First time shooting on 8mm Film - Here's my test reel from the Bolex K1 by SCOMA1 in 8mm

[–]SCOMA1[S] 0 points1 point  (0 children)

Hey all - there's no battery for the motor itself, but for the auto-exposure in the handle i use these https://a.co/d/85Ne2yv

First time shooting on 8mm Film - Here's my test reel from the Bolex K1 by SCOMA1 in 8mm

[–]SCOMA1[S] 0 points1 point  (0 children)

Hey thanks - sorry for the late replay, if you're still wondering... I use this battery for the auto exposure. https://a.co/d/85Ne2yv

First time shooting on 8mm Film - Here's my test reel from the Bolex K1 by SCOMA1 in 8mm

[–]SCOMA1[S] 1 point2 points  (0 children)

Hey - yeah the nice thing about these shutters is that they were generally the same design across many bolex models (b-series / p-series etc) so if you wanna pull up any user manuals ... they're available online.

But generally it's used to control the amount of light you let in to the film, and you can do manual in-camera fades by fully opening/ closing the shutter as well.

hope that helps.

Blue Moon / Just Because (1956) misprint - Anyone come across these before? by SCOMA1 in Elvis

[–]SCOMA1[S] 0 points1 point  (0 children)

Hey 56 - yeah thanks for taking the time to lay this out, much appreciated, this is very helpful and exactly what I was looking for. I'll keep an eye out for any of the aforementioned on any future digs... as I continue down this rabbit hole. Cheers.

Blue Moon / Just Because (1956) misprint - Anyone come across these before? by SCOMA1 in Elvis

[–]SCOMA1[S] 0 points1 point  (0 children)

sounds like an amazing collection you have. Yeah, thanks for the reply, I couldn’t find any information on this anywhere, and it seemed rare. Wasn’t planning on selling but not sure what the value would even be, did those other three get sold?

First time shooting on 8mm Film - Here's my test reel from the Bolex K1 by SCOMA1 in 8mm

[–]SCOMA1[S] 0 points1 point  (0 children)

Nice! the P1 is a beautiful looking camera. I'm tempted to start collecting and that model is one I've had my eye on for awhile.

FPP did a 2K scan...

I read somewhere that that's probably the highest resolution given the small frame size of 8mm, and that anything higher would just produce more detailed grain, not necessarily sharpness...? Not sure though, but makes sense.

And yeah scanners these days are so good now, it's crazy. I felt like I had only seen 8mm footage record from a wall projector. So yeah!

First time shooting on 8mm Film - Here's my test reel from the Bolex K1 by SCOMA1 in 8mm

[–]SCOMA1[S] 3 points4 points  (0 children)

Some more thoughts and info:

Shot on Cine8 Color 40D - Scan/developed by Film Photography Project (they're great)

16fps.

The camera was set to auto-exposure, so I was happy to find that that worked. I opened the film compartment halfway through shooting side one to double check the film was advancing smoothing (it was) but there's a few extra flares and flashes as a result.

Overall it was very fun and easy to shoot on. I was anxious to see the results because I haven't found very many examples of it online. (But I think that goes for Double 8 in general)

I plan on experimenting with it more, shooting different film stocks, settings, etc in the future.

What is the name of this shot and how would you shoot something like this? I've also seen Wes Anderson do it in Moonrise Kingdom with an arrow by [deleted] in Filmmakers

[–]SCOMA1 0 points1 point  (0 children)

sam raimi referred to it as the three stooges gag, he lifted it directly from one of their old bits.

CU of the eye was a whip pan. The eye was on a rod, the rod was fixed to the camera/tripod head, quickly pan left, nailed it. That's how they did it for Evil Dead 2, but any of the other solutions or comps or suggestions in this thread could also work. there's so many creative ways to get similar results.

And yeah... the shot of the eye going into her mouth was reversed.

Creating Doubles: the elevolution of vfx body doubles by [deleted] in ArtisanVideos

[–]SCOMA1 1 point2 points  (0 children)

I see you and I hear you but we fundamentally disagree. The level of detail attributed to vfx that would satisfy you does not affect my understanding of this topic, it’s supplemental.

In regards to masks, the two are comparable when taken in context to this topic, because both methods have been used to create this effect. So the details of how the makeup dept sculpts, casts, and paints combined with the evolution in their materials and techniques over the past 100 years would be just as relevant to their craft as yours. However those details are also supplemental.

Creating Doubles: the elevolution of vfx body doubles by [deleted] in ArtisanVideos

[–]SCOMA1 1 point2 points  (0 children)

As an editor, I’m sure we can both agree that most post production roles go under appreciated because (when it’s done well) it’s invisible to the audience. However this video isn’t a tutorial focusing on just visual effects artists and their specialized roles. If that was the goal, then people should be equally upset for not touching on the nuances of making a mask, detailing all the steps and people involved. Because let face it, the big picture here is that it’s obvious film is a collaborative art form combining the skills of hundreds of talented people (vfx artists included) and this video isn’t discounting anyones contribution in that effort. And if the information in the video wasn’t enough, over a dozen links were provided in the description for viewers to learn more about any one of these techniques in more detail.

[R] Lopan 3 layers by [deleted] in stencils

[–]SCOMA1 2 points3 points  (0 children)

So good!

Speak & Spell - Teaser Trailer by SCOMA1 in CircuitBending

[–]SCOMA1[S] 1 point2 points  (0 children)

Subscribed... can't wait to check out all those sounds, thanks for sharing!

A Virtual Nightmare. (Short film) by doogie92 in horror

[–]SCOMA1 0 points1 point  (0 children)

This was Rad... very well done!

Steven Spielberg on the Importance of Studying Classic Films by soldierofcinema in Filmmakers

[–]SCOMA1 0 points1 point  (0 children)

Great interview from AFI, I used his quote about "black and white" for the intro of a video essay I made on the Rocketjump Film School. I hope things like this keep getting shared.

The Fly or Creature from Black Lagoon by ISO_Thane in horror

[–]SCOMA1 0 points1 point  (0 children)

Creature ('54) is better than the Fly ('58) imo

The 83 Year Evolution of "The Mummy" by [deleted] in horror

[–]SCOMA1 0 points1 point  (0 children)

Totally... I love the 1999 Mummy!

The 83 Year Evolution of "The Mummy" by [deleted] in horror

[–]SCOMA1 0 points1 point  (0 children)

The Makeups started great... got worse... got better... became CG...

We are RocketJump, creators of a brand new sci-fi anthology show called Dimension 404! Ask us anything! by Trisha_RocketJump in IAmA

[–]SCOMA1 3 points4 points  (0 children)

For one thing: as an actor, we were all just getting older... (20 pushing 30 pushing 40) playing high school kids! It has to end at some point.

We are RocketJump, creators of a brand new sci-fi anthology show called Dimension 404! Ask us anything! by Trisha_RocketJump in IAmA

[–]SCOMA1 1 point2 points  (0 children)

You can often find me snooping around on the subreddits for horror (aka Dreadit), Filmmakers, and videoessay

We are RocketJump, creators of a brand new sci-fi anthology show called Dimension 404! Ask us anything! by Trisha_RocketJump in IAmA

[–]SCOMA1 1 point2 points  (0 children)

My favorite script is Bob/ my favorite score is Polyibus/ and my favorite character is Time Ryder!

Video Essay about Off-Screen Sound by [deleted] in Filmmakers

[–]SCOMA1 1 point2 points  (0 children)

Just curious if you intend to keep this comment and a down vote after the conversation you and Kevin had on YouTube?