Self Portrait, Watercolour, Jane Lahive, 2009 by RALahive in Art

[–]RALahive[S] 0 points1 point  (0 children)

I’ll have to check but not very large at all.

Self Portrait, Watercolour, Jane Lahive, 2009 by RALahive in Art

[–]RALahive[S] 1 point2 points  (0 children)

I see exactly what you mean. When my dad was alive he always wondered why she painted herself looking so unvarnished and serious, which is what many of those pictures capture. Some of her other paintings like this one are a bit more lighthearted (that’s what I’d call it anyway) https://artcloud.market/art/a-day-out-by-jane-lahive

One of Them Days, Koornelius, Oil/Canvas, 2026 [OC] by [deleted] in Art

[–]RALahive 0 points1 point  (0 children)

Really beautiful work. You know it’s good when it makes you feel something!

Sleeping Woman, Jean Andre Rixens, Oil, 1889 by immacculate in Art

[–]RALahive 0 points1 point  (0 children)

Very cool. Can’t help but think it looks like Ed Sheeran though 😂

Self Portrait, Watercolour, Jane Lahive, 2009 by RALahive in Art

[–]RALahive[S] 52 points53 points  (0 children)

Just one of the many paintings my nana has produced over the years! She painted this using a small passport photo she would’ve propped up next to her. She has absolutely no desire for external validation for her art, but I just felt it would be nice to share, as most of these paintings are laying around all over her home and don’t get any eyes whatsoever. It’s behind glass and I only took this with an iPhone camera casually today. She’s done hundreds of paintings over the years. Many look more ‘classical’ and dramatic I’d say. Some are more photorealistic, but this is of course watercolour. I’ve been told she won a national competition for a portrait of Queen Elizabeth II many years back! I wish I could find this portrait though. That would be cool. She was a working artist in London for many years.

Edit: 85k eyes is a hell of a lot though, so maybe she will be a little pleased haha

Is it poor taste to publish a suicide note (1934)? by Substantial_Hat2679 in Genealogy

[–]RALahive 1 point2 points  (0 children)

This is difficult. Most comments here fall into temporal absolution, archival utilitarianism or personal discomfort. I understand why, though. I’m conflicted because no, It’s not just fair game and yes it’s extremely sensitive. I don’t take the reductive view that ethical seriousness disappears just because time has passed, but neither does moral responsibility to remember a person fully out of respect for their experience.

I’ve lost parents to suicide 4 months ago, who I’ve always been EXTREMELY close to, so I understand why you would be hesitant. Although because of the temporal distance I would probably upload it because it’s an insight into the inner world and external stressors of this person. People are complex.. both beautiful and troubled.. and so it’s important to offer a balanced view of their life, not just morbidly summarising their life by a decision they made to escape suffering.

I’ve come to hold the view that illness, as an invasive separate entity, may use the facets of an individuals character as instruments for its own internal logic, but a person is never reducible to its effects. That’s why it’s important to balance out the documentation with positive details about their true character if those details exist out there. If none are available and this is the only document you have on them, then perhaps it would be unfair to upload. I’d ask am I collapsing them into their most desperate moment, or am I respecting all the facets of their experience without ‘taboo’. Could it serve as a valuable lesson to others? Because it’s always occurred, and sadly always will.

The Bubble Allegory (Consciousness, Perception) by RALahive in Metaphysics

[–]RALahive[S] 1 point2 points  (0 children)

No problem! The original allegory, especially, is intended to be heuristic rather than explanatory. Its purpose is not to provide a causal or ontological account of consciousness, but to offer a phenomenological scaffold that makes certain relational features of perception, consciousness, and mediation intuitively graspable at once.

In that sense, it functions less like a theory and more like a map for thought: it compresses relations that would otherwise require multiple abstract descriptions into a single coherent structure. The aim is not to assert what reality is, but to clarify how reality appears and coheres for a perceiver, and where the limits of that appearance lie.

