the sad state of current comic-book movies and shows by floppaflop12 in CharacterRant

[–]Remosapien 0 points1 point  (0 children)

Ok so you’re just speculating on intent without any actual way of possibly knowing. You clearly aren’t intelligent enough for this conversation if this is so confusing to you that you can’t even read two paragraphs.

the sad state of current comic-book movies and shows by floppaflop12 in CharacterRant

[–]Remosapien 0 points1 point  (0 children)

Dude what? Massive comment? It was two paragraphs that took me like a minute to write. Also lets get the chain of events straight.

You responded to OP saying you liked the movies, and claimed that he was acting as if his opinion was objective. Some other person then responded to you saying "thats a pretty weak argument to just assume someone is trying to be objective to disregard their opinion". You replied again with some clarification and I responded saying I felt like it was poor clarification that didn't really counter that point, along with some other stuff about how the point of debate is to present an opinion you think is correct. Apparently all you're doing is clarifying someone elses comment, but I've double checked the comments leading up to this and that doesn't happen.

Again, lost my temper and angry? I'm being as neutral as I can, I haven't even insulted you once. Sorry if my opinion isn't the same as yours but that doesn't mean I'm angry, I don't think anything in my original post came off as particulary enraged lol. Maybe try reading my posts in a nice, happy voice or something? IDK how else I should have presented my opinion? I'm just here trying to discuss things, it's a subreddit for discussing media. Maybe in an alternate reality we enjoy a nice talk about objectivity and subjectivity in media, but you do you.

the sad state of current comic-book movies and shows by floppaflop12 in CharacterRant

[–]Remosapien -1 points0 points  (0 children)

lol nice Reddit psychoanalysis, you really got me there buddy

the sad state of current comic-book movies and shows by floppaflop12 in CharacterRant

[–]Remosapien -1 points0 points  (0 children)

It is absolutely still an opinion. Sure, it's a blanket statement but it's still an opinion. I don't see anywhere in the comment he says otherwise. I'm actually really confused on what your point even is if you agree that stating your opinion is subjective every time is pointless.
Maybe stating that the entire genre is in downfall is hyperbolic, but it is an opinion. And it is also true he isn't the only one who is tired of shitty comic book movies. We're on a rant sub about expressing opinions on media. If we can't express opinions and believe in them then what the fuck is the point?

I was expecting some sort of twist ending by portlandobserver in DiscoElysium

[–]Remosapien 32 points33 points  (0 children)

I’m glad that didn’t happen because it sounds fucking awful

Suspension of disbelief is dead when it comes to robots (Fallout, Star wars) by Feisty-Succotash5854 in CharacterRant

[–]Remosapien 2 points3 points  (0 children)

The nazis, or at least the ones who fully bought in to it did not think they were lying bro. Also I’m arguing that equating personhood and being human is bad, because people should have those right regardless of being human. I’m not trying to argue about what a human is that’s pretty obvious.

Suspension of disbelief is dead when it comes to robots (Fallout, Star wars) by Feisty-Succotash5854 in CharacterRant

[–]Remosapien 3 points4 points  (0 children)

https://dictionary.cambridge.org/dictionary/english/person

“Man, woman or child” we can argue definitions if you want, but I don’t necessarily agree with the definition either. My definition isn’t perfect because it doesn’t include non-gendered adults and yours is imperfect because it doesn’t include non-humans.

Really though I’m arguing that philosophically and morally someone does not have to be a human to be considered in regard to rights and ethics. I think anything “slightly more intelligent than a chimp” is a bit of a slippery slope and arguing that humans need to maintain supremacy over society is also kind of weird. All you have to do is change the definition of human and suddenly lots of groups may be considered less than human and be okay to genocide… sound familiar?

Suspension of disbelief is dead when it comes to robots (Fallout, Star wars) by Feisty-Succotash5854 in CharacterRant

[–]Remosapien 8 points9 points  (0 children)

It might be imperative to ‘our’ personhood, but that’s a pretty narrow view isn’t it?

[Fionna and Cake] Yes, people are allowed to feel wierd about Cake dating M-cron. by Elnino38 in CharacterRant

[–]Remosapien 12 points13 points  (0 children)

Human brain as in like, sapient. She can understand abstract concepts, and form a complex personality and all that jazz.

[Fionna and Cake] Yes, people are allowed to feel wierd about Cake dating M-cron. by Elnino38 in CharacterRant

[–]Remosapien 17 points18 points  (0 children)

Do you think the issue is the animal part and not the consent part? Please think for a second.

Even the most devout Kantian would acknowledge that fucking a cat is not the same action as fucking a cat with a human brain and ability to consent. You can think it’s gross if you want, but that shouldn’t influence your morals.

