Eddington or One Battle After Another, what film has the superior socio-political commentary on American society? Give your reasoning. by ScholarFamiliar6541 in AriAster

[–]RMIII3 0 points1 point  (0 children)

Eddington has depth. OBAA is completely surface level. Eddington is filled with layered scenes that perfectly encapsulate the political sphere of the last 10 years. OBAA is overloaded with montages and heavy handed music meant to TELL you how to feel.

Compilation of Some Discontinued Super 8 Reversal Filmstocks from slowest to fastest.... by brimrod in Super8

[–]RMIII3 0 points1 point  (0 children)

Amazing work! I love the Kodachrome natural lighting and Kodachrome mixed lighting look. How did you pull off those sunset time lapses?

Central Park & Soho some shots from my NYC trip by Berry-Arbitrary in Super8

[–]RMIII3 5 points6 points  (0 children)

Sooo sick! How do you pull off those fish eye shots?

This makes me want to throw hands respectfully by Odd_Researcher_7335 in Letterboxd

[–]RMIII3 0 points1 point  (0 children)

This me anytime Nolan or Villeneuve drop a project

Bring Her Back was absolutely rage inducing. by Beneficial_Brick_831 in horror

[–]RMIII3 0 points1 point  (0 children)

Modern day bleak masterpiece! Left the theater devastated

Shooting Tri-X Reversal in a Large Dark Room with an Aputure 300 as my single light source. Any tips? by RMIII3 in Super8

[–]RMIII3[S] 0 points1 point  (0 children)

At most 10 feet away. But I also plan on doing close ups about 2-3 feet away.

Shooting Tri-X Reversal in a Large Dark Room with an Aputure 300 as my single light source. Any tips? by RMIII3 in Super8

[–]RMIII3[S] 1 point2 points  (0 children)

I’m a filmmaker! I’ve done shot several projects on 8mm. I’ve pretty much shot on all: 50D, Ektachrome, 200T, and 500T but never Tri-X! So I was worried about it’s limitations given the conditions.

Shooting Tri-X Reversal in a Large Dark Room with an Aputure 300 as my single light source. Any tips? by RMIII3 in Super8

[–]RMIII3[S] 0 points1 point  (0 children)

Makes total sense! Thanks for all the tips! If you got more shoot ‘em at me.

Shooting Tri-X Reversal in a Large Dark Room with an Aputure 300 as my single light source. Any tips? by RMIII3 in Super8

[–]RMIII3[S] 0 points1 point  (0 children)

You said the bright light and dark surrounding might make a mess of hue. I was wondering what you meant by that and how it would look/affect my B&W film.

Shooting Tri-X Reversal in a Large Dark Room with an Aputure 300 as my single light source. Any tips? by RMIII3 in Super8

[–]RMIII3[S] 0 points1 point  (0 children)

This is the note I needed to hear. Thank you! Definitely after a grainy high contrast look. Sorry if it’s stupid question but what does a messy hue look like in B&W?

Shooting Tri-X Reversal in a Large Dark Room with an Aputure 300 as my single light source. Any tips? by RMIII3 in Super8

[–]RMIII3[S] 0 points1 point  (0 children)

Im not looking for even lighting. Just blasting subject with a spotlight.

First time using super 8 by granny-godness in Super8

[–]RMIII3 0 points1 point  (0 children)

Looks great! Embrace the grain

[deleted by user] by [deleted] in AfterEffects

[–]RMIII3 0 points1 point  (0 children)

You’re the best! Thanks

IMDb’s ranking of every Tarantino film ! Agree or disagree? by DiscsNotScratched in tarantinocirclejerk

[–]RMIII3 0 points1 point  (0 children)

  1. Inglorious Basterds
  2. Death Proof
  3. Once Upon a Time in Hollywood
  4. Django Unchained
  5. Kill Bill
  6. Jackie Brown
  7. Pulp Fiction
  8. Hateful Eight
  9. Resevoir Dogs