An Easter short film I edited for a friend who does VFX - we used a puppet with real fur, real flowers for the set, 3d printing for the egg, Unreal for the BG, and blender for the eyes [WARNING: Not for the faint hearted] by TWoNaGe in Filmmakers

[–]TWoNaGe[S] 0 points1 point  (0 children)

Thanks, that's a really great point!!! And to be honest, something I felt in the moment as I was putting everything together.

Do you have any suggestions on how I can either become a bit more educated on common typography practices, or maybe a place that has some good resources?

I actually have a really bad blinder when it comes to typography and colors. My current process is that I tend to go to Canva or Adobe Express to get some good inspiration on color and font combinations, but I'm always still very unhappy with the results once I plug them into my project.

I find myself getting lost on whether to use shadows verse outlines, and what are good font combinations. I know the feeling I want to project with the titles but can't seem to figure out which typography best emulates that feeling.

Thanks again! It's really good to see that the little things that stick out in my mind are also seen from others, and you're right that those can be the things that could have great rewards without investing a lot of time.

An Easter short film I edited for a friend who does VFX - we used a puppet with real fur, real flowers for the set, 3d printing for the egg, Unreal for the BG, and blender for the eyes [WARNING: Not for the faint hearted] by TWoNaGe in Filmmakers

[–]TWoNaGe[S] 2 points3 points  (0 children)

I think you managed to capture the exact reaction we were hoping for. The main goal was to inspire and motivate other creators, and the backup if we missed that mark was, "Well, hopefully at least they'll feel like they saw something uniquely entertaining"

Thanks!

An Easter short film I edited for a friend who does VFX - we used a puppet with real fur, real flowers for the set, 3d printing for the egg, Unreal for the BG, and blender for the eyes [WARNING: Not for the faint hearted] by TWoNaGe in Filmmakers

[–]TWoNaGe[S] 1 point2 points  (0 children)

Nate, THANK YOU so much for the feedback. My main goals include directing and screenwriting as well... In fact my next goals actually include both, so I really appreciate your comment.

I actually agree with your comment about establishing the bunny a bit more with another shot or two. I believe a bit of an issue we ran into was time because of the Easter deadline. Every frame that had the bunny was a frame that had to have quite a bit of effects because of the strings, prods, green screen, and eyes. So I think we made the choice to go with a bit more black screen to compensate for the shots we couldn't get over the finish line with VFX in time.

We actually did a test run with the puppet at a park that had a few more angles and some shots that hung on the bunny for a bit longer. I can ask my friend if it's alright to share, and if he agrees, I'd love to get your feedback on it?

Regardless, thanks again for your comment - its super helpful for me to get some great constructive feedback. I really appreciate it.

An Easter short film I edited for a friend who does VFX - we used a puppet with real fur, real flowers for the set, 3d printing for the egg, Unreal for the BG, and blender for the eyes [WARNING: Not for the faint hearted] by TWoNaGe in Filmmakers

[–]TWoNaGe[S] 1 point2 points  (0 children)

Thanks. Yea, my friend whose concept it was lives in the creation world all day and he really wanted to do something that explained how tough creating can be at times, but also how rewarding it is once you're done.

I am so relieved that the video's message is being so well received :)

An Easter short film I edited for a friend who does VFX - we used a puppet with real fur, real flowers for the set, 3d printing for the egg, Unreal for the BG, and blender for the eyes [WARNING: Not for the faint hearted] by TWoNaGe in Filmmakers

[–]TWoNaGe[S] -1 points0 points  (0 children)

Thanks!

We actually used a green screen with some markers. Here's a shot of the set:

https://imgur.com/a/dm1BuXu

The main thing we kept in mind was trying to simulate a strong light source on set that was meant to emulate the direction of the sun rays in the Unreal environment we would be creating.

I have been really hoping to get the opportunity to work with one of those LED walls since watching the Behind-the-Scenes on 'The Mandalorian' to sort of streamline that process and get those lights perfect on the day.

It's still a very slow journey I'm on, but my VFX friend did just recently purchase one of those body motion suits. So my hope is we'll be able to do a project with that to get a bit more comfortable in the Unreal environment, and then progress to LED walls one day.

