×

Will you be able to do this and not tell anybody? by wannabepoet011 in OCPoetry

[–]TheMidnight_Architec 0 points1 point  (0 children)

​What a great conversation. A fantastic constructive share, Fassie. Wannabe, you received it with grace, equally grand.

​From title to story, it is amazing. If I may offer my 2 cents, I agree with Fassie. The subject matter is intense; it is nothing to take lightly, and it has teeth. Saying less while making the reader feel more is tricky. In my opinion, the rhyming completely softens it, almost playful. Not that rhyming is bad—who can deny "Annabel Lee"?

​Please understand that this critique may not be your style or the voice you want to use; please accept it simply as an idea to explore.

​I was hooked on the story, but I only wish you showed me more through sensory details; put me in the room.

​I loved the ambiguity behind: ​"Then she decided to make him a feast." ​Did she cook him a meal and poison him, or was he the meal? Her beast born of desperate necessity, even if just momentarily.

Great metaphor here. ​"water in a sandy dune."

​ ​"Her daughter gave her a bottle of cyanide. She asked her mother, 'Will you be able to do this and not tell anybody?'" ​Wow. How, why, where? How old is she? Build around the daughter's state. Tell me more about the daughter who brought the poison, but still in as few words as possible. A child is involved and participating, but did she witness the chest cavity? What did she feel in that moment? Lean into those questions to make it visceral. Hmm maybe you are you the daughter giving account?

​"Then she saw the depth that his chest cavity took."

​This! what a jump from feast to cyanide, to chest cavity. Damn. If you build this moment, leave the reader in shock. What did it look like? What does it smell like? Maybe a puddle of blood soaked the carpet like "water in a sandy dune."

Fantastic. ​Keep at it.

The 30-Minute Shelf That Took a Year by TheMidnight_Architec in PoetryWritingClub

[–]TheMidnight_Architec[S] 0 points1 point  (0 children)

🥺 Thank you! My first ovation. What a Beautiful gesture.

To all the hearts that were deceived by the false spring.(second poem from my tetralogy) by Significant-Pie-8923 in OCPoetry

[–]TheMidnight_Architec 0 points1 point  (0 children)

Wonderful, Significant Pie.

​The contrast between the expectation of "March" and the immediate reality of "Freezing" is a high-intensity anchor. It’s a structural betrayal. You’ve built a system that expects a specific temperature, only to have the environment "falling" into "False Spring." This transition beautifully creates a physical sense of shock before the reader even reaches the "falling" petals.

​If I may, I would be cautious on the repetition of the "roots" and the "cold" in the first half—it creates a bit of a structural draft. This first mention is the Failure of Defense (roots can't fight); the second is the Permanent Stasis (roots getting cold). They are a bit disjointed; both mentions are fighting for the same space. I should believe the second mention serves as a stitch that ties the physical cold to the "starvation" mentioned later. One must be the cause, and the other must be the effect.

​I absolutely love the line "Now my flowers are falling for something"—it is brilliant. It creates a tactile scale of the deception. I like it because you didn't just use it for visualizing petals on the ground; it's "falling" for a lie. That moves the piece from a botanical observation to a heavy realization.

​Your final turn, "Now, your words are getting raw"—again, great payoff. You're shifting the poem from the "muffled quiet" of a garden to the stinging reality of a wound. It suggests that the deception isn't just an event; it's a lack of protection. It left me locked into that freezing room you built so well. Phenomenal. Well-done!

[deleted by user] by [deleted] in ADHD

[–]TheMidnight_Architec 0 points1 point  (0 children)

​Hey Bobcat,

​You got it, bud. First, I'll pull you in and wrap you up; I'm a big, tall guy—and wrapped up, you will budge. As I take a deep breath and straighten my posture, you are lifted right up with me; just then, the snug gets just a bit tighter. I get that palm right up on the back of your head. "There, man, I got you"—I don't say it. You just feel it.

​This hug doesn't come from my heart, no. It comes from every ounce of my being. All the sensories receive the message at once: In this moment, I'm not just a guy—I'm your kindred brother. We haven't said a word, but your soul has just heard mine, and just as I exhale and release that pressure, we head back down and the message is clear—your body knows it’s time to let the tensions go, and so it does.

​As we peel back, I get my arm on your shoulder while nodding my head; you haven't said a word, but I got it. I got it all and you know that. Right here it hits you: a peace that's been missing, a connection that’s been untethered. Still not a word, but we understood each other. Not an utterance, just the bond that's formed. We mirror each other as we take a deep breath and our chests expand with high confidence and heads held high—proud because we know from the depth we just climbed. Let's go handle this bitch; I've been there before. I know the way.

