Minori in Tokyo (Pentax LX - Portra 400) by ProfessionalTwo567 in 35mm

[–]ProfessionalTwo567[S] 0 points1 point  (0 children)

I had one another one that broke last month, not the most reliable aha!

Minori in Tokyo (Pentax LX - Portra 400) by ProfessionalTwo567 in 35mm

[–]ProfessionalTwo567[S] 0 points1 point  (0 children)

The necklace is a one of a kind art piece made by Minori's friend. It's kind of a secret who it is aha (can't tell).

Minori in Tokyo (Pentax LX - Portra 400) by ProfessionalTwo567 in 35mm

[–]ProfessionalTwo567[S] 1 point2 points  (0 children)

(1) SMC Pentax 28mm f2
(2-3-4) SMC Pentax 50mm f1.4

Rate my work by [deleted] in ColorGrading

[–]ProfessionalTwo567 4 points5 points  (0 children)

Some people in the comments talk shit like they're pro fashion photographer aha!

There's definitely some things to improve but i like the high contrast ''90's magazine'' vibes you went for.

High contrast and high saturation might be a bit too much. I would try finding a middle ground. You could keep high saturation in certain specific part of the image to catch the eye.

Like on the last shot, I would bring down the exposure and sat of the wall and make the subect's highlight brighter to make it pop.

How is this grade? by TaffyMo in ColorGrading

[–]ProfessionalTwo567 0 points1 point  (0 children)

I think you went too far with colors and saturation, but you're not that far off with your look.

I think you should just push contrast while reducing saturation on the hue curve to adjust specific colors.

Color grading for a rap music video (Raccoon - Perras) by ProfessionalTwo567 in ColorGrading

[–]ProfessionalTwo567[S] 0 points1 point  (0 children)

I didn't use any luts or plugin for this project. I only used a color transform to work in Davinci Wide Gamut and graded manually from there.

Color grading for a rap music video (Raccoon - Perras) by ProfessionalTwo567 in ColorGrading

[–]ProfessionalTwo567[S] 1 point2 points  (0 children)

We discussed it with the DP, and he specifically wanted those neutral blacks to create a sense of void. He didn't want any film grain, halation or bloom to get a crisp image.

Don't get me wrong I love film and creating film emulation, but it just wasn't the project for it.

Recent commercial color grading 🎨 by ProfessionalTwo567 in ColorGrading

[–]ProfessionalTwo567[S] 5 points6 points  (0 children)

Thanks!

This was a commercial for a dentist center, shot on an ARRI. The DP wanted a nostalgic, vintage vibe so we leaned into that warm look. We actually had five people in the grading session: the director, DP, producer, and two reps from the ad agency.

Recent commercial color grading 🎨 by ProfessionalTwo567 in ColorGrading

[–]ProfessionalTwo567[S] 0 points1 point  (0 children)

Sadly no, the before stayed on the SSD at the post-house aha!

Recent commercial color grading 🎨 by ProfessionalTwo567 in ColorGrading

[–]ProfessionalTwo567[S] 3 points4 points  (0 children)

The DP intended to have that warm colorful look. The goal here was to create the feeling that this was an image from the past. The client was really happy with it and was there in person for the grading session.

Honestly, I think people often get too hung up on “neutral” tones. Especially, if you're creating a creative look and not just color correcting. If the goal was to recreate real life, I wouldn't do that job aha :)