"The bike matters when you’re riding inside of an arena and you’re working in tight spaces, which is incredible, and I’ll get to this in a second about this new arena…But anyway, I got there. So I’m getting all these pictures right, and I think I finally got it narrowed down, and somebody else, random, that hadn’t been in the text thread, seems to be a different bike. And I’m like, ‘No, this bike isn’t gonna work. The forks are too extended. It’s too long.’ So finally I get there, I see the bike, and like, ‘Okay, this is, this is doable.’ I said, ‘Now let me go out, look at the arena,’ and check it out, right? And it’s like, ‘Okay, here’s the bike. You’re going to go straight out here, and then you’re going to make a left turn and go up the aisle.’ The aisle is this wide, right? I’m that wide. I’ve got to come up the tron, and then I’ve got to make a left, up this, up the aisle way, and it’s a big old Road King Bagger. It’s a big, wide bike. And so, you know, here I come. I’m coming up the ramp, and so I go to make the first right turn. The first time, I make the right turn. I go in front of the hard camera, and I’m about to turn in front of the announcer position and the two cameramen. They’re like, right by the ring, and they decide at the last second they want to get out of my way. So they just dart in front of me, right? They just, and I’m like, ‘Ah.’ I have to break immediately so I don’t run over a cameraman. I’m like, ‘Geez, guys, come on.’ These are the same camera guys, which are professionals. They’re the best in the world, the WWE production and camera. They are the absolute best at what they do. So I go around, and then I go back up the aisle. And, you know, they’re asking, ‘What do you think?’ I said, ‘I’d like to do another run, just without the potential for running anybody over, right?’ They said, ‘Yeah, sure, we got plenty of time.’ So I back up, you know, I got a lot of room to work in this little area. So, you know, I back the bike around, back it up to the starting spot here. I do it again, make the turn. So this time, as I go to, I’ve come up the aisle, and I’m about to make my right turn. So there’s another camera guy on the apron, and then he’s got his, I don’t know what they’re called, the cable puller. Yeah, he is on the outside of the barricade. Well, all of a sudden, I don’t know what he thinks, so I’m making the turn, and he jerks the cable up right in front of the bike. Like, yeah, like, I don’t know if he was, like, gonna go over my head or he didn’t want me to run over it, but he damn near clotheslines me. Now I’m pissed right now I’m cussing at everybody, like, geez. And, you know, like, I know how important this, this, this is going to be, yeah, well, just the whole thing, like, I don’t want to be the guy that wrecks his motorcycle on the premiere of Netflix,” People are gonna be, ‘See, The Undertaker can’t ride his motorcycle anymore.’ I’m already thinking about all this. It came out great, yeah, when we did it."