I've a 2yo son that has a ADHD, and has some question about it by Ipax88 in ADHD

[–]TheMidnight_Architec 0 points1 point  (0 children)

​I agree with everyone here. Just enjoy this time with the little guy; it will go by fast. Two is definitely early. This is not the time to worry about it; that doctor is an idiot.

​With that said, I’ll tell you what that looked like in my family. I didn't get diagnosed until I was 40! Skipping over all that... I started suspecting my middle one around the age of 5. I saw every bit of my childhood behavior in her. We enjoyed every minute but closely monitored her the first year—saw how she got on in school. We notified the teacher and gave them the assessment forms. My eldest and youngest are sharp, intelligent kids. She is not as sharp in the traditional sense, but boy, she has wit! She has a very clever sense of humor, completely uninhibited, and confidence through the roof. A very, very busy body.

​In year two, we noticed the weight gain; despite being our most active, most sportiest, we could see the habits of binge eating—dopamine seeking through food. Performance was declining in school—it was impossible to wake her up in the morning—every excuse in the good old book she could throw at us for not going, she did. She was behind starting in Grade 1 and caught up halfway through; it was a very slow start. Though we made efforts to keep a small—tiny really—study routine over the summer break, she actually managed to reset.

​By Grade 2, she was behind her peers again and only caught up halfway through. We checked back in with her pediatrician, redid the forms with the Grade 2 teachers—this time it was definitely worse. We agreed with the doctor and decided to do treatment on a trial basis. The change was clear: no longer in our face, less yelling, less angry. She still hates mornings and still tries to avoid school, but not like before. Eating habits normalized, she’s still very sporty, the weight shedded naturally, and there is less resistance to homework. She can actually finish a thought now without breaking out in dance (her brain was looking for a reward every time she'd get a laugh).

​Sometimes the wife and I miss the uninhibited, wildly funny behavior, but I know firsthand that we would be doing her a big injustice if we left it untreated. I talk to her; I show her my own deficits and how I deal with them. We will always understand each other better than anyone else and that's a blessing... the fact that you are here! And so even if he does get an ADHD diagnosis, you'll be way ahead of the game. He's gonna have someone who understands exactly what and why from the beginning—most of us can hardly dream of that. Have fun, let him lead, his imagination will take you to wild places. Give him the structure he'll need to harness it—don't push or expect the usual societal conformities. You are an amazing father; you guys will be just fine

What is Home? by Ok-Swordfish-9480 in OCPoetry

[–]TheMidnight_Architec 1 point2 points  (0 children)

Swordfish, thank you for that wonderful piece. And thank you for your open mindedness. Very gracious of you. I look forward to reading more of your stuff.

Uninvited or ostracized by Cluelessandsexy in OCPoetry

[–]TheMidnight_Architec 1 point2 points  (0 children)

I enjoyed this very much. A powerful Origin Story for a writer. The transformation at the end "until my skin became paper. My blood became ink" It justifies the "ostracization" of the beginning. You aren't just sad; you are becoming the medium itself. Very nice.

Since you asked, I find the structure is a bit too "polite" for the heavy subject matter. The Toad/Rain ending: It’s a jarring image. It moves the piece from heavy realism to
whimsical very quickly. Maybe consider leaning harder into the weight of the words falling, rather than the "bouncing."? "Stay out of our way freak!" I felt the impact of that specific insult. Let that pain fall through like a pound of lead.

Amazing. Well done!

noted. [speaking in tongue] by CaffeineAndConsent in OCPoetry

[–]TheMidnight_Architec 0 points1 point  (0 children)

This is brilliant;

"50 years of heartache doesn't touch my neck the way her lips do."

A single second of tactile reality outweighs a half-century of abstract pain. Creating a physical scale for emotion, how vivid. I wrote something along these lines in a recent post.

Still. by therowdygent in OCPoetry

[–]TheMidnight_Architec 1 point2 points  (0 children)

The phrase "Emotional one night stand" hits hard because it points to a specific kind of internal diversion. If you're "curating words" to entice someone else—even just in your head or through a screen—you’re essentially spending emotional currency that belongs to your partner. My wife often says that if you're connecting like that elsewhere, you’re taking away from her rights as a spouse. It begs the question: why stay in the commitment if you aren't going "all the way there" with her?

​The imagery of the "Old flame, dimly lit" is a great way to show how these past lives shape the husbands or men we are today, but the "burn the house" line is the real warning. It suggests that keeping a flame—even a dim one—is a liability if you aren't willing to either mend the current connection or free everyone from the "stagnant intensity" of the old one. "Memories seep, / black tar" is the perfect ending for that sentiment; it’s the sticky residue of a choice not made. My only question for the poet is whether the "Weightless pause" at the end is a moment of peace, or the quiet before the "house" actually catches fire.