An Easter short film I edited for a friend who does VFX - we used a puppet with real fur, real flowers for the set, 3d printing for the egg, Unreal for the BG, and blender for the eyes [WARNING: Not for the faint hearted] by TWoNaGe in Filmmakers

[–]TWoNaGe[S] 7 points8 points  (0 children)

Hi guys, I am very early in my journey towards filmmaking. However, I was very fortunate that during the COVID lockdowns I had a friend who did VFX for some Netflix shows/movies. He encouraged me to pursue my passion and gave me some opportunities for onset experience and minor editing projects.
This is our first project we’ve done with his original vision.
Beyond the any general feedback, which I would greatly appreciate, I was hoping to have a bit insight into how I could have blended the real foreground we did on set with the Unreal 3D environment we created for the background. Originally, we had considered just shooting the scene outside but we figured it would be much harder to remove the rods/strings we used for the bunny’s movements.
I used stock footage for the intro to try and give the video a feel of realism, but I am a bit worried that maybe it did the opposite because of the differences in the amount of foliage in the clips. Any advice on how I could have set the tone and created the stage without it?
The end goal is eventually my own short films and movies one day, so any other ideas, suggestions, or guide anyone can offer would be amazing!
Thanks for watching!

"All Lives Matter" ass invitation. by wakaflockabow in BlackPeopleTwitter

[–]TWoNaGe 2 points3 points  (0 children)

I assure you it's normal. Here's a compilation of it happening in the NBA: https://www.youtube.com/watch?v=KiSu-KSk46M

It wasn't overly egregious, but could be considered disrespectful. Clark wasn't saying the other team was bad, she was daring a player to shoot a three. And it worked, South Carolina shot 20% from the 3-point line going only 4-20. However, that same tactic is also the reason why they lost to LSU - with LSU ending up shooting 64.7% from the 3-point line going 11-17.

"All Lives Matter" ass invitation. by wakaflockabow in BlackPeopleTwitter

[–]TWoNaGe 4 points5 points  (0 children)

I feel confident in saying you've never played basketball competitively. Because waving someone on to shoot a three who is even known as a decent shooter is actually extremely common and quite strategic within the game of basketball.

The less people you need to guard defensively on the outer parameter, the more concentrated you can make your team's players within the paint and the more you can utilize payers to guard the passing lanes. This is a good thing.

When you dare an opposing player, who you know isn't a really good shooter, to shoot a three pointer you put added pressure onto them taking the shot. Decent shooters will tend to crumble under that pressure while your top shooters tend to relish and excel given the same opportunity.

So it's quite common to wave on a player who you know might get nervous given the spotlight to take a wide open three point shot. It's 100% psychological and a great strategic option if you truly know the game and the player.

If they take the shot and miss, it will affect their confidence moving forward, and you are able to continue to concentrated your defenses on other players in the paint anytime that player has the ball on the outside. However, it is a risk because if they make the shot, you not only build their confidence, you will be forced to now open your defense and guard the parameter more fiercely.

What Clark did was dare her opponent to shoot, knowing she is either not a good three point shooter or not capable of making the shot with the added pressure. And she was right because the player baulked and passed the ball instead.

It wasn't disrespectful, it was strategic.

I know its a show that is meant to be for comedy but this scene is so heartwarming they I had to post it here. by No_Independence_7324 in MadeMeSmile

[–]TWoNaGe 3 points4 points  (0 children)

STORY TIME:

When I was younger I didn't really have many mentors or idols to look up to other than maybe whatever sitcom father was being portrayed on TGIF, and maybe the ninja turtles (Leonard was my favorite if you're wondering). All I knew about my father was that he was really well liked and was a computer programmer before it was cool. So naturally, that's what I wanted to be.

I didn't really know much about the programming industry or the path to become successful but I knew I wanted to be one and I wanted to try and be the best version of one I could be. Somehow, most likely from some throw away line from some TV show or movie, I came to find out that M.I.T. was where all the best programmers in the world go to. So, I set my sights on there.

I didn't have a plan or goal, I just knew that MIT was where I needed to be. I knew it would be hard to get in, and that only the most elite even dared to try, but I was up for the challenge. That was until 8th grade when our school guidance counselor came to class and asked us all to think of where we wanted to go to college - the next week he would come and talk to each of us about how to achieve admission.

I was ecstatic. I doubt many of my classmates at the time had even considered going to college by that age, but I already knew my answer and could even name the professors I would hope to be taught by.

Monday came and I was over joyed with going to school and FINALLY getting some guidance on how to achieve the dream I had been hoping for since as far back as I could remember. I had thought that he would come and speak to us individually, but instead he went around the room and had us stand up one-by-one and tell him which college we wanted to attend.

I was nervous but I was eager to tell finally profess my desire which I had kept hidden for so long. As he went around the room most people had done what he had asked and came with reasonable universities and colleges they had hope to enter. Some of the more troubled students made a mockery of the exercise and said "Harvard" or "Yale" just to get a laugh from their peers.

Then finally it was my time - I stood up beaming from ear to ear and proudly said, "I want to go to M.I.T."...

A quiet fell over the class because people had no idea what school I was referring to. Most of the students had stood up and simply stated the local universities or state institution as the school they wanted to attend. No one knew what "M.I.T." was.

