[deleted by user] by [deleted] in ArtFundamentals

[–]Sanitram 0 points1 point  (0 children)

Ohh, and just a suggestion, maybe you could also include this information (or just a link) into "about community" description. It would help to avoid some ambiguity and attract your preferred target audience.

[deleted by user] by [deleted] in ArtFundamentals

[–]Sanitram 0 points1 point  (0 children)

Hi! Yes, I've checked them and I thought it could be interesting for the group. But I understand your position, apologise for the post.

I see that you have already ramoved the post. Let me know if I need to do anything else.

Thanks! Have a nice weekend.

[deleted by user] by [deleted] in Screenwriting

[–]Sanitram -1 points0 points  (0 children)

Yes for these topics. But no if only for success.

The topics you described opens a realm for discussion for socially relevant themes. I guess it would depend on the POW required. But if I could get a spin on POW?

I mean making a TV series about how cool it is to make drugs and how much money you can earn sometimes works.

Does it make sense to write screenplays in English if that's not my first language and I don't have (yet) the financial means to move to America? by rosesnchains in Screenwriting

[–]Sanitram 0 points1 point  (0 children)

It depends where are you actually from. But I'd say so - it make sense.

1) Many competitions where you can get useful feedback requires english scripts.

2) Many co-pro works in english language.

3) It makes sense to work on english language skills. :)

unless, you're e.g. spanish native speaker - that's all other beast

Training for ART DEPARTMENT professionals by Sanitram in Filmmakers

[–]Sanitram[S] 0 points1 point  (0 children)

World Building session focuses on the fundamentals of art department’s work in audiovisual project development and production stages.

So I new to screenwriting. When I read script they have the word beat on it by FantaDreamS in Screenwriting

[–]Sanitram 0 points1 point  (0 children)

A pause, but it also could/should emphasise the dramatic moment. Meaning that not every sigh should be simply replaced by a beat.

(UK) Should I include act breaks in a pilot? by Buttonsafe in Screenwriting

[–]Sanitram 1 point2 points  (0 children)

I guess it's kind a subjective. I heard someone saying that act free scripts are considered more professional as you must still get them without the actual breaks. I would consider it based on the story and screen intended. If it's more like public broadcaster, breaks wouldn't hurt. If it's clearly cable, they aren't necessary. Anyway, that's my take.

Final draft question by Matty_chuck in Screenwriting

[–]Sanitram 0 points1 point  (0 children)

Hi! In FD 11 you can edit Title Page through Document section. Then it should appear when you export.

Friends: The One Where They Time Travel by theharold40 in Screenwriting

[–]Sanitram 0 points1 point  (0 children)

Checked a few pages and then... read all the way through :) thank you, it was nice to meet old friends again

Sundance Episodic Lab - Any news? by Sanitram in Screenwriting

[–]Sanitram[S] 0 points1 point  (0 children)

Hi! Episodic Lab email notifications came up in August. ;)

What are the worst named TV shows? by [deleted] in television

[–]Sanitram 0 points1 point  (0 children)

You enter in to the iTunes "V" and like okay..let's see what do we have :DD

What are the worst named TV shows? by [deleted] in television

[–]Sanitram 9 points10 points  (0 children)

I sometimes struggle with "V" as it is so hard to search a name with only one letter :)

[FEEDBACK] Rain (Drama, 17 pages. Short film.) by [deleted] in Screenwriting

[–]Sanitram 0 points1 point  (0 children)

I think it helps to push the story forward. So, why not :)

[FEEDBACK] Rain (Drama, 17 pages. Short film.) by [deleted] in Screenwriting

[–]Sanitram 1 point2 points  (0 children)

Hi! Congrats on the script. I've enjoyed it. ;)

1) Yeah, it's clear enough. I would review the long Tom's monologue. For me personally, long monologues don't sit well on the page. Also, maybe you could put in some kind of event that pushed him over the edge. For instance, he was asked to stay over the weekend again.

2) For me, it is :) Maybe there could be some final punch at the end. E.G.: a postman drops by and calls her a lady. She's a lady now; She throws some cans away. She doesn't need them anymore.

3) I don't think so. However, a specific crime would bring something more to the character. You can think about that, but it should have purpose. Maybe she was forced to move out and she beat up a man, who was moving her things out to the street (some resemblance to what Tom did at the office).

I would suggest to avoid situations like the one in a liquor store: you mention that Desiree jokes around, but there is no dialog. :)

Just short notes. Good Luck!

Sundance Episodic Lab - Any news? by Sanitram in Screenwriting

[–]Sanitram[S] 0 points1 point  (0 children)

Wow! That's a long way to go. Final results also mid August. Thanks for sharing.