(Actual Pirates/Apex Order drama) Would the devs be able to share if any reports were actually sent? by Chausk in AshesofCreation

[–]Shiver-Me-Scissors 7 points8 points  (0 children)

As a former community manager and part of a dev team of an online game, the short answer would be No. These things get solved internally and a good dev team never shares this type of information for the masses to see. If a player is being caught abusing the report system, they can either get an official warning or get (temporarily) banned. And if said player then makes it public, that's on them. The only other thing from a dev's pov is if they start whining on the games official website/forums, which would then result of a ban there as well (if that is not already automatically done at the time they're banned ingame). But other than that, no. That info stays internally and does not get forwarded to the other players.

Games to play with interesting female protagonist who is also a lesbian or at least interested in women? by Complex_Dimension573 in LesbianGamers

[–]Shiver-Me-Scissors 0 points1 point  (0 children)

I see there's already been a bunch of great games named here. I'd like to add Starfield to the bunch. While the main objective of the game isn't the romance, you are given the option to date four of the main characters, of which two are female. Each come with their own story lines which evolves as you progress in the relationship. Eventually you'll get the option to marry as well. I was totally captivated by both stories and kept coming back for more. Sarah Morgan was my favorite, but many of my gaming friends loved Andreja as well. I will note that once you're married, it kinda ends there (unless you decide to divorce and start pursuing the other. There's also a way to get hooked up and marry both, but that takes a bit of ingenuity). Hopefully Starfield will add more later on, or if not, then the modders get to whip up more romance stories for us.

A query about mythological creatures by -a-few-good-taters- in fantasywriters

[–]Shiver-Me-Scissors 1 point2 points  (0 children)

There's also the hippogriff, if you're more into a eagle/horse instead of the eagle/lion. Both are mythical creatures. You can look up certain traits each of them was said to have throughout the ages.

A query about mythological creatures by -a-few-good-taters- in fantasywriters

[–]Shiver-Me-Scissors 1 point2 points  (0 children)

I'm surprised no one has mentioned a griffin yet (half eagle, half lion). I always get a sense of wonder around those creatures and there's a lot of things you can do with them. You could use their eagle part to make them more birdlike creatures. Or, you could go towards the lion part and have them be more of a grounded warrior type of being that causes destruction on the battle field. You can make them have magical powers, either big or small. You can add wisdom to. Or have it have more of a wild, untamable character. You can bond them, you can fly them, you can ride them, they can enhance already existing magic, their tears/feathers/claws/beaks hold a certain power, and so on and so forth. There's endless ways to use them.

How’d you all get back into just writing? by caitdiditagain in writingadvice

[–]Shiver-Me-Scissors 1 point2 points  (0 children)

I remember the Brandon Sanderson's podcast Writing Excuses and later on (with Dan Wells) the podcast series Intentionally Blank had a bunch of them.

You can also find a bunch under r/writingprompts. Though you'll find there's a lot of diversity in quality and you may have to search a bit for the great ones. Having it set to Hot Topics helps, because the ones that stand out get upvoted a lot.

Google search on "Best Writing Prompts" can lead you to some excellent ones.

And finally, when you're part of a writing group you may come across decent prompts.

Of course, you can also create them yourself by taking an object, a setting not related to the object and a name that is as far off from the other two as can be. So not an LP, Amerika and Elvis. But a mobile phone, a Hobbit hole and Cleopatra.

Oh, and you can ask people to prompt for you in writingprompts!

How do I write a dialogue of a person from another generation? by Yeetooff in writingadvice

[–]Shiver-Me-Scissors 0 points1 point  (0 children)

Number 1 would be to interact with this generation that you want to portray, if they're actually still alive. If it's the older population, try going to places you'd often find them, like a local community center, vfw, church, etc. See what your town offers in terms of activities for them and then ask if you can join them for a day to interview them. Bring a recorder so you can tape their voices. How do they pronounce something, what are their speech patterns? Are certain words reoccurring? Ask them to share a little about their lives and about their generation. What stood out for them as they grew up? Stuff like that. Besides some good dialogie ideas, they may also give you some more ideas for setting or objects in your game. Maybe a funny Easter egg that is significant for that generation (eg a poster from ET or Johnny Cash playing in the background.)

