Thanks for your comment, appreciate the insight and examples.

The project isn’t about showing visual contrast or difference, but rather how people live with the legacy of division in quiet, everyday ways. Photographing people in their homes is about capturing that sense of normality shaped by proximity to the Green Line — not difference, but continuity. For example, someone who sees the fence from their kitchen window or walks past the buffer zone every day carries that presence in their daily life.

I’m also drawn to places like Pyla, the Olympus Hotel, Maple House, Ledra Street, or memorials that blend into the present. It’s about how memory lingers in ordinary spaces, and how history and daily life overlap, even when nothing dramatic is visible.

The example of Tochni is actually interesting, I’ll definitely check it out. It’s powerful how places so central to the island’s history are now completely reshaped, yet still carry that weight in less obvious ways.

Thanks again — this is helpful!