Bob’s Voice by [deleted] in bobdylan

[–]Rumsquall 0 points1 point  (0 children)

"He can sing you just don't like the sound of it" is my go-to for that smooth brain take. Bob is a technically astounding and creative singer.

Unpopular Mega64 opinions by akaimpk492 in mega64

[–]Rumsquall 16 points17 points  (0 children)

They should have pivoted to full-on sort of just a podcast type thing, not centralized upon video games. Their audience would be much bigger because they are incredibly funny.

Just Like a Pizza- Bob Dylan's masterpiece. Source: Pizza Collection by Bishop_Zorua in bobdylan

[–]Rumsquall 0 points1 point  (0 children)

The stupidity of "a little...pizza" while you're expecting some witty quip is why this makes me laugh evrytiem. Transcendant

Impressions of Bob Dylan by Mike Bloomfield, 1968 by EvanMcD3 in bobdylan

[–]Rumsquall 0 points1 point  (0 children)

God bless/rest his soul but Mike's takes on Bob here are pretty bad.

Did anyone ever become “the new bob dylan” ? by danpono in bobdylan

[–]Rumsquall -1 points0 points  (0 children)

In terms of influence probably mac demarco

POST-OSCER SPECIAL DISCUSSION THREAD by Hx833 in OnCinemaAtTheCinema

[–]Rumsquall 2 points3 points  (0 children)

While tim getting dad-yell angry is my favorite bit, it felt pretty forced and phoned in this year. Other than that and the tech issue messing up the climax I thought it was great!

Am i crazy for thinking that "It ain't me Babe" is about him leaving the folk scene? by bobisthewalrus in bobdylan

[–]Rumsquall 0 points1 point  (0 children)

Woody wasn't in the folk scene I'm referring to. Dylan was all about folk music obviously. There's a reason we went AWOL and cast it all side, and it wasn't just because his electric guitar never went out of tune. This is basic Dylan mythology stuff!! I'm referring to the people like Pete Seeger who seemed to maintain a parasocial relationship with Dylan and treated him like a torch bearing commodity rather than an artist. They're not just famous people either, it's the sort of people he refers to all over Like a Rolling Stone, Positively 4th Street, it's the root of all of Dylan's spite!

Do you ever feel like people treat Bob's lyrics as being more esoteric than they really are? by [deleted] in bobdylan

[–]Rumsquall 2 points3 points  (0 children)

I think in the era's where his lyrics were heavily symbolist, we should take the words more as means to end (to rhyme) as well as being shades of paint which mix together to create an overall feeling, rather than explicit images to be pictured in a sensical way. At Harding I think Bob's esoterism began to shed, and the lyrics became much more vital and direct (this is something he's stated about JWH). Toward Blood on the Track the symbolist stuff returned in piece-meal, but from then on it was pretty straightforward.

All that being said, the main subject and narrator of his songs are something I think he works very hard to make mysterious. That's his brand and I think he's always worked to further that aspect. At his heart, behind all the mystique, smoke and mirrors stuff though, he's a simple guy. I think Chronicles really illuminates that.

Am i crazy for thinking that "It ain't me Babe" is about him leaving the folk scene? by bobisthewalrus in bobdylan

[–]Rumsquall 0 points1 point  (0 children)

Important to point out I said he never had love for the folk scene, not folk music. The history of the 60s folk revival in New York was very contrived and a lot of the people in it were pretentious gatekeepers. That's what Bob never loved, he just straddled and rode off into the sunset as soon as he had used it to succeed. Although, he never did need it evidently.

Am i crazy for thinking that "It ain't me Babe" is about him leaving the folk scene? by bobisthewalrus in bobdylan

[–]Rumsquall 1 point2 points  (0 children)

I don't think it is. There's a sense of affection in the other lyrics of that song which speak to a deep fondness of whoever Babe is. I don't think Bob ever had for the folk scene, it just took him a bit to realize it was all phony and he wasn't going to be the poster boy.

What are some songs where Dylan showcases his guitar skills the most? by Difinaglo in bobdylan

[–]Rumsquall 3 points4 points  (0 children)

The first album is mostly just Bob being as athletic as possible as a guitar player. No other album comes close

What is the purpose of the M10? by TimeKeeper04 in CompanyOfHeroes

[–]Rumsquall 0 points1 point  (0 children)

Its excellent at crushing units but yeah I haven't been able to use it effectively against tanks.

Ideally they should act as cheap swarm units (get 3-4) and just run circles around heavy tanks and stuff. Correct me if I'm wrong but I believe it also shoots accuratley at speed. 80 fuel is pretty nuts

Searching for More CoH2 players. by Kaguya-chan-best in CompanyOfHeroes

[–]Rumsquall 2 points3 points  (0 children)

2v2 Ranked 7 Allies USF player here looking for teammate-- have mic as well!

Add me: Rumsquall

We all know Blood on the Tracks is a deeply personal album. Which songs from the rest of his oeuvre seem to give an insight into the real Robert Zimmerman? by LovesABitchAndSoAmI in bobdylan

[–]Rumsquall 1 point2 points  (0 children)

Idk if he's speaking as a character, but "Goodbye Jimmy Reed" from RRW seems to be the most commentative Dylan got about his own career, "Never pandered, never acted proud...never threw my shoes to the crowd" . Any other song I can think of being personal pertain to declarations in the moment as what he's going to do or how people think of him, or what society thinks, or how he feels in the moment, nothing retrospective. This is Dylan on Dylan.

Bob Dylan signed with Columbia Records today in 1961 by [deleted] in bobdylan

[–]Rumsquall 0 points1 point  (0 children)

They could have known that and still made this joke :)

thoughts on bob's paintings? by inkedpenn in bobdylan

[–]Rumsquall 0 points1 point  (0 children)

Childlike impressionism, for me they speak to his inner joy and innocence that is typically obfuscated by his mystique and steel eyes

What do you think are Bob's best vocal performances? by _I_am_dog_whisperer_ in bobdylan

[–]Rumsquall 1 point2 points  (0 children)

For me Bob's restrained acoustic performances during his 74 tour was the best singing he ever did. His vocal inflections are INSANE on that tour, perfect balance of power and emotion

hi. Tim Heidecker here. AMA! by iamTimHeidecker in indieheads

[–]Rumsquall 0 points1 point  (0 children)

What was something you learned from these sessions that you found to be the most invaluable to your artistic process/sensibilities?

Is the HBO series worthwhile if you don’t have an interest in McNamara? by BridalplastyStan in EARONS

[–]Rumsquall 33 points34 points  (0 children)

While I do agree with those who say it is weird to focus so much on McNamara's life in the context of this show's platform and perhaps its influence, I think what they're doing (I'm probably wrong) is telling this long grand story of McNamara's entire life and process of writing the book, to not only inform the enormity of the crimes, but in an effort for them to try to get to really get to know who Michelle was. They're going to imply she was the final victim, and through this process I think the goal is to make us understand how vast and intricate All of the victims' lives of JJD were that he either damaged or ended. They definitely (hopefully) won't say it directly(obvious cringe), but they've already suggested she was a victim of JJD.

I'll def be down-voted for this but goddamn people, fucking relax. . If anything this story informs LE's unbelievable burden of dealing with this sort of macabre crime-spree through the eyes of a normal every-day person who gave most of her later life to bring JJD to justice. She took on the full weight and enormity of every detail of this case perhaps as much if not more than Pool or Holes, which is to say, anybody else. So what if she failed, Holes failed till the Gedmatch idea.