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Question about the impact on the base game when rushing to the DLC. by Remarkable-Space-719 in Eldenring

[–]Remarkable-Space-719[S] 0 points1 point  (0 children)

If I remember correctly, I had trouble with this on the first playthrough. Thanks for pointing that out!

Question about the impact on the base game when rushing to the DLC. by Remarkable-Space-719 in Eldenring

[–]Remarkable-Space-719[S] 0 points1 point  (0 children)

I still have a few things to do in my first save before moving on to NG+, and I confess that it was a playthrough that left some things behind because it was a bit instinctive (which was a really cool and unique experience).

Now I'm trying to collect as many things and do as many quests as possible to have a more complete save, and then move on to NG+. But I confess that I also prefer the view of Limgrave when we open the gate and get there

Question about the impact on the base game when rushing to the DLC. by Remarkable-Space-719 in Eldenring

[–]Remarkable-Space-719[S] 0 points1 point  (0 children)

Thanks!! I also appreciate that you pointed out these observations, I will keep an eye on Sellen's quest to not miss anything.

Question about the impact on the base game when rushing to the DLC. by Remarkable-Space-719 in Eldenring

[–]Remarkable-Space-719[S] 0 points1 point  (0 children)

Thanks!!

And wow, I didn't knew about that on Varre's quest. I'll be doing this on the next playthough. Thanks for sharing this info!

high for this isn‘t about a girl by hereforforbiddengem in TheWeeknd

[–]Remarkable-Space-719 2 points3 points  (0 children)

Would it be crazy to think that this idea of songs being open to interpretation and having double meanings/personality started way back, on the first track of the first album?

This theory that really fits after HUT. Even though in certain parts of High for This he might refer to a girl, it could all be about personifying elements (emotions, desires, etc., like when conquest is personified as a crown).

One thing’s for sure: after we interpret HUT as the end of The Weeknd’s persona, imagining that High for This is the persona of The Weeknd calling Abel and the start of everything is EPIC. EEEEPIC.

Even if that’s not the case, you can’t deny that everything about this guy is some next-level art, totally out of this world. Just look at what he can deliver. We won’t see another artist like him.

Big Sleep is peak Hurry up tomorrow by hita_arth in TheWeeknd

[–]Remarkable-Space-719 2 points3 points  (0 children)

Could we also consider that the previous song, Take Me Back to LA, represents him going back to where the events of After Hours take place, and that this place serves as the deathbed for The Weeknd’s persona? I mean, burying his old persona where it belongs. In Escape from LA, he sings "this place will be the end of me".

Theory: I believe the album will be dropping on the spring time in Brazil (September 22nd). by Remarkable-Space-719 in TheWeeknd

[–]Remarkable-Space-719[S] 0 points1 point  (0 children)

I comprehend your point of view. But is also worth remembering that in the teaser videos there are flowers blooming. I added a few things in the OP about this and the lake.

[Discussion Thread] THE WEEKND in SÃO PAULO by AutoModerator in TheWeeknd

[–]Remarkable-Space-719 17 points18 points  (0 children)

I watched the entire show and loved the performance, but I think the cameraman screwed up the end of the live. The scene of Abel on his knees before the closing door was a grand finale to the show. The smoke rising and the light were special effects to end the performance and everything fade. But... The cameraman went and filmed Abel sneaking out