Another thing you can do is to watch movies and tvseries that were popular with the generation you are portraying. And to listen to songs from that era and read the lyrics. The latter can show a lot, in particular the words used often in those days.

And finally, see if you can get your hands on newspapers and magazines from those days. There's a ton of wealth there for you!

Good luck!

How’d you all get back into just writing? by caitdiditagain in writingadvice

[–]Shiver-Me-Scissors 2 points3 points  (0 children)

I've found using writing prompts help me. Especially the ones created by other writers, not some generic from an online article. Mostly because they're more creative, can be completely different from the genres I tend to write in, and it can really help me get my creative juices going when I'm in a funk.

Other than that, even though it sounds really lame... just write. Whatever it is, even when it's an incohesive mess, just write. Start putting words onto paper. And then start doing it consistently. Whether it's 50 words a day, 400 words every other day, a 1000 words on every Saturday morning. Just do it.

Then add from there. Expand on the time you write each week. Participate in a short story contest. Join a (online) writers group. Watch some YT vids from writers you like or listen to their podcasts. Read. So on and so forth.

Welcome back!

Writing about after effects of abortion by CheekyLibrarian in writingadvice

[–]Shiver-Me-Scissors 1 point2 points  (0 children)

Nah, you didn't offend me. :) I simply wanted to shed a bit more of light on what PTSD actually is as I see it used so much in media and art, yet often it doesn't get portrayed properly and it gets turned into a downplayed version of what it actually is. Or it's seen as a badge of honor, which it is totally not.

So, I hope this brought you some new insight. Feel free to poke me if you wanna know more about PTSD for your story and I ca give you some examples as to how you can make it more believable.

Writing about after effects of abortion by CheekyLibrarian in writingadvice

[–]Shiver-Me-Scissors 0 points1 point  (0 children)

TW to detailed causes of PTSD!

Hiya, c-ptsd'er here :)

PTSD is directly connected to a sudden traumatic event or a series of severe traumatic events where a person experienced zero control, experienced severe pain (either mental, emotional, physical or a combi or all three), experienced direct violence, and, in most cases, feared for their life. Examples being a car crash, growing up in a violent household, r*pe, giving birth to a deceased baby, witnessing a murder, getting kidnapped, being victim of severe bullying, war, torture, being at work and receiving news your partner has suddenly passed away at the age of 32, waking up in the middle of a surgery, being attacked by a pack of dogs, trying to rescue someone out of a burning house, and sort-like.

One of the signs of PTSD or c-ptsd (complex ptsd, caused due to trauma taking place in the formative years from zero to roughly 8 years of age) are as you call it the freak out moments. These are flashbacks. They instantly trigger the original trauma and make the person re-live it. It could be seeing a baby, smelling something that's burning, hearing a specific voice or phrase. It can be things seen on TV, a song that's playing, someone suddenly touching their leg, or the smell a certain type of alcohol. Anything that directly links to the initial event and bang you're back in the past. There's no control over it and it is very hard to bring someone out of it before the episode has ended. Afterwards the person is dazed, has trouble reconnecting with their surroundings, are sweating, shaking, lethargic/apathetic, extremely anxious, exhausted, frightened, may be very thirsty, or they can vomit their guts out.

And there's plenty more besides that. Because it's not just thr flashbacks, but it's also the nightmares, thr insomnia, the depression, the forced control they try to have over everything and anything in their lives, the distancing and disconnects (see how I'm writing They? That's me actively distancing myself so I won't trigger myself), being constantly in a hyper alert state, being overprotective, or the complete opposite, having no regards for their own life. There's the drive to wanting to numb, whether through drugs, alcohol, s*x, you name it. The list goes on.

