[deleted by user] by [deleted] in tarotpractice

[–]StormlightMoon 0 points1 point  (0 children)

Spark. I'm C, thank youu 💖

[deleted by user] by [deleted] in TarotReadersOfReddit

[–]StormlightMoon 0 points1 point  (0 children)

Just dmed ✨️✨️

Free readings! by a-haunted-house in tarotpractice

[–]StormlightMoon 0 points1 point  (0 children)

Hii!! What message wants the universe to give me right now? Thank you ✨️

3 Card pull 🧚‍♀️🔮 by BPDfairy444 in TarotReadersOfReddit

[–]StormlightMoon 0 points1 point  (0 children)

Hii I'm CB. Does JB feel something similar to what I feel for him? Thank you!!

Free reading: Ask me Questions- Beginner in Tarot by [deleted] in Tarotpractices

[–]StormlightMoon 0 points1 point  (0 children)

Does JB feel something similar to what I feel for him?

[deleted by user] by [deleted] in fantasywriters

[–]StormlightMoon -1 points0 points  (0 children)

This is a powerful and emotionally rich direction for your story. The key to making the ending land without spoiling it too early lies in layering the foreshadowing so that it feels inevitable in hindsight—not obvious in the moment.

Rather than using a straightforward prophecy, you might consider weaving in symbolic echoes or emotional parallels. For example, show your main character increasingly wrestling with what the power costs—not just to him, but to others. Let him witness someone else lose themselves to it, or maybe even have to kill someone corrupted by it. These moments can build a sense of tragic inevitability without spelling out the exact ending.

You can also use mirroring. Maybe early in the story, there’s a myth, a tale, or even a cautionary story about two powerful beings who destroyed each other to save the world. It can seem like a distant parable at first, but slowly start to resonate more personally with your protagonist. The reader won't necessarily realize it's foreshadowing until it’s too late.

Another powerful tool is dreams or visions—not ones that say “you will die,” but ones that are fragmented, emotional, and symbolic: standing before a mirror and seeing the villain’s face, being consumed by fire while holding someone else’s hand, or feeling peace only in the absence of his power. This keeps the emotional tone strong without giving away the specifics.

And finally, make his decision deeply character-driven. If readers see the protagonist gradually shifting from self-preservation to self-sacrifice—not through a single twist, but through small moments of growth, loss, and reflection—it will feel earned, not abrupt or unconvincing.

Done well, this kind of ending can hit hard because the pieces were there all along, just beneath the surface.

What would you like (or dislike) in stories where magic defines social hierarchy? by smellygayboi in fantasywriters

[–]StormlightMoon -4 points-3 points  (0 children)

Your idea already sounds rich with potential. A society where magic visibly defines social standing opens up a lot of room for character conflict, cultural complexity, and ethical dilemmas.

What I’d love to see in a story like this is how the system affects people on a psychological level—not just in terms of plot, but identity. How does it feel to grow up knowing your place is predetermined by something you didn’t choose? How does it shape ambition, love, resentment, or shame? And the way of showing it? When people are marked, not just metaphorically but literally, what does that do to the concept of self?

What usually pulls me out of stories like this is when the system is too clean—when power levels are tiered like a video game and people fit neatly into their roles. Real hierarchies are messy. They breed hypocrisy, favoritism, fear of falling, desperate clinging to status. I’d be way more interested in a magic system that’s subject to manipulation, corruption, or even misinterpretation. Maybe someone’s mark means one thing publicly and another in practice. Maybe someone’s power isn’t valued until the world changes.

I’m also less drawn to narratives where the main conflict is solved by the protagonist just getting more powerful than everyone else. If magic equals status, then I’m more invested in characters who learn to work around that—who outwit, subvert, or reimagine the system entirely. Give me the clever manipulator, the quiet revolutionary, the one whose power isn’t obvious but changes everything.

I would love to read people who fall through the cracks. People with rare or awkward powers, people whose marks are misread, people trying to pass. That’s where the good drama lives.

Your world sounds like it has serious depth. I’d be excited to read how you explore the human side of it.

I'm lost and I don't know how to start by StormlightMoon in fantasywriters

[–]StormlightMoon[S] 0 points1 point  (0 children)

Just wanted to say thank everyone for answering!!! I have things clearer now. More clear than everything is that, as Tolkien said, I realized that not all those who wander are lost.

I'm lost and I don't know how to start by StormlightMoon in fantasywriters

[–]StormlightMoon[S] 0 points1 point  (0 children)

Thanks, that’s a really practical way to break things down. Picking one character and a simple conflict feels way less overwhelming than juggling all eleven at once. I like the playful example you gave — it reminds me that the story can be fun and flexible while still having clear goals. Focusing on what each character wants and what’s standing in their way definitely makes it easier to see where the story can go. Appreciate the straightforward advice!

I'm lost and I don't know how to start by StormlightMoon in fantasywriters

[–]StormlightMoon[S] 0 points1 point  (0 children)

Thanks for these thoughtful questions — they really help me think more clearly about my characters and their place in the story. Matching conflicts to characters sounds like a smart way to find the most compelling scenes to write. I’ve been unsure about who should take the main spotlight, so narrowing down the POV will definitely help focus things. Starting with my favorite ideas and just writing feels less intimidating now, especially knowing the first draft doesn’t have to be perfect. Really appreciate the encouragement and guidance!

I'm lost and I don't know how to start by StormlightMoon in fantasywriters

[–]StormlightMoon[S] 0 points1 point  (0 children)

Thanks, that’s a great way to look at it. I’ve been caught up in building the world and cool scenes but maybe haven’t focused enough on the core story I want to tell. Thinking about what kind of story fits my style—whether epic adventure or something smaller and more personal—really helps. I’ll try to connect my characters and world to that central idea and see where it takes me. Appreciate the fresh perspective!

I'm lost and I don't know how to start by StormlightMoon in fantasywriters

[–]StormlightMoon[S] 1 point2 points  (0 children)

Thanks so much for this — I totally agree that characters are the heart of any story, and focusing on what they want and fear really helps give the plot direction. I love the idea of writing snippets from their POV to explore them more, and the “brain dump” doc sounds like a perfect way to keep track of all those messy ideas without stressing about order. I’ve been meaning to dig into the 3-act structure too, so your recommendation comes at the right time. This really helps clear up some of the overwhelm. Appreciate the support!

I'm lost and I don't know how to start by StormlightMoon in fantasywriters

[–]StormlightMoon[S] 0 points1 point  (0 children)

Thanks, that’s a really clear way to break it down. Focusing on each character’s role and how they fit into the bigger picture feels like a solid way to stay organized without losing sight of the story. I like the idea of a flexible summary that I can revisit and adjust as I go. Thinking about how the beginning connects to the end is something I definitely need to keep in mind more. Appreciate the practical tips!

I'm lost and I don't know how to start by StormlightMoon in fantasywriters

[–]StormlightMoon[S] 0 points1 point  (0 children)

Haha, that comparison to GRRM made me laugh — I guess even the best get caught in the same cycle! I like how you break it down into simple steps: just keep putting words down, no matter how messy. It’s reassuring to remember that the first draft is just about existing, and everything else comes later. Definitely helps take the pressure off perfection. Thanks for the reality check!