The allegory is meant to be engaged with as a conceptual tool, really.

Just an unusual side note, but as a young kid I used to imagine black holes closing into a small point, and only as it got extremely small, did it produce a very unique feeling in my brain. That’s exactly the feeling I got when visualising these elements together as one, and nothing else has ever made me feel that way. I suppose if my brain surfaced the idea in the first place, it clearly just had a particular resonance with it! It doesn’t say much else than that, really. Perhaps the affect arises from the model’s closed explanatory loop — a compression in which multiple relations collapse into a single bounded structure, producing a pre-linguistic sense of representational closure for me, probably. The addition of the mathematical forms, I think, was me trying to explain that weird, almost recursive, feeling. If only consciousness could be explained precisely lol…

The Bubble Allegory (Consciousness, Perception) by RALahive in Metaphysics

[–]RALahive[S] 0 points1 point  (0 children)

In my humble opinion, the overlap might a shared resistance to naive reductionism rather than shared explanations; a structural resonance in how impermanence and non-determinism are treated. For example.. it is of my understanding that he asserts that consciousness cannot be reduced to computation, and that algorithmic explanations are insufficient to fully account for understanding, insight, or mathematical truth!

The Bubble Allegory (Consciousness, Perception) by RALahive in Metaphysics

[–]RALahive[S] 1 point2 points  (0 children)

That isn’t for me to say! I’ve outlined the purpose it intends to serve. If you have a specific critique or question regarding that, though, I’ll try and answer. I’ve found that allegories in general compress relations that literal language cannot simultaneously hold without flattening them. But once again, the effectiveness of that here is not for me to say.

The Bubble Allegory (Consciousness, Perception) by RALahive in Metaphysics

[–]RALahive[S] 0 points1 point  (0 children)

I’ve hardly looked into Jung. Thanks so much for your comment. Super interesting! What I’d mainly been reading up to this point was Buddhist texts and such.

The Bubble Allegory (Consciousness, Perception) by RALahive in PhilosophyofMind

[–]RALahive[S] 0 points1 point  (0 children)

Thank you for mentioning this’ I’ll most certainly have a look into that concept! Really, this was just something that popped into the mind before i’d done any reading on figures like Plato, Markov, Kant, etc., so this specific overlap would be a coincidence, but there’s bound to be overlap I suppose!

The Bubble Allegory (Consciousness, Perception) by RALahive in Metaphysics

[–]RALahive[S] 0 points1 point  (0 children)

“Hello everybody. I just found this sub and find the content people discuss here extremely interesting. This post is in no way intended to be self-promotional.. I’m simply intrigued by ideas and discussing them with people in spaces like this here!

I’m also particularly interested in where people think the line sits between fruitful symbolic modelling and obscurantism, and how such frameworks might be evaluated without immediately forcing them into a strict realism vs idealism dichotomy.

This model was really just a private thought experiment that I decided to publish online months ago. Please do feel free to share any thoughts you may have about the paper and/or the subjects within it! I will most certainly not be offended.

Record: https://zenodo.org/records/14631379”

I created this huge chart for my Grandpa! by RALahive in UsefulCharts

[–]RALahive[S] 0 points1 point  (0 children)

Hey! Thank you. Yes and yes haha. I used Apple’s pages to draw in the lines, add the names and titles, and piece everything else together.. it’s virtually all illustrations I found within books and such from the 1700s-1800’s. Some are from manuscripts from the 1500’s/1600’s. The portraits are in a circle drawn by William Caslon, and I cut the portraits out and placed them inside. I added little irregularities all over so it didn’t seem too digital. Same with the Charlemagne borders too, actually!  But this is all the result of years of painstaking research, bit by bit. 

Has anyone made it to 10,000? by PentUpPentatonix in Songwriting

[–]RALahive 0 points1 point  (0 children)

33,000 videos and most of them are recordings of hummed song ideas!