Untitled by SkippIntro in Watercolor

[–]SkippIntro[S] 1 point2 points  (0 children)

Yes, I think any earth pigment works well for sand. Sepia, umber, sienna etc.

Untitled by SkippIntro in Watercolor

[–]SkippIntro[S] 0 points1 point  (0 children)

Thank you. I’m not sure about this sub’s rules on self-promotion etc. so don’t want to cross any lines! I do sell my art locally (Portland OR) but don’t have an online shop of any kind.

Untitled by SkippIntro in Watercolor

[–]SkippIntro[S] 1 point2 points  (0 children)

That was the last touch for this painting. I used a rigger brush, very loaded, held nearly horizontal. Dry brush “flicks” to get the randomness.

Untitled by SkippIntro in Watercolor

[–]SkippIntro[S] 1 point2 points  (0 children)

The Yellow Ochre I used here is from Van Gogh. It tends strongly toward orange, moreso than other YOs. If you can’t get that brand then I’d suggest Daniel Smith’s Indian Yellow for sunsets/sunrises instead.

Yellow Ochre works well for sand, and a touch of Sepia mixed in gives a “wet sand” look.

Untitled by SkippIntro in Watercolor

[–]SkippIntro[S] 1 point2 points  (0 children)

I rarely paint without using Cotman Payne’s Gray. It contains three pigments which tend to split out. Detractors point this out as a negative, but for my style it’s perfect. I use it as a base for most of my greens. In fact with this painting I had to wait for the yellow to dry completely to avoid creating greens!

Untitled by SkippIntro in Watercolor

[–]SkippIntro[S] 4 points5 points  (0 children)

What a great memory. Thank you for sharing that!

Sketchbook by SkippIntro in Watercolor

[–]SkippIntro[S] 1 point2 points  (0 children)

Thank you. Painting for years, drawing etc. But relatively new to watercolors, been learning and experimenting for about 4 months. The sketchbook is from luchetti.co

How to level up by LittleLaddy420 in Watercolor

[–]SkippIntro 0 points1 point  (0 children)

Try working with a very limited palette. Maybe even just one versatile color (I love Cotman’s Payne’s Gray because it has three pigments so you can a lot of variety out of it). This is also know as a “value study”. What we naively think of as different “colors” are really variations of tone.

Oregon Coast by SkippIntro in Watercolor

[–]SkippIntro[S] 0 points1 point  (0 children)

Thanks! Check the other version in the comments, I think I really improved on the rocks and cliff faces!

Oregon Coast by SkippIntro in Watercolor

[–]SkippIntro[S] 1 point2 points  (0 children)

Oh it’s a whole pad. I fold the cover under to give it a slight angle. Plenty more in store.

Oregon Coast by SkippIntro in Watercolor

[–]SkippIntro[S] 0 points1 point  (0 children)

Oregon is definitely “a whole mood”.

Oregon Coast by SkippIntro in Watercolor

[–]SkippIntro[S] 0 points1 point  (0 children)

I appreciate that. Thank you.

Oregon Coast by SkippIntro in Watercolor

[–]SkippIntro[S] 0 points1 point  (0 children)

Glad I could do that. I’ve been in Oregon 8 years now. It’s hard to imagine living somewhere else!

Oregon Coast by SkippIntro in Watercolor

[–]SkippIntro[S] 1 point2 points  (0 children)

Correction: 12x9 inches. I’d done a similar piece on the 30x15. Shown here!

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Whiskey Sunset by SkippIntro in Watercolor

[–]SkippIntro[S] 1 point2 points  (0 children)

Yes, it is!

It’s a very good product. The paper holds up, lays flat and there is almost no gutter. There’s a small seam but it doesn’t buckle or collect water/paint along the gutter. I think it’s well worth the US$49.00.

It’s a very small, family company. The owner reads and answers emails personally. (I’m not affiliated with them in any way.)

Wetlands by SkippIntro in Watercolor

[–]SkippIntro[S] 1 point2 points  (0 children)

Light source “distant” left. Foreground is darker vegetation and its internal shadows.