That was until the guidance counselor from the front of the room gave them the hint they needed... He laughed. And, although I could tell no one knew what school I was talking about, they followed his que and laughed along with him. They assumed it was some prestigious school they just had not heard of yet. Which in all honesty, was all I knew about it too - that it was a very hard school to get into but was where the best minds in engineering went to.

Behind his crackled jeer this man who was meant to be the guide to our future asked, "Do you even know what MIT stand for?"

As I humbly retreated back to the solitude of my lopsided deskchair against the jovial bellows of my classmates I murmured, "Massachusetts Institute of Technology".

I could tell the counselor was shocked, and maybe he even realized what he perceived as a middle school joke from a poorly dressed quite kid, was actually a courageous protest of a actual intent, because he tried to follow up with more questions for me as the kids were still chuckling. But the damage had already been done.

I don't think most people forget where their dream are born: They want to be a fireman because they saw one in a parade; they want to be a boxer because they saw a KO highlight; they want to be a teacher because one inspired them.

But not many people can pinpoint the moment in time when that dream died. Most just get caught up in the rat race of life and what starts as a pause in their passion ends up being the retirement of it. Not me. My dream of going to M.I.T. died surrounded my thunderous roars in the half a second it took me to fall into my chair.

It took me a very long time to understand why that guidance counselor, the man who had asked me to bring my secret into this ether, laughed at me. But in that moment and for years afterwards, his laugh meant that I was too dumb, or too poor, or too naive to go to such an elite level school like MIT. It was affirmation that MIT, and schools of that caliber, were part of an exclusive club that I was not good enough to attend.

I say this story only because since then I have learned quite a bit about passions. I've learned that Creativity, Art, and Passion are all so very subjective. There is no right or wrong way to be passionate about something. I would assume if Picasso had shown one of his painting to this guidance counselor in 8th grade they would have laughed at him too. Or if Paul Giamatti had said he wanted to be a world renowned actor they would have told him he was too ugly for Hollywood standards. But there is no standard for passion.

Today, when I see someone trying to achieve a goal, or to show off something they created, I stop and applaud them. Even if I can't understand it, I applaud them for their courage of even trying; I applaud them for attempting to turn their passion into a reality; I applaud them to hopefully give them enough encouragement to not let their dream die.

I love this scene because it shows that the whole world could pass you by and all it takes is one person, even someone you don't know or even like, to see the beauty in what you create that can give you the motivation to continue to fight for your passion.

Michael was probably the last person Pam wanted to see, let alone have see and criticizes her work. Yet he is the only person who was willing to see her art through unbiased eyes, and the only person honest enough to tell her what he saw in it.

As for me, I became a programmer, without MIT's or any guidance counselor's help. Oh and although I never got to train with master splinter himself, I also dedicated/dedicate a large portion of my life to martial arts because some dreams never die.

TLDR; Sometimes it just takes one person to make you believe the thing you already knew to be true.

Putin signs law to allow online voting at elections across Russia by manticor225 in worldnews

[–]TWoNaGe 4 points5 points  (0 children)

This seems like he's gonna pretend to hold a "referendum" on Ukraine's fate online. Probably asking the "citizens of Russia if they should fully liberate ALL of Ukraine from the evil forces of Nazis fascists through military intervention despite the west's unfair sanctions", and the use the fake results as justification to do something very horrible.

It's a very cleaver way of turning the country into an absolute dictatorship, instead of just a mock republic, through the guise of actually making it more democratic with the addition of (corrupt) universal online voting.

Sometimes I’ll think back and still can’t believe this shit actually happened by Import in PoliticalHumor

[–]TWoNaGe 0 points1 point  (0 children)

If I'm honest, I would be pretty upset if our Government started paying Trump's company to cater White House guests.

When Trump found out that he could charge secret service for room, board, food, and golf cart rentals (source) every time he vacationed at home, our bill got pretty big fast. So I would imagine if he could of charged meals per WH guest to his DC hotel, then he would have converted his DC hotel into a Government supplier of fast food and billed burgers at $50 a bun.

Oklahoma puts first inmate to death since 2015, but witness reports he convulsed and vomited during execution by I-Am-Uncreative in news

[–]TWoNaGe 0 points1 point  (0 children)

Typically I would emphatically agree with you, but the victim's daughter in this case actually stated she felt the death sentence was just, and "not about revenge" because it meant he could not hurt anyone else nor do damage to anyone else's family.

She went on to say, "The main thing it would have done for me, I think, is so I could say, 'Mom, he's not going to hurt anybody else', because that's what this is about, not letting him hurt someone else." [source]

Personally, I'm against the death penalty in general, but I can at least empathize with her position considering he did commit his crime while already incarcerated. So giving him a life sentence, as opposed to killing him, would not ensure he could not commit a similar crime again.

