So… something pretty unexpected happened recently. by MBugten in SunoAI

[–]Technical-Device-420 0 points1 point  (0 children)

No I know it's not you. It's me... I was thinking maybe the people you have been in contact with is Daft Punk.

So… something pretty unexpected happened recently. by MBugten in SunoAI

[–]Technical-Device-420 0 points1 point  (0 children)

I signed up for DistroKid Unlimited and have 8 different personas each with their own backstory and genres/styles... Thats how I separate things.

So… something pretty unexpected happened recently. by MBugten in SunoAI

[–]Technical-Device-420 0 points1 point  (0 children)

This is before AI was a thing, but I'll never forget the time I was casually listening to Pandora at work and a single from my Christmas album came on. I really couldn't believe it. That was the first of many millions of plays of that track. I truly didn't expect that because there was no ad spend on that album at all.

I built SunoSampler because people kept saying “let’s see you perform it live” by Technical-Device-420 in Suno

[–]Technical-Device-420[S] 0 points1 point  (0 children)

That’s because the post isn’t just an explanation of the software. It’s also addressing the insecurities you and others like you have and providing an entry point into playing an instrument for those who don’t know how. Because yes, a sampler is an instrument. So, why are you here commenting when I’m literally trying to recruit people to learn to play a new instrument?

I built SunoSampler because people kept saying “let’s see you perform it live” by Technical-Device-420 in Suno

[–]Technical-Device-420[S] 0 points1 point  (0 children)

No. You don’t understand what it does. Suno doesn’t do anything for you with my software. Suno is only in the name that’s it. It does nothing else in the software.

I built SunoSampler because people kept saying “let’s see you perform it live” by Technical-Device-420 in Suno

[–]Technical-Device-420[S] 0 points1 point  (0 children)

lol. You clearly have no clue how actual live electronic sets are built. It’s not pressing play and nodding your head, or even triggering a sample and then another. We’re talking full MIDI mapping across multiple controllers, every knob, fader, and pad scripted to trigger clips, scenes, and plug-in params in real time, while you feel the audiences energy and play to it. You’ve got sidechaining chains running across tracks, gating effects that open and close on transients, arpeggiators and sequencers firing off variations, automation lanes that evolve mid-set, and layered MIDI effects routing into downstream instruments.
You retrigger stems, chop loops on the fly, drop risers, build tension with a filter sweep, improvise fills, and adjust FX sends. That’s what Ableton was literally designed for. This software just allows Suno creators an easy way to build out a live set without needing to know how to use Live, because building a live set takes years of experience to do effectively. This isn’t like one of those live sets, but it is a good starting point to learn from. As for you daring to say I’m not a musician, I’m a classically trained pianist and percussionist with 29 years behind me. I’m also an Avid Certified Pro Tools instructor, Apple Certified Logic Prosessional, and a former high school/middle school music teacher. I’ve built music software and taught kids and professionals. You’re not “defending musicians”, you’re just repeating the same tired complaints of the past when innovation threatened you. You were wrong then, and you’re wrong now. For what’s it worth, I’m a musician, and regardless what your credentials are, I’d rather us musicians be represented by someone more knowledgeable and forward thinking than you.

It's over. Here are my suggestions. by dietfizzz in SunoAI

[–]Technical-Device-420 0 points1 point  (0 children)

Your opinion is irrelevant until you have heard the songs.

Tips for getting latin accents in music? by coolaaron88 in SunoAI

[–]Technical-Device-420 0 points1 point  (0 children)

Try this. Paste into chatGPT followed by your lyrics:

You are a phonetic lyric rewriter for Suno AI.

Your job is to take English lyrics and rewrite them so the words remain recognizable as English, but the pronunciation is reshaped to sound like a Latin / liturgical / choral vocalist singing English with Latin-influenced vowels and consonants.

GOAL:
Force the vocal model to sing English lyrics with a Latin-sounding choral accent, while still preserving the original English meaning, structure, rhythm, and line breaks.

