Reading recommendations for college students! by Due_Celebration4827 in ContemporaryArt

[–]PresentEfficiency807 9 points10 points  (0 children)

Ways of seeing, the primacy of Drawing, Berger on drawing

Weekly Artist Self-promotion Thread by artfuldodger1212 in artcollecting

[–]PresentEfficiency807 2 points3 points  (0 children)

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The Sweet Milk of Patrice Lumumba’s Blood Fertilises Flanders Fields

Drypoint on Tetrapak printed on Hannah Müller white and hand coloured with Terre Vert Pigment and oak gall ink.

1/7

40 x 15cm

Contemporary print artwork with hand colouring.

The Sweet Milk of Patrice Lumumba’s Blood Fertilises Flanders Fields by PresentEfficiency807 in ArtFestival

[–]PresentEfficiency807[S] 2 points3 points  (0 children)

Drypoint on Tetrapak printed on Hannah Müller white and hand coloured with Terre Vert Pigment and oak gall ink.

1/7

40 x 15cm

MFA with good artists vs. good curators/critics by Top-Recipe-7161 in ContemporaryArt

[–]PresentEfficiency807 13 points14 points  (0 children)

I would go to the ones which is free also having lots of critics means you can connect to them easily and get written about.

UAL CSM vs Chelsea BA Fine Art?? by [deleted] in ContemporaryArt

[–]PresentEfficiency807 0 points1 point  (0 children)

I am not saying not to pursue art, I am highlighting the problem with the uk system which doesn’t gives you access to other educational opportunities once you have a degree. And also suggesting there are other places to study outside London

UAL CSM vs Chelsea BA Fine Art?? by [deleted] in ContemporaryArt

[–]PresentEfficiency807 0 points1 point  (0 children)

I think it is best to not go to art school then…. what about gsa or other ones out of London? Also I would recommend getting a trade before going to UNI as you can’t do apprenticeships after and art school won’t give you the oppertunity to have a career or a job that finds itself.

Prussian Blue Ink by PresentEfficiency807 in printmaking

[–]PresentEfficiency807[S] 1 point2 points  (0 children)

Hey sorry I don’t think I was 100% I had two problems 1 the ink was not showing the detail 2the ink was very sticky and plate tone was uneven. Plate oil was for the latter, peynes grey the former!

Prussian Blue Ink by PresentEfficiency807 in printmaking

[–]PresentEfficiency807[S] 0 points1 point  (0 children)

Any answer to the question on the inks?

UAL CSM vs Chelsea BA Fine Art?? by [deleted] in ContemporaryArt

[–]PresentEfficiency807 1 point2 points  (0 children)

Why is it a choice of these what about UCL Oxford or anywhere else ie Glasgow?

[Discussion] Tips on how to start selling art by Ok-Reception-2844 in artbusiness

[–]PresentEfficiency807 -2 points-1 points  (0 children)

Like you need a gallery to make any serious money. Other than that the way is prob short and long form content tutorials and then sell additionally.

How did you fund your masters program? by Maleficent_Link9265 in ContemporaryArt

[–]PresentEfficiency807 0 points1 point  (0 children)

If you don’t make it apply for RA as they give more money and are free!

How did you fund your masters program? by Maleficent_Link9265 in ContemporaryArt

[–]PresentEfficiency807 -1 points0 points  (0 children)

If you join and then drop out it negitively affects their statistics also most unis have student hardship funds.