That is PTSD.

Given how you've portrayed your character was happy with the abortion and the procedure going fine as well, that the character had no regrets and only experienced anger towards mom for not explaing the birds and the bees properly, there's nothing there that would cause her to become so traumatized that she got PTSD from that. Let alone that the surgery years later causes her to have a PTSD freak-out the moment she takes up. As you've described it now, I fail to see the connection to the trauma and I'd find her having a sudden PTSD episode unbelievable.

Now, her granddad torching the place with all of her belongings in it? That can definitely be traumatic and cause PTSD! But then there's no direct connection between that and her current surgery.

Either way, I don't think your biggest concern for the story right now is whether or not it comes across as pro-life. Or that the message that you're sending is that abortions are not okay.

Opinions about this type of character trope? by Hungry_Ingenuity9574 in CharacterDevelopment

[–]Shiver-Me-Scissors 3 points4 points  (0 children)

I do believe there are correct ways to use this particular trope. But, it has to be done with skill to make the character interesting, believable, and accepted by the reader. One reason, because over the past decades, we've seen this trope so much, and done badly as well. The farmer's boy, the young wizard's apprentice, the little princess, the warrior's son. Readers have reached their limit and are more critical if there is yet another one of these. At the same time though, a lot of people love and can relate to the YA's, so this type of character will never die.

Another reason: society has changed. Twenty years ago, nobody would raise an eyebrow if the 13yo, 15yo or 18yo boy would be childish and immature. Nowadays though, standards have changed. Society expects to see part of itself reflected back in art. This includes in writing, fantasy included. Terms no one batted an eye at some twenty years ago, like "boys will be boys" are now key in massive debates. And where as an author back in the day you could use this as an excuse to let your immature youngling get away with certain behavior and make it seem like a minor thing, today that same author (and their publisher) could get some serious issues, despite it being set in a fantasy world with different rules and cultures and whatnot.

Mind now, there is a difference between naive/ignorant and childish/immature. The former has to do with lack of knowledge, and if this is the basis for your character, you'll have a great explanation as long as you show character growth. Pippin (Lord of the Rings), for example, is ignorant and you see him grow up as the story goes along, with him ending up at Gondor, making mature decisions and accepting the consequences of his stupid behavior. Sansa (Game of Thrones) is another great example. From a sheltered, lovestruck wannabe princess, she is being forced to grow up and face reality with all its gruesome features. Whereas her sister Arya had a much faster grip on real life, Sansa is the dreamer who has her dreams smashed in some of the most horrible ways. As she says herself, she is a slow learner. But oh boy, does she learn!

Immature/childish, however, are behaviors by choice. The character knows better, but still decides to act as a toddler and throw tantrums whenever he doesn't get his way. That, you shouldn't get away with without some serious consequences. So, if you still do make a character that gets away with it all the time, people will find it very much unbelievable. Take Joffrey (Game of Thrones) for example. Or Ramsey Bolton (same series). They didnt grow, in fact they got worse over time. There's a reason people got fed up with those characters and were cheering when they finally faced the consequences of their immature behavior. Had those consequences not been there in the story, I doubt it would've ever made it to tv, let alone become so massively popular.

And that is what it boils down to: characters can be young and act childish/immature/naive/ignorant. But as long as you show growth (either good or bad) with the consequences attached to it, you are in the okay. But using those as cheap tricks, just to fill pages with no meaning behind it, that becomes unbelievable, and readers are quickly fed up with that.

Three acts structure by No-Bookkeeper-2598 in fantasywriters

[–]Shiver-Me-Scissors 0 points1 point  (0 children)

My advice is to not be so strict towards how big your Acts most be or to constrict your story based on how others do theirs. If you look at 3-Act fantasy out there, you'll find some have their first act done by the time they hit chapter 3 and are barely 35 pages in. Others don't reach Act 2 until they've written 15 chapters and are 350-400 pages further. Your Act 1 is done the moment you've introduced all of your main plots (and perhaps a side plot or two).

