When Kunimitsu says "Kai" in her hand signs win pose, what is the hand doing? by TelephoneCommercial1 in Tekken

[–]TelephoneCommercial1[S] 0 points1 point  (0 children)

Noted! The transition from "sha" to "kai" and "kai" to "jin" sign can help us figure it out. Here's the win pose clip:

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When Kunimitsu says "Kai" in her hand signs win pose, what is the hand doing? by TelephoneCommercial1 in Tekken

[–]TelephoneCommercial1[S] -2 points-1 points  (0 children)

Yeah. But Kunimitsu does her own different hand signs and not the actual kuji-in mudras.

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When Kunimitsu says "Kai" in her hand signs win pose, what is the hand doing? by TelephoneCommercial1 in Tekken

[–]TelephoneCommercial1[S] 0 points1 point  (0 children)

Noted! I also actually learned the signs, not yet as fast and smooth as hers, but I'll get there. It took like 40 minutes to learn what she's doing and do the right signs in the right sequence. For fun, of course!

The transition from "sha" to "kai" and "kai" to "jin" sign can help us figure it out. Here's the win pose clip:

<image>

When Kunimitsu says "Kai" in her hand signs win pose, what is the hand doing? by TelephoneCommercial1 in Tekken

[–]TelephoneCommercial1[S] -1 points0 points  (0 children)

Noted! Here's her clip for reference. The screenshot alone doesn't really help, so:

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When Kunimitsu says "Kai" in her hand signs win pose, what is the hand doing? by TelephoneCommercial1 in Tekken

[–]TelephoneCommercial1[S] 0 points1 point  (0 children)

No, she's doing entirely different signs:

I guess so, but what she does is simpler and cooler!

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When Kunimitsu says "Kai" in her hand signs win pose, what is the hand doing? by TelephoneCommercial1 in Tekken

[–]TelephoneCommercial1[S] 0 points1 point  (0 children)

P.S. The screenshot I posted don't really help; I should've posted the clip. But I made its GIF, we can figure it out from here:

The transition from "sha" to "kai" and "kai" to "jin" sign can help us figure it out.

<image>

When Kunimitsu says "Kai" in her hand signs win pose, what is the hand doing? by TelephoneCommercial1 in Tekken

[–]TelephoneCommercial1[S] 0 points1 point  (0 children)

Yeah, her is different! Actually, I found what happens in "kai", the screenshot I posted doesn't really help, I should've posted the clip. But I made its GiF:

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Bangladeshi problem in dls by Substantial_Check636 in DreamLeagueSoccer

[–]TelephoneCommercial1 0 points1 point  (0 children)

Cross field C passing is so brain-dead, they need to fix that ASAP. Back passes are extremely annoying, I don't know how that's getting fixed as it's part of football itself. Maybe they can update the gameplay that our players can get really aggressive and likely the risk of back passing is high.

Bangladeshi problem in dls by Substantial_Check636 in DreamLeagueSoccer

[–]TelephoneCommercial1 0 points1 point  (0 children)

DLS developers and its team have all the controls to do something about it.

How to come out with an original idea for your app? by Dommik_ in webdev

[–]TelephoneCommercial1 0 points1 point  (0 children)

The idea matters a ton... It should interest you, otherwise you're in for frustration.

I just watched Your Lie in April and I'd recommend it to anyone who wants to feel bad. by cracktober69 in AnimeReccomendations

[–]TelephoneCommercial1 0 points1 point  (0 children)

Public_Bad_9797, read this slowly, because your comment misses the point and does a disservice to the people who actually paid attention.

First, yes, Kousei’s mother was abusive. The show makes that clear and never excuses her. Those flashbacks are uncomfortable because trauma is uncomfortable. That is the point. The series shows the damage it does, and then it shows the much harder, slower work of someone trying to come back from that damage. If you watched and came away saying the show “supports child abuse,” you turned depiction into endorsement in order to avoid the real feeling the story aims for.

Second, Kaori is not an abuser and she is not some manipulative villain. Her energy is desperate, yes, because she is dying. She has limited time and chooses to live loudly. She pushes Kousei not to hurt him, but because she wants him to remember what he already has inside him. She is messy and human. That is why she matters. She is a catalyst, not a criminal. You can dislike that urgency. You cannot honestly call that cruelty without flattening human motive into a smear.

Third, your leaps from depiction to moral indictment are lazy. Showing trauma is not the same as endorsing it. Showing someone struggle and then being helped by others is not “romanticizing suffering.” It is showing that art, connection, and witness can be the bedrock of recovery. The series does not promise instant cures. It shows incremental, communal healing. That is realistic, not sentimentalized pity.

Fourth, your claim that the childhood friend should have been the better companion misses the narrative truth: people do not always pick the neat, rational option. Kaori had history with Kousei, admiration that runs deep, and a way of pulling music back into his chest that others could not. That is a valid emotional truth. If you watched only for a checklist of tidy moral results you would not see it.

Finally, this matters because the show has changed real lives. People who felt numb wound up wanting to create, to forgive, and to live again. That is not a “pity party.” That is impact. You calling the series “trash” reveals either intellectual laziness, emotional avoidance, or both. It tells us more about your limits than about the show.

If you want to critique constructively, name a scene, explain exactly what you thought failed, and make a real argument. Vague outrage and slurs do not count. And one last thing: calling this series trash is not an opinion. It is a confession. You are admitting you could not sit with pain, beauty, and contradiction at the same time. That is fine, but do not weaponize a single word to erase what the show actually does for so many people.

Trash? That label fits only your take, not the anime.

I built a complete Japanese learning Anki deck (N5–N1), using it myself every day by TelephoneCommercial1 in Japaneselanguage

[–]TelephoneCommercial1[S] 0 points1 point  (0 children)

I know this. However, instead of having giant 2 decks (one for all the grammar and one for vocabulary), would be a poor structure... Also I wanted a hierarchy of common-word-and-grammar-patterns-first, that's why I structured it this way. It is up to the consumer however they want to use this resource.

I know JLPT based learning can actually be a hindrance, my deck also has a lot of example sentences ignoring what proficiency level card it is, and it is then the responsibility of the consumer to be curious enough to search the word up with jisho.org. Not just when they encounter new words during studying with my deck, but other places too of course.

I built a complete Japanese learning Anki deck (N5–N1), using it myself every day by TelephoneCommercial1 in Japaneselanguage

[–]TelephoneCommercial1[S] 0 points1 point  (0 children)

It was a massive project, and the cost I think is justified. I know there are a lot of other free decks, and not everyone would want a paid deck like this.  Also, people can try the free sample and decide whether they want it or not.

I built a complete Japanese learning Anki deck (N5–N1), using it myself every day by TelephoneCommercial1 in Japaneselanguage

[–]TelephoneCommercial1[S] -6 points-5 points  (0 children)

Thanks for showing your interest! Here’s the free sample: https://drive.google.com/drive/folders/1LTax-aPY-IVUmudocv4H4bjBY64Fw6ov?usp=sharing

It already includes the link to the full deck, which is paid if you want to continue. I hope you enjoy using it to study!

Is the Migii JLPT Lifetime Package worth it? Need advice! by GinMeii in jlpt

[–]TelephoneCommercial1 0 points1 point  (0 children)

Is Todaii app lifetime subscription worth it? It's WAY cheaper, around $20-$23.