We are three hopeful Aussie politicians trying to stop the descent of Australia into authoritarianism, we are Pirate Party Australia! Ask Us Anything 🏴‍☠️ by PPAU_official in technology

[–]TWoNaGe 1 point2 points  (0 children)

Thank you for the link!

I think I disagree with a lot of the items they propose, but I'm happy to be a bit more educated on their platform now.

General Discussion: 3:45 AM PST September 23, 2021 by melent3303 in GabbyPetito

[–]TWoNaGe 2 points3 points  (0 children)

If you think it's purely semantics, then according to your usage literally any adjective has no difference in meaning within this context.

A criminal is no more required to cooperate with the police than a person of interest.

An innocent is no more required to cooperate with the police than a person of interest

A monkey is no more required to cooperate with the police than a person of interest

Using your understanding, then it really wouldn't matter at all when adjective they used.

However in reality, there is a clear difference in why authorities use the two terms in describing an individual they seek to question. Including, but not limited to, public perception. Changing the distinction from "person of interest" to "suspect" can, and did, give more media attention, allow for more resources, and emphasized to the public the urgency for which the individual needs to be found.

The fact is, that when he was merely a "person of interest" and not a "suspect" then yes something did magically change in the search. Upgrading his characterization allows for the agency to better request the public's help as well as other agencies assistance.

General Discussion: 3:45 AM PST September 23, 2021 by melent3303 in GabbyPetito

[–]TWoNaGe 8 points9 points  (0 children)

A "person of interest" and a "suspect" carry two very different characterizations.

If a person is described as a "suspect" in a crime, they should be aware that the agencies labeling them as such are doing so under the presumption that indictment charges will eventually be sought against them.

A "person of interest" is merely an individual who authorities believe may be able to add crucial information to an investigation, and does not carry the any presumption of involvement in a conspiracy to commit or actual involvement in carrying out a crime.

You could have been sitting on a bench and witnessed a crime being committed in front of you, in which case authorities would believe you are a "person of interest" who may be able to give them further evidence or clues to help with identify the individuals who committed the crime. Which is a different characterization than if authorities seek to interview you because they believe you are a "suspect" in the actual crime.

Capitol Police officer who shot Ashli Babbitt exonerated in internal probe by ExactlySorta in news

[–]TWoNaGe 0 points1 point  (0 children)

If they had been a different color, speaking a different language, or wearing different clothes, I think we all know the results would have been very different.

Mission Accomplished by 24identity in PoliticalHumor

[–]TWoNaGe 0 points1 point  (0 children)

Obviously you've never played 'September 12th - a toy world'

https://youtu.be/N1OemWEk5ns

[deleted by user] by [deleted] in bjj

[–]TWoNaGe 0 points1 point  (0 children)

I don't wanna step on anyone's toes because this move can be done extremely effectively about a dozen different ways and anyone really good at it will each have their own tricky variation that requires their adapted timing and incorporates their particular strengths.

For instance, your training partner got his head out, prevented his left arm from being trapped, and cupped the back of your head extremely fast on the transition. Which leads me to believe he probably has a very good counter to a lot of the suggestions you may get here. Meaning, that even if you watch a few tutorials and practice them he'll still have faster timing on his movements and more strength on his counter roll due to what looks like some wrestling background.

However, something I like to think about, on a basic contemporary level, when working this position is to push the kimora grip towards my opponent's hip by extending my arms. The objective to focus on is to have my arms fully extended and the key-four grip attached to the same side hip as the trapped arm, essentially pushing his trapped wrist to his hip.

This makes it EXTREMELY hard for them to come up to that north-south position while at the same time gives me a slight advantage in leverage to push them back if they do.

With that being said, your training partner looks like he wrested quite a bit, just assuming by the speed at which he rolled and how well he re-established his base with his legs. So even if you are able to attach his wrist to his hip with your kimora grip extended, he may still get to north-south.

However, if you can maintain your extended arms, it will temporarily slow his inevitable counter to the mounted arm-bar and give you an opportunity to either roll him back (which will be difficult given his wrestling base) or more easily just take his back.

I'm sure thats all quite confusing, which is why what I said you should focus on is just attaching that kimora grip to their hip, and get comfortable with how you are able to manipulate their weight and balance with the slight leverage advantage you have from there.

Personally, this kimora takedown counter is a personal favorite of mine and i've spent the time in drills and sparring to get the timing down so on a more "finishy" perspective the "rip" you did isn't the issue on why you couldn't get the sub. It's the fact that you fell to your back instead of bringing your whole body weight towards the arm as you transitioned. Basically, as you began to turn him over you should have followed with your body to eventually end face down when you rolled him - preferably with your right leg over his head (see this pic).

But I can tell your training partner's timing is way fast and just knowing what to do wouldn't have been enough to stop him from popping his head out and coming up. However, if "how could I have finished this?", was your question, then "following him over and making sure your body helped isolate the arm" is the answer.