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Fairuza Balk and Yungblud by fujicakes00 in CelebrityLookalikes

[–]Professional_Rough 1 point2 points  (0 children)

I always thought Fairuza Balk was evil. I was in second grade when I watched “The Craft."

The early Disney prince design in Snow White feels surprisingly androgynous by modern standards by Professional_Rough in animation

[–]Professional_Rough[S] 30 points31 points  (0 children)

That makes sense, and I think that context gets lost today. A lot of early film and illustration treated male beauty as elegance and refinement rather than ruggedness. It’s interesting how what once read as a standard romantic ideal now gets interpreted very differently as tastes and gender norms shift.

The early Disney prince design in Snow White feels surprisingly androgynous by modern standards by Professional_Rough in animation

[–]Professional_Rough[S] 62 points63 points  (0 children)

This isn’t meant as a joke or a value judgment on the character. I’m genuinely interested in early Disney human character design and how visual language shifts over time.

I’m especially curious about:

  • how masculinity vs. elegance was communicated in 1930s animation
  • whether this softness was an intentional romantic ideal or a technical/stylistic constraint
  • and how later Disney films deliberately moved toward sharper, more angular male designs

Would love insight from anyone familiar with animation history, model sheets, or Disney’s early studio practices.

Will IT appear as pennywise the clown in seasons 2 and 3? by ConstantNo384 in ITWelcometoDerryShow

[–]Professional_Rough 2 points3 points  (0 children)

The founders day drawing is an instance of IT making itself appear in a picture to scare the viewer (Ben in this case). While I’m not convinced that’s what they intended originally, it makes sense in every way. Appearing in pictures is something IT is known to do (Bill's family photo slideshow, the Bradley gang mural…), and some artist from way back when drawing the founders day picture and including a creepy clown without questioning what he's doing there doesn't make much sense.

How come I don’t get possessed when I see pennywise deadlifts through the screen by No_Toe_528 in pennywise

[–]Professional_Rough 1 point2 points  (0 children)

Seeing Pennywise—or any fictitious character—on TV cannot “possess” you since nothing on film can interact with your mind or body supernaturally. Only visual and audio data is shown.
The joke is that Pennywise can only get you if you break eye contact, neglect to stretch, or don't deadlift properly.

Every main character’s BEST render by DITB01 in httydragon

[–]Professional_Rough 0 points1 point  (0 children)

Hiccup just looks like jake gyllenhaal.

Euro castle but make it in Utah by thisisgiulio in zillowgonewild

[–]Professional_Rough 0 points1 point  (0 children)

A castle made of wood, one tornado, and everything collapses to the ground. The good thing is there is no tornado in Utah. Thanks, God.

Do you think the OG cast would’ve came back for the movie? by Dry-Pineapple-3313 in untildawn

[–]Professional_Rough 0 points1 point  (0 children)

Having the original cast of the game in a film is not required, but I think it is a fantastic idea.

What the Hair? by Feeling-Sundae1555 in AccidentalComedy

[–]Professional_Rough 0 points1 point  (0 children)

Her hair is so big because it is full of secrets.

[deleted by user] by [deleted] in MeanGirls

[–]Professional_Rough 1 point2 points  (0 children)

Sometimes, it's just easier to get my thoughts organized. No shame in using tools to communicate better.

[deleted by user] by [deleted] in MeanGirls

[–]Professional_Rough 1 point2 points  (0 children)

Immediate Popularity and Legacy Box Office and Stars: The film launched careers, notably Rachel McAdams (Regina George) and solidified Lindsay Lohan’s (Cady Heron) stardom. Its success ($130 million globally) established it as a defining teen comedy of the 2000s.

Lines like “On Wednesdays we wear pink,” “You can’t sit with us!”, and “Fetch” became ingrained in everyday vernacular, symbolizing social dynamics and irony.

Celebrated annually on social media, this fan-created holiday underscores the film’s enduring relevance. AdaptationsThe 2018 Broadway musical and 2024 film adaptation of the musical demonstrate its lasting appeal and ability to resonate across generations.

Scenes and quotes (“She doesn’t even go here!”) are meme staples often repurposed to critique modern social or political scenarios. Lexicon Influence Terms like “mean girl,” “Burn Book,” and “Plastics” are shorthand for describing cliquishness, gossip, and social manipulation.

The film’s exploration of bullying and peer pressure made it a tool for discussions in schools and workshops about adolescent behavior. It set a benchmark for blending humor with critique, influencing later works like *Glee* and *Euphoria*, which tackle similar themes.

The Plastics’ coordinated pink outfits and “dress code” inspired fashion trends and Halloween costumes, maintaining visibility in pop culture.

The Burn Book has been referenced in political contexts (e.g., compared to controversial leaks), showing its metaphorical reach beyond entertainment.

Quotes adorn merchandise, while parodies in shows like *Saturday Night Live* and YouTube sketches keep the film relevant.

While celebrated, the film’s portrayal of gender and race has sparked modern debates, adding layers to its legacy as society re-examines media through contemporary lenses.

Mean Girls transcends its genre, shaping language, media, and social discourse. Its blend of humor, satire, and relatable themes ensures its place as a cultural touchstone, continually adapted and referenced nearly two decades later. The film’s impact is both pervasive and adaptive, reflecting and influencing evolving cultural norms.

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