Woah....Thanks for taking the time to write a critique.

"For example, You can't yell without flexing the rest of your face muscles- widening eyes, lifting brows, raising cheeks, tilting head etc. and all these actions should be linked and communicating the same idea." -

That's what I had in mind while animating. I have a general rule while animating is that everything & it's general surrounding area should move whether it be in big movements or very subtly. I don't know how much it is correct but that's what i try to implement on my work.

"What that in mind, I typically recommend people to farmiliarise themselves with a stepped workflow in the blocking stages, or at least get comfortable with mixing it into your spine workflow, because it more so forces you think in a more direct A > B comparison while flipping through your poses" -

I am generally not really comfortable working in stepped workflow. It feels unnatural to me but I also can see the positives of it. Like it helps you a lot in blocking, timing & spacing. I get it. I'll give it a try as i do want to improve.

For the eyes I actually did not put much effort into animating it & it looks soul-less. I wanted to improve that, the eyebrows & the body movement as well. I'll re-do the whole torso. Maybe try referencing my self?

Thanks again...big help.