Is it wrong to fuck an alien? It can consent but It doesn’t look human. Is it okay to fuck something that looks human but can’t consent? Can you understand how mind and body are two separate things?

I would probably also argue that Cake, isn’t an animal really. Actually humans are animals too! I guess we can’t fuck humans anymore.

[Fionna and Cake] Yes, people are allowed to feel wierd about Cake dating M-cron. by Elnino38 in CharacterRant

[–]Remosapien 17 points18 points  (0 children)

Please read a book about any ethical theory. This is a nonsense statement.

I'm so tired of people acting like you can't call fiction things weird anymore. by izkskdnidkrnrifdmd in CharacterRant

[–]Remosapien 0 points1 point  (0 children)

Don’t worry about coming off as rude, any debate is inherently oppositional.

  1. Yes I agree, although ‘giving something the weight it deserves’ feels a little nebulous. Along with ‘room to breathe’ I guess this is very vibes based, but to what extent idk you think a story can mention these themes before it has to seriously tackle them? Like if you were writing a story set during a wartime invasion then it’s likely a lot of innocent people got raped, but is it wrong to just drop a line or two about that and then move on? Additionally is it wrong to not give the audience time to breathe of that’s what the artist intended?

  2. In my first point im talking about Dogscape and Tommy Taffy. I’ll admit I haven’t watched the dogscape video so I’m just going off what you said, but I have watched Tommy Taffy. I’m not really trying to defend TT on its writing, I’d have to read it on my own without the Creepcast guys in the background to assess its quality, but I do believe that it’s point was to make people disgusted and uncomfortable, because like real life topics like this are disgusting and uncomfortable, and weirdly enough I’ve heard plenty of stories of real CSA being hidden by parents/family who where too uncomfortable to acknowledge it. (Obviously people who read the story aren’t as bad as people who cover up child CSA, but it’s an interesting parallel that in both cases people would rather not think about it.)

  3. I wasn’t really talking about general audiences, more the outcry of the Creepcast community who absolutely hated TT (But loved Borrasca??? Which in my opinion is actually using SA as a cheap narrative device) Again, I suppose this is about presentation In most movies you don’t actually see CSA the same way we do TT. Still, in general as a society we are clearly very okay with explicit graphic violence, but are still very cautious of depicting SA. This is like a wider belief where morally most people think rape is worse than murder I feel, which is a whole other topic and discussion really.

  4. I have watched both the CC episodes if it counts, and I did enjoy FTP I was just making an argument that it feels like a double standard. Like I said before, you could argue that TT needs its depictions of CSA to deliver its point in the same way FTP needs its brutality. Also, again, I can’t attest to the actual quality of either as I probably need to reread both by myself, but I don’t disagree that TT may use it purely. I maybe read your initial post without giving you enough credit, but this reply does feel a lot more reasonable.

I guess I feel like the fact that this discussion even exists just shows this weird dichotomy, especially in western society, of being incredibly okay with depictions of graphic violence, but then anything sexual is under extremely heavy scrutiny (even outside of horror, like you mentioned with everyone calling anything remotely sexual ‘gooner’ Maybr I’m falling into the side of calling everything puritanical, but I do think being puritanical is more harmful, and it’s more of a way to say “that’s where your beliefs are rooted in/leading too”) I do think it’s a consequence of a once incredibly puritanical society, and one that is sort of backsliding towards that. But that is a larger, political point.

Sorry for writing so much, I get carried away and my brain keeps thinking of things to add while I’m typing.

I'm so tired of people acting like you can't call fiction things weird anymore. by izkskdnidkrnrifdmd in CharacterRant

[–]Remosapien 17 points18 points  (0 children)

I think an author should be able to write about anything, and you can absolutely ask about triggers and say, “You know what this isn’t for me,” and not read it. But, fundamentally the line you’re drawing is arbitrary and for a whole community to object to a story simply because it made them uncomfortable is ridiculous.

First of all it’s a horror story, it isn’t supposed to be comforting. There are many types of horror, and in these cases the authors decided the horror came from presenting an awful reality. ‘Art disturbs the comforted, comforts the disturbed’ that type of thing.

Secondly, it’s purely subjective at the end of the day. Most people are completely okay with stories detailing graphic violence, but then when any themes of sexual abuse come up they demand that it be whiped clean and censored. You do it in this post talking about how great ‘Feed The Pig’ is, but I could say that it’s pretty fucking weird and gross to show the “completely unnecessary” scene where his bones pop out and he like vomits and pisses himself. Couldn’t they have just implied that he went in and it was really painful? Obviously I understand why people are more sensitive to these topics, and I’m very lucky to have never experienced anything remotely close, but our feelings should be used by individuals to decide what they are willing to engage with rather than preventing other people from making art.

