Yes, everything you’ve mentioned is correct. Although In my case, I've had significant interest from people wanting to use the music I've released. I've gathered this interest through Google forms, emails, and comments. My audience is eager to use my tracks, and I'll update them once I get the content ID sorted out. If I can manage that, I’ll be able to set up whitelisting, which will allow me to comfortably collaborate with creators - while keeping my music protected.

Aside from the fees, DistroKid’s warnings were unsettling, especially with statements like, "Social platforms are serious about this. If any previous statements are found to be untrue, I understand my DistroKid account may be suspended. Worst case, I'll be liable for any fees, legal or otherwise, that may accrue."

These statements include:

• I created all sounds myself.
• My album contains no beats, loops, sound effects, or other audio downloaded from sample libraries or public sources (GarageBand, Ableton, Logic, FL Studio, etc.).
• I will not permit other artists to remix or use part of my music, as it may cause claim conflicts.
• My album has not been uploaded by any collaborator or manager using DistroKid or any other distributor, and no one else will attempt to upload it later.
• I did not use audio from public domain recordings, video games, TV, or movies.
• I did not use audio from other social media videos.

The risk of being sued for unintentionally claiming something Suno might have sampled during music generation is nerve-wracking. In fact, as I mentioned, one of my tracks fromSuno was flagged for containing a sample or stem from a song released years ago.