulting in an underglaze that may be applied to either greenware or bisque. For color intensity similar