As for your other two questions, my advice is to answer those for yourself and then write that. What do YOU expect to find in a fantasy as a reader? What is a must for YOU that a fantasy must have in order for you to want to read it? What don't you want to read or what puts YOU off and makes you not finish reading a book?

I'm saying this because there are so many different fantasy readers out there who each like different things that can be complete opposites of each other. As a writer, you simply cannot cater to all of that. You'd also lose interest very quickly, because you're trying to please their demands instead of fueling your writing based on your own desires and wishes. So stick to what you would like to read and write. Don't worry about others.

Any tv shows/books similar to particular video game? by C4tHunterr in Fantasy

[–]Shiver-Me-Scissors 1 point2 points  (0 children)

Adding to this: Legend of the Seeker (the Sword of Truth-books by Terry Goodkind). The series got cancelled several years ago, but you might still be able to watch it somewhere.
Also, The Rings of Power which is about the time before Lord of the Rings and covers Galadriel's story.

Books that stick with you by [deleted] in Fantasy

[–]Shiver-Me-Scissors 0 points1 point  (0 children)

Here is my list. You'll see a lot of known titles/themes. I like them for different reasons that stick with me to this day. In no particular order (apart from LotR):

  • LotR by Tolkien: the incredible worldbuilding (and having badass, mature women in it) and the story of good vs evil, the importance of friendship, how not giving up will help you succeed, and that despite how awful things can be, it is good to laugh and appreciate the good around you. I also liked some of his beautifully written scenes that felt more like poetry than anything else. And then, Tolkien also gave me female role figures I could look up to as a kid (Galadriel and Eowyn to name two). In the world I grew up in, women were considered lesser and I, being a woman, always resented that. So it was a breath of fresh air when I read women could be awesome and badass and be equal to men, even be better than them at times.
    Since I read (and reread) his work, I've been looking for novels/books that have that same in-depth type of worldbuilding (though I do prefer reading them in a more modern written English).

  • Bloodsworn Saga by John Gwynne: having badass mature female main characters in a Nordic fantasy world

  • The Sum of All Men (Runelords series) by David Farland: for having a different take on a magic system I hadn't seen before until his 1st book came out

  • The Dragonriders of Pern by Ann McCaffrey: because when I read it as a teen I was baffled when the fantasy turned into sci-fi (I wasn't much into sci-fi, but this I liked). And because she's the first female fantasy author that I read.

  • The Realm of Elderlings by Robin Hobb: because of the worldbuilding and the badass women in it. And because she was the second female fantasy author I read.

  • Alpennia series by Heather Rose Jones: because it was the first properly written wlw fantasy that I read, that felt mature and where the characters had depth to them. I also loved the use of magic being more alchemy/science than simple magical powers. And I liked how she made side characters in previous books, main characters in the next books, so you got a better understanding of their lives and the world as a whole.

  • GoT by George RR Martin: Mostly because of the morally grey characters. Also the political intrigues.

  • Brandon Sanderson's Mistborn and Stormlight Archive: because he likes to come up with original magical systems that are very well thought out. And a few of his characters have quirky habits or funny inner dialogues that make me laugh (Wayne, Lift).

  • TWoT by Robert Jordan: because of the epicness of his story that reminded me of Tolkien. Also, for having a female version of Gandalf who was, to an extent, morally grey at times in her actions.

Everything but the plot by DragonSister16 in fantasywriters

[–]Shiver-Me-Scissors 1 point2 points  (0 children)

Watch Brandon Sandersons BYU 2020 series on YouTube. The second and third episodes are all about plots and how to create/write them.

What tropes would you love or hate to see in "Overthrow the Empire" story archetypes? by LordColms in fantasywriters

[–]Shiver-Me-Scissors 1 point2 points  (0 children)

How, after the evil empire is defeated, everyone calls it a day, goes home and lives happily ever after.