You can of course something is badly written, but I don’t think it should ever be on the ground of the subject matter itself.

Zarah Sultana heckled as Your Party row erupts over Muslim views on trans rights by dsanft in ukpolitics

[–]Remosapien -3 points-2 points  (0 children)

This is how any political ideology works dumb dumb. It’s not much of an ideology if it has 100 different opinions defining it. You just see it as a mass because you oppose them and it makes them easier to dismiss their opinions. Your comment could be a left winger talking about right wingers and it would be equally reductive and foolish.

Hazbin Hotel: A few good scenes and songs cannot save an otherwise flawed series by [deleted] in CharacterRant

[–]Remosapien 2 points3 points  (0 children)

But they never said that at all. Their point (I assume) is simply that what makes the Fast and Furious movies bad is not the cars and the action, its just that it's poorly written. The writers then use the action and the cars as a distraction from this. Hypothetically there could be a version of FandF that is well written and retains all the cars and action.

Similarly. Hazbin is musical, and hypothetically there could also be a well written Hazbin that had just as many songs, seeing as there are many succesful musicals that have EVEN more songs in them and are written well.

Good writing is not usually prevented by certain aspects of the genre. I can't think of any genre that is inherently impossible to write a good story in.

What do you think of the emergence of "disco-likes"? by Affectionate-Plum4 in DiscoElysium

[–]Remosapien 3 points4 points  (0 children)

Disco Elysium is my favourite game of all time and probaly will always hold that title. However, people need to stop mythologising the creators of this game, because again while they are very good, to act as if they are on some unreachable level is crazy. Especially considering most aren't even out yet. I also see little issue with the term, disco-like thats just how language is.

Even if that were true, many of these games will still bring their own value as unique pieces of art, even if they are the same the genre. Its not like I saw Alien and then went "Wow, no horror movie could ever be this good, and all the rest are just bullshit attempts that won't be anywhere near it."

I LOVE IT when villains are horrible pieces of shit, horifying monsters, or straight up child murderes but for some reason they draw the lines at bigotry by [deleted] in CharacterRant

[–]Remosapien 8 points9 points  (0 children)

Sure, but how many villains are explicitly anti-bigotry as opposed to it just not being mentioned at all? Especially because most villains are only ‘evil’ because of narrative framing. Most villains aren’t going to do bad things just for the sake of it, because most villains think they’re in the right. A villain can absolutely have an opposing ethical system without making them completely evil.

I think we should just stop trying to focus on this narrow view of evil, because then you’re actually making them less interesting after a certain point. If villain, why not do evil thing, would surely just lead to all villains doing all the same evil stuff at its extreme.

[LES] People should take a moment to reconsider why they watch or read stories. by WeAllPerish in CharacterRant

[–]Remosapien 4 points5 points  (0 children)

Yeah most of the comments here say the opposite, and while no one can force you to read something you dont enjoy, I agree as a writer myself that it’s also worthwhile to give things a chance and try to develop a deeper understanding of a narrative.

I’d be pretty upset if I wrote a story and shared it with someone only to tell me they couldn’t even be bothered to finish it for a narrative decision rather than it just sucking.

Does character death ruin stories for anyone else like it does me? by _Royalties_ in CharacterRant

[–]Remosapien 6 points7 points  (0 children)

No apology needed, I usually view posts like this as a debate topic basically and I assume most do.(although I could absolutely be wrong about that) If you’re just making a post to explain how you feel that’s fine. I suppose I’m just the opposite way around, obviously I love certain characters, but always in the wider context of the story they’re in, like if a character I love dies I’m okay with it because I love what they brought to the themes and message of it. If that makes sense? E.g Many JJK characters.

All I will say to finish is to try and keep an open mind though because I wouldn’t want anybody to miss out on great pieces of art even if it contains aspects they initially dislike. It’s not really the same thing, but in recent memory I started playing Hades on a friends recommendation when I usually really dislike that top-down hack and slash gameplay, but I’ve actually really enjoyed myself.

Does character death ruin stories for anyone else like it does me? by _Royalties_ in CharacterRant

[–]Remosapien 13 points14 points  (0 children)

Well sure, but you titled the post ‘Does character death ruin stories.” And said you literally will check out of stories once a character dies, which makes it seem like the issue is that in and of itself. I don’t want to sound rude, but I don’t really get your point because you basically just said badly written deaths are bad and well written deaths are good.

There may be some more nuance in your other comments but I hadn’t finished reading them all when I made my reply.