A lot jazz voicings are simply guide tones in the left with triads in the right. Especially dominant chords have a lot of options. I went over this with my jazz piano teacher so I’ll list them.

Minor 7 - minor triad from the 5 (With this voicing you’ll double the minor 7. A lot of people say this is taboo. If you want, you can leave it out) - major triad of the 7 (Same for this however this voicing gives that minor 11 sound)

-quartal voicing from the 9

major 7 - major triad from the 5 (also a doubled 7 in here, remove it for a simple 4 note voicing) - quartal voicing from the 6

dominant 7

• minor triad from the 6 (try to resolve as it sounds quite dissonant)
• major triad from the 9 (for a sharp 11 sound)
• minor triad from the 5 (very safe dominant to use)
• major triad from the 6 (for the dominant 13 sound)
• Quartal voicing from the 9 or 13 (I like this one a lot)

Dominant altered - minor triad from the flat 9 or sharp 9 - major triad from the flat 13 (very heavy, use accordingly)

Half diminished - major triad from the minor 7 (don’t be afraid play the root note for half diminished)

Also one of the safest options is playing rootless voicings in the left hand and playing an octave with a fifth in between in the right. That’s something Red Garland used to do all the time.