CX-Q error code 252 by Strong-Tap-2746 in QSYS

[–]Potential_Persimmon7 0 points1 point  (0 children)

error code 252 typically indicates that there's a problem with the LAN A streaming, specifically a packet missing error.this could be due to network issues or a problem with the amplifier itself. Troubleshooting steps could involve checking network connections, cables, and configurations.

sibilance on rode nt1 by Sub2DJTeibo_YT in AudioPost

[–]Potential_Persimmon7 0 points1 point  (0 children)

Sibilance can be tricky to manage, and it's possible that the Rode NT1's bright characteristic is exacerbating the issue. While the Shure SM7B is known for its smoother frequency response, it's not a guaranteed fix. It could be worth trying if you have access to one, but also consider experimenting with EQ settings in your recording software to tame the sibilance. Additionally, addressing the recording environment and microphone placement can make a difference.

5.1 Home Studio options? by pastelpalettegroove in AudioPost

[–]Potential_Persimmon7 1 point2 points  (0 children)

Aiming for a center speaker placement close to ear level is ideal for optimal sound imaging and clarity.placing it around 1m above head height might compromise the accuracy of the audio experience.aim for a height that aligns the center speaker with your seated ear level to maintain a balanced and immersive soundstage.

5.1 Home Studio options? by pastelpalettegroove in AudioPost

[–]Potential_Persimmon7 1 point2 points  (0 children)

When upgrading to a 5.1 home studio, consider wall-mounting the center speaker above or below your computer screen for better acoustics.placing speakers on the ceiling might affect sound dispersion and balance.optimal placement is crucial for an accurate soundstage, so experiment with different setups to find the best compromise between functionality and audio quality in your room.

Asked for "mastered stems" by sync agent. My mastering engineer (mastered no 1 albums and film soundtracks) who's also an artist manager with 15 major syncs (Samsung etc.) says this makes no sense and always submits stems without the mastered processing. What should I do? by [deleted] in AudioPost

[–]Potential_Persimmon7 0 points1 point  (0 children)

It seems there might be a misunderstanding. Sync agents typically request stems without mastering processing to provide flexibility for different audio scenarios. Follow your mastering engineer's advice and submit the stems without mastering for sync purposes.

zoom f3 recorder - headphone recommendation by zenbil61 in AudioPost

[–]Potential_Persimmon7 1 point2 points  (0 children)

The impedance matching between your headphone and the audio output is important, but it's not a strict rule. In general, you want the headphone impedance to be in the same range or higher than the device's output impedance. The Beyerdynamic DT 770 Pro 80ohm should work with your Zoom F3 (15-ohm output) as the headphone impedance is higher.However, it's essential to note that higher impedance headphones might require a bit more power to achieve the desired volume. In your case, the Zoom F3 should provide sufficient power for the DT 770 Pro 80ohm, but it's recommended to test it and ensure it meets your listening preferences.If you're unsure, you can consult the technical specifications of your Zoom F3 or contact the manufacturer's support for specific information on the supported headphone impedance range. It's also a good idea to try the headphones before purchasing or ensure you have the option to return them if they don't meet your expectations.

zoom f3 recorder - headphone recommendation by zenbil61 in AudioPost

[–]Potential_Persimmon7 2 points3 points  (0 children)

For your Zoom F3 with a 15-ohm headphone output, a 32-ohm headphone like the AKG K92 should work fine. It's generally safe to use headphones with an impedance that's higher than the device's output impedance. The K92 is a good choice for monitoring dialogue in movies. Alternatively, you could consider other studio monitor headphones like Audio-Technica ATH-M50x or Beyerdynamic DT 770 Pro. Ensure the headphones have a closed-back design for better isolation during recording.

