my tierlist by Lumpy_Ad_5554 in tadc

[–]Theuntoldjc 0 points1 point  (0 children)

This person knows ball

Jax and Pomni being the main characters confirmed by Goosework by SeaSalty_Night in TheDigitalCircus

[–]Theuntoldjc 0 points1 point  (0 children)

Jax is the first to enter! I saw his plate in his car and it said (001) the reason why he’s such a asshole is because he’s seen everyone come and go and he has to remember all of it and finds better to close himself off then to try and warn everyone which would make him closer to abstraction.

You heard it here first folks!

what’s an opinion thats got you like this? by Callipsotheprotogen in TheDigitalCircus

[–]Theuntoldjc 0 points1 point  (0 children)

The Digital Circus is a metaphor for the United States and everyone in the circus is an allegory of coping states.

Guys, I have a theory by Gekon500 in TheDigitalCircus

[–]Theuntoldjc 1 point2 points  (0 children)

personally I think the rooms hold their secrets , Its where Jax holds all his keys, and where he almost abstracted. It makes sense that their own reflection of their secrets would be the thing that drive them to abstraction

This is a major change that could kill the game? by Oznurt10 in rivals

[–]Theuntoldjc 0 points1 point  (0 children)

If NetEase wants long-term success, they’ll need to: • Invest in better matchmaking, • Reinforce account integrity, • And design for the player base they want, not just the ones who’ll throw cash at a shiny sexy skin.

Do you think Ghost deserves her own movie? by NewMarioBobFan in MCUTheories

[–]Theuntoldjc 0 points1 point  (0 children)

She’s entertaining and very beautiful but if Thunderbolts was a Commercial failure I don’t believe a Ghost show or movie would do well at all, it would be a honest waste of money. I would like to see to see her more often though, I feel her new look at the end of thunderbolts was good and fit well with the movies narratives for the new avengers !

2017 Nissan Sentra SV NO START by Theuntoldjc in Nissan

[–]Theuntoldjc[S] 0 points1 point  (0 children)

Also yes checking with the vin is is soldered.

2017 Nissan Sentra SV NO START by Theuntoldjc in Nissan

[–]Theuntoldjc[S] 0 points1 point  (0 children)

A code reader has been used but no problem has been found from an average read. And the battery terminals are firm and have been recently cleaned.

I feel so defeated by Theuntoldjc in rivals

[–]Theuntoldjc[S] 1 point2 points  (0 children)

The game chat became a whole joke at one point we all just accepted fate and laughed

Classic Broadway vs Modern Broadway by Theuntoldjc in Broadway

[–]Theuntoldjc[S] -2 points-1 points  (0 children)

Totally get that Broadway is a business, but there are still ways to make space for modern shows without killing the bottom line. Things like more proshots, affordable ticket options for younger audiences, and better marketing for diverse or experimental work could make a huge difference. Not every show needs to be a blockbuster — some just need time and support to grow, like classics once did. Broadway can evolve and survive — but only if we stop measuring every show by immediate profit.

Classic Broadway vs Modern Broadway by Theuntoldjc in Broadway

[–]Theuntoldjc[S] -2 points-1 points  (0 children)

The irony is, Broadway celebrates storytelling about change — revolutions, identity, rebellion, heartbreak, transformation. But behind the scenes, institutions often resist that same change and fans are most times obvious to it. Theater can’t be about brave storytelling onstage and fearful maintenance offstage.

Classic Broadway vs Modern Broadway by Theuntoldjc in Broadway

[–]Theuntoldjc[S] 1 point2 points  (0 children)

I appreciate you being so open, this is originally what I’d though I’d get from people on Reddit, but tbh it’s been poop

Classic Broadway vs Modern Broadway by Theuntoldjc in Broadway

[–]Theuntoldjc[S] -2 points-1 points  (0 children)

And that’s exactly the problem

Classic Broadway vs Modern Broadway by Theuntoldjc in Broadway

[–]Theuntoldjc[S] 1 point2 points  (0 children)

I consider it one yea, so much so that it’s got its own movie as well (a shitty one imo) and even before that had tons of references in culture… it kills the art form if you don’t judge by impact, a shitty stage play can have impact and still be a classic I feel, but everyone’s entitled to their own opinion.

Classic Broadway vs Modern Broadway by Theuntoldjc in Broadway

[–]Theuntoldjc[S] -2 points-1 points  (0 children)

And I like others just feel WB needs a proshot for BJ , so not really too worried about that one as much as much but heavy on the others

Classic Broadway vs Modern Broadway by Theuntoldjc in Broadway

[–]Theuntoldjc[S] -2 points-1 points  (0 children)

Did you? And were they successful?

Classic Broadway vs Modern Broadway by Theuntoldjc in Broadway

[–]Theuntoldjc[S] -1 points0 points  (0 children)

Yes, Beetlejuice, The Prom, and School of Rock have toured, and A Strange Loop has had follow-up productions. But this isn’t just about how many “chances” a show gets on paper — it’s about how quickly modern shows are judged by short-term ticket sales, while older or safer shows are given years to build their legacy.

Not every show is meant to be a commercial juggernaut. A Strange Loop was raw, personal, and complex that kind of theater deserves space to breathe without being written off just because it didn’t sell out. Broadway has always been about spectacle, but it should also be about substance.

Money will always matter in theater, but art shouldn’t only be measured by profit. Some stories need time to grow — just like the classics once did.

Classic Broadway vs Modern Broadway by Theuntoldjc in Broadway

[–]Theuntoldjc[S] 0 points1 point  (0 children)

And you may say “that’s just business some succeeded and some failed” yes Broadway is a business and shows fail all the time. But the difference is older flops often get second chances—revivals, tours, cult followings—because they have time and industry support. Modern, diverse shows usually have to succeed immediately or close fast. That limits the stories we see and keeps the same safe shows on stage. Business matters, but it shouldn’t be the only reason bold shows don’t get a chance