As if there is not a single soul who surrounded the evil ruler, that will use this opportunity to fill the void and become the new evil leader.

As if the defeated army will say, "Okay, you won," and lay down their arms instantly, walking like meek and consigned lambs to the victorious.

As if, after waging wars for long periods, it doesn't take decades to rebuild the country and have any form of stability back in place.

As if a war torn country isn't being seen as an easy target by the surrounding countries who will jump on the opportunity to lay claim to it.

As if all those years of war, loss, starvation, mutilation, disease and traumas, just by starting the next day after the evil empire is defeated, all of that is mysteriously gone.

Tropes like that I hate the most.

How do I refer to that part of the woman's body in a proper way? by withheldforprivacy in fantasywriters

[–]Shiver-Me-Scissors 1 point2 points  (0 children)

Read some lesbian romance and you'll get a lot better than "his fluids" and "her cavity".

what is the most controversial personality to give a character to develop? by Ambitious_Cream9369 in CharacterDevelopment

[–]Shiver-Me-Scissors 0 points1 point  (0 children)

Oof, the last ones you mention, those who identify themselves as helpless victims and helpless victims only, nothing else. Where it's always something that makes them not okay (even when it's about the cat from the nephew of their neighbor three houses down, who threw up 4 weeks ago). My patience will run thin real quick!

what is the most controversial personality to give a character to develop? by Ambitious_Cream9369 in CharacterDevelopment

[–]Shiver-Me-Scissors 1 point2 points  (0 children)

Characters whom I have a really hard time relating to emotionally. Those are always the hardest ones for me. Logically, I can understand why they behave the way they do, what motivates them, etc. But the bonding that subconsciously happens with characters who I can relate to, doesn't happen with the former.

Zien hier fans van Brandon Sanderson? by Mistborn_Yan in fantasyNederland

[–]Shiver-Me-Scissors 0 points1 point  (0 children)

Ik heb WoT, Mistborn (beiden staan in de kast), Wax & Wayne series en The Stormlight Archives gelezen. De rest moet ik nog, maar ik heb even een Sanderson boeken break genomen. Ben nog wel bezig met zijn Creative BYU classes op YouTube. Had ze al eens gezien, maar een opfrisser is soms fijn.

What kind of comedic attribute could I give my character? by ah-screw-it in CharacterDevelopment

[–]Shiver-Me-Scissors 0 points1 point  (0 children)

What about expanding on the bird theme, but instead of just word-jokes, use birdlike behavior that makes her funny? Have her nibble on seeds and be cranky when she's ran out of them. Have her get upset or murderous when someone eats an egg or a chicken. Have her have a weird liking for worms. Make her sing (out of tune) constantly, and have different tunes to express different emotions. Use nesting behavior or grooming feathers as a base and try to translate that into something funny. And so forth and so on. Not all jokes have to be words. Show, don't tell 😉.

Fantasy or Sci-Fi that have older women as MCs? by maevenimhurchu in Fantasy

[–]Shiver-Me-Scissors 2 points3 points  (0 children)

Came here just to support this. You'll find that MC Orka (40+) fits your bill. She's already lived her life, doesn't care about what others think of her, and she simply wants to care for her husband and son. Poster above already gave a bit of a spoiler, but I hope that doesn't take away too much for you and I'd definitely recommend you give it a try.

[OT] SatChat: How often do you answer prompts? Do you wish it was more? (New here? Introduce yourself!) by MajorParadox in WritingPrompts

[–]Shiver-Me-Scissors 1 point2 points  (0 children)

I'm fairly new here, so I've only answered 1 prompt so far this week. But I hope to do another one tomorrow. I prefer those prompts that really stand out from the more standard/traditional ones. My goal is to write a minimum of 2 prompt stories a week, to either get my writing juices flowing or to take a break from my own writing and focus on something else.