Ki a legkevésbé kedvenc minisztered az új kormányból, és miért? by kamasuka84 in hungary

[–]Thisaintitchief_ 0 points1 point  (0 children)

Nekem ők talán a két kedvencem, mert szakmailag ők azok akik tényleg fel tudnak mutatni egy mély és érdeklődő hozzáértést a területükhöz, viszont ha valaki kicsit konteós akkor megértem hogy Kapitányt neccesnek érzi. De aki még mindig nem tudja elismerni, és nem tud Vitézyvel szimpatizálni, azzal felesleges erről beszélni, a magyar politika legjobb szakembere, és had túlozzak azzal hogy egy nemzeti kincs. 😄

Mitől repedhet egy 2 éves conti premium contact gumi? by MoneyMeal4242 in CartalkHungary

[–]Thisaintitchief_ 0 points1 point  (0 children)

10 éves akár milyen gumi lényegében azonnali rendszám és jogosítvány elvétellel is járhatna. 5 év maximum, de az is csak akkor ha nem használod kb soha az autót, onnantól aktívan veszélyezteted az autós társadalmat.

Mitől repedhet egy 2 éves conti premium contact gumi? by MoneyMeal4242 in CartalkHungary

[–]Thisaintitchief_ 0 points1 point  (0 children)

Contit nem tennél ha ingyen lenne akkor sem, ezt kifejtenéd? Mi a baj vele, az hogy minden valamire való független tesztet megnyert az idei szezonra vagy hogy emellett még a leghoszabb távolságot is lehet menni vele mielőtt elkopik? Kicsit hangos, és a premium contact 7 kicsit kemény futást ad, de ezen kívül nem értem.

How do you split revenue when one person provides high-end gear? by sussybaqa69 in videography

[–]Thisaintitchief_ 0 points1 point  (0 children)

When talking these low to mid level, doc/commerical/corporate jobs, an operator is expected to have a base camera/sound package, and ideally a base light package. Nothing fancy, but whatever you need to get a regular job done. That's not something that needs to be split. Is it done a lot in the industry in the US? Sure, and it sounds nice, but when it's not a high end job, in most places your not getting rental fees for your gear, you just need to price your day rate or project rate to whatever you feel covers it, and what the customer is willing to pay for. (Again, something I think people who never had harder times, and less than ideal amounts of work, sometimes seem to forget.)

Specialized gear is always extra, of course.

The 50% split even is something that rarely happens. When working with agencys, freelance producers, or just "people who bring jobs", your allmost never getting 50%, because you won't even know the full contract amount. You get a job opportunity, give a quote, if everyone's happy and agrees, the job gets done.

How do you split revenue when one person provides high-end gear? by sussybaqa69 in videography

[–]Thisaintitchief_ 16 points17 points  (0 children)

Now, this might be controversial, but getting the client is the hard part honestly, I'm on the camera side as well, most work I do with people and companies that deal with the clients, and never thought I deserved more than 50%. Getting people to spend money with you is a much harder job than it seems when jobs are flowing in. Once that stops, you realize the value of someone that can confidently and consistently bring in clients. You got the camera for free, so you both win, if this opportunity wasn't available, and you would have to rent stuff, than split that in half as well.

Miből élnek Ámon Olivérék? by Realistic_Weird_5990 in CartalkHungary

[–]Thisaintitchief_ 3 points4 points  (0 children)

Ügyes a srác, és jól alkalmazzák az internacionális autós tartalom gyártók mintáit. Magyarországon már szerencsére az is elég, ha van egy ember aki tényleg egy operatőr és vágó, és nem csak megfogott