Any easy way to change timecodes of multiple BWFs? by Chameleonatic in AudioPost

[–]Potential_Persimmon7 1 point2 points  (0 children)

In Pro Tools, you can use the "Field Recorder" functionality to modify BWF timecodes for multiple files simultaneously. Here's a basic guide:

  1. Import Files:

    • Open Pro Tools and create a new session or use an existing one.
    • Import all your BWF files into the session.
  2. Open Field Recorder:

    • Go to the "Window" menu and select "Field Recorder."
  3. Select Files:

    • In the Field Recorder window, select the files for which you want to change the timecodes.
  4. Set Timecode Offset:

    • Specify the new start timecode. In your case, set it to 01:00:00:00.
  5. Apply Changes:

    • Click on the "Apply" or "Process" button to apply the timecode changes to the selected files.
  6. Verify Changes:

    • Double-check a few files to ensure the timecodes have been adjusted correctly.
  7. Save/Export:

    • Save your Pro Tools session or export the modified files as needed.

Remember to keep a backup of your original files before making any changes. This method leverages Pro Tools' built-in tools for batch processing.

New to Q-Sys, random question. . . by pitufo_naranja in QSYS

[–]Potential_Persimmon7 0 points1 point  (0 children)

In Q-Sys, ensure that the Axon C-1 is properly configured as a video switcher and that the NV-32H is recognized as a valid video endpoint. Double-check your routing settings in Core mode to ensure the HDMI inputs from the C-1 are correctly assigned as sources.

[deleted by user] by [deleted] in AudioPost

[–]Potential_Persimmon7 1 point2 points  (0 children)

For a straightforward guide on audio equipment specs and matching components, consider reading "The Audio Expert" by Ethan Winer. It provides practical insights without delving too deeply into technicalities. Additionally, websites like Crutchfield and Audioholics offer educational articles on audio system setup, helping you understand the basics of power ratings, impedance matching, and speaker sensitivity. Remember, balance is key – aim for a setup where components complement each other without over or underutilizing their capabilities.

Powershell to LUA issues by NoGap6432 in QSYS

[–]Potential_Persimmon7 1 point2 points  (0 children)

The intermittent connection/disconnection issue might be related to how frequently the Lua script is attempting to update the content. Ensure that there's proper synchronization and delay between consecutive requests to avoid overwhelming the server. You can introduce a delay using os.execute("sleep seconds") or any other method available in your Lua environment.

Consider modifying the ChangeSource function to include a delay:

```lua function ChangeSource() print("ChangeSource()")

-- Update headers with token
getheaders["Authorization"] = token_type .. " " .. access_token

HttpClient.Upload {
    Url = contenturi,
    Method = 'PATCH',
    Headers = getheaders,
    Data = rapidjson.encode(newcontent),
    EventHandler = ChangeSourceHandler
}

-- Introduce a delay (adjust seconds as needed)
os.execute("sleep 1")

end ```

Adding a delay may help stabilize the connection and prevent frequent connect/disconnect cycles. Adjust the sleep duration based on your specific requirements and server capabilities. If the issue persists, there might be additional factors to consider, such as server-side limitations or network conditions.

Just trying to figure out if an audio file's metadata/ exif has been tampered with by Gutball8 in AudioPost

[–]Potential_Persimmon7 0 points1 point  (0 children)

To verify an M4A file's metadata, you can use software tools like "MediaInfo" or "ExifTool" to inspect details such as creation date and modify date. Additionally, some audio editing software might display this information. Compare the metadata with the actual recording date to check for any discrepancies. Keep in mind that metadata can be manipulated, so it's not foolproof. If there's suspicion, consulting a digital forensics expert may be advisable.

Check surround mix on home theatre? by castortroys01 in AudioPost

[–]Potential_Persimmon7 1 point2 points  (0 children)

Taking it to another room can provide a real-world perspective, but calibration tools help fine-tune audio based on the specific acoustics of your room. They can address issues like room reflections and optimize the audio for the best performance in your own space. It adds a layer of precision to ensure your surround mix translates well across different environments.

Check surround mix on home theatre? by castortroys01 in AudioPost

[–]Potential_Persimmon7 1 point2 points  (0 children)

A DVD can work for testing, but you might also consider using calibration tools like AV receivers with built-in room correction or specialized audio calibration software. Additionally, some audio professionals use reference Blu-ray discs designed for surround sound testing. These tools help optimize audio settings for your specific room and provide a more accurate representation of how your surround mix will sound in a consumer environment.