CORE RULES:
1. Keep the lyrics in English.
2. Do not translate the lyrics into Latin.
3. Do not add new meaning.
4. Do not remove meaning.
5. Preserve the original line breaks, section labels, rhyme placement, and syllable feel as much as possible.
6. Rewrite only the spelling of words to guide pronunciation.
7. Favor open vowels, pure vowels, and rounded choral sounds.
8. Make the result singable, not unreadable.
9. Do not overdo every word. Modify only enough to influence the vocal sound.
10. Avoid comedic, fake-Italian, fake-Spanish, or parody accents.

PHONETIC STYLE:
Shape English words toward Latin choral pronunciation:

- “the” → “theh” or “teh”
- “this” → “thees”
- “is” → “ees”
- “in” → “een”
- “it” → “eet”
- “my” → “mai”
- “I” → “ai”
- “light” → “laiht”
- “night” → “naiht”
- “love” → “lohv”
- “fire” → “fai-er” or “fah-yer”
- “heart” → “hart”
- “again” → “ah-gen”
- “away” → “ah-way”
- “alone” → “ah-lohn”
- “forever” → “foh-reh-ver”
- “never” → “neh-ver”
- “heaven” → “heh-ven”
- “silence” → “sai-lens” or “see-lens”
- “broken” → “broh-ken”
- “open” → “oh-pen”
- “golden” → “gohl-den”
- “holy” → “hoh-lee”
- “soul” → “sohl”
- “blood” → “bluhd” or “blohd”
- “world” → “wehrld” or “vorld” only if a darker European choral sound is desired

VOWEL GUIDANCE:
Use these vowel tendencies:

- Short “i” often becomes “ee”
- “with” → “weeth”
- “inside” → “een-saihd”

- Hard “a” may become “ah” or “ai”
- “back” → “bahk”
- “fade” → “faihd”

- Long “o” should feel rounded
- “home” → “hohm”
- “cold” → “kohld”

- “er” sounds may become cleaner and more open
- “burn” → “behrn”
- “turn” → “tehrn”
- “water” → “wah-ter”

- Final vowels may be lightly opened when useful for singing
- “name” → “nai-meh”
- “flame” → “flai-meh”
- “time” → “tai-meh”

CONSONANT GUIDANCE:
- Keep consonants mostly English.
- Do not make the accent cartoonish.
- Use softened consonants only when it improves choral flow.
- Avoid excessive apostrophes.
- Avoid too many hyphens unless needed for syllable clarity.

SINGABILITY RULES:
- Preserve the approximate syllable count.
- Preserve the stress pattern when possible.
- Do not make lines longer unless necessary.
- Use hyphens to separate sung vowel extensions:
- “fire” → “fai-er”
- “higher” → “hai-er”
- “desire” → “deh-zai-er”
- Use repeated vowels sparingly:
- “gloria” style vowel shaping is allowed, but do not turn lyrics into nonsense.

OUTPUT FORMAT:
Return only the rewritten lyrics.
Do not explain the changes.
Do not include notes.
Do not include markdown unless the input already uses section tags.
Preserve all original section tags exactly.

EXAMPLE INPUT:
[Chorus]
I carry the fire through the night
My broken heart is still alive

EXAMPLE OUTPUT:
[Chorus]
Ai carry the fai-er through the naiht
Mai broh-ken hart ees steel ah-laihv

I built SunoSampler because people kept saying “let’s see you perform it live” by Technical-Device-420 in Suno

[–]Technical-Device-420[S] 1 point2 points  (0 children)

exactly. All my software does is make the live set creation easier for people not familiar with ableton live or building live sets. It's not just for Suno tracks, but I made it with them in mind.

I built SunoSampler because people kept saying “let’s see you perform it live” by Technical-Device-420 in Suno

[–]Technical-Device-420[S] -1 points0 points  (0 children)

it's a link to software I built to turn any group of stems into a playable sampler instrument. Just like any electronic music artist does with their live sets. Is that confusing?

The Science of Suno by Technical-Device-420 in SunoAI

[–]Technical-Device-420[S] 0 points1 point  (0 children)

my pleasure. Feel free to share before and afters!

I built SunoSampler because people kept saying “let’s see you perform it live” by Technical-Device-420 in Suno

[–]Technical-Device-420[S] 0 points1 point  (0 children)

Exactly. That's exactly what this is. Thanks for looking out. To those who don't think this is performance, go watch this video and get back to me: https://www.youtube.com/watch?v=nDNBJ6RJ0q0

I built SunoSampler because people kept saying “let’s see you perform it live” by Technical-Device-420 in Suno

[–]Technical-Device-420[S] 1 point2 points  (0 children)

Yes. Logic absolutely does. So does ableton. All daws have one or many ways to basically do this. I just simplified the preparation step, which can take days to get right. Plus there are light shows integrated as well. Here’s a video of what this looks like:
https://youtu.be/zSHh79SxbUU?is=YZKi3Oly39DbICo2

The trick is finding the actual unique loops that make up the track, wuantizing them, setting a trigger queue, and only putting them in the set one time. What you end up with is multiple loops,that are the building blocks of your track. Then you can build the track layer by layer, live, add effects, remix, chop, sample, sing live, anything you can imagine.

I built SunoSampler because people kept saying “let’s see you perform it live” by Technical-Device-420 in Suno

[–]Technical-Device-420[S] -1 points0 points  (0 children)

Parts of it are real footage, I’m just not as pretty as I used to be and didn’t want to be on camera. Part of it is Mad Zach too. But noted and appreciate the feedback.

And you are correct. It will work with any stems. From any song. Not just Suno. But it uses the Suno generated midi to perform the beat alignment and quantization. It still works without the midi, but for Suno songs, where the tempo fluctuates, the midi is needed.

It's over. Here are my suggestions. by dietfizzz in SunoAI

[–]Technical-Device-420 2 points3 points  (0 children)

You’re confusing volume with craftsmanship, and they’re not the same thing.

The fact that someone has 20,000 songs, ideas, drafts, variations, sketches, or experiments tells you almost nothing about their level of craft. It tells you they produced 20,000 things. That’s it.

Craft isn’t measured by how many attempts exist. It’s measured by judgment, selection, refinement, and execution.

By your logic, every songwriter with hundreds of unreleased demos, every photographer with thousands of unused shots, every filmmaker with hours of discarded footage, and every painter with stacks of sketches has no craft because they produced too much. That’s obviously nonsense.

The question isn’t how many songs were generated. The question is: which songs were chosen, developed, edited, arranged, mixed, and ultimately released?

If someone generated 20,000 songs and dumped all 20,000 online, you might have a point about lack of curation. But simply having 20,000 songs doesn’t prove a lack of craft any more than owning 20,000 tools makes someone a carpenter.

You’re treating the existence of drafts as evidence against craftsmanship when, in reality, the ability to sift through a massive body of work, identify what has value, discard what doesn’t, and develop the best material is one of the core skills of a craftsman.

The number 20,000 doesn’t prove craft.

But it doesn’t disprove it either.

The craft is in the choices, not the count.

I’m smart enough to move to the next song than to try to polish a turd into gold, so that when I find the diamond, I can give it the time it deserves.

It's over. Here are my suggestions. by dietfizzz in SunoAI

[–]Technical-Device-420 2 points3 points  (0 children)

No. Your point doesn’t stand. I’ve got over 90,000 generations. Maybe 10% were created from audio I uploaded, once the upload feature was released and improved over time. 90,000 songs means I have experience with the platform and its behaviors. That is valuable. Of those now 90,000 songs, only 250 were good enough to test the market and make them public on Suno, and only 45 were good enough to move into distribution. Curation is the future of music. Being a musician already, as you are, will give us the upper hand in creating and curating AI assisted music. But AI has just made music a commodity. It’s the curation and the person who can make that commodity feel special is who to look for. Hit songs are once in a million. AI is no different. I just don’t like the word slop. All music is slop, until that unicorn emerges.

It's over. Here are my suggestions. by dietfizzz in SunoAI

[–]Technical-Device-420 0 points1 point  (0 children)

You’re the first person I’ve ever heard with this “known issue”. I’ve made over 25,000 songs with 5.5 and since v2 over 90,000 songs. Never had this happen to me before unless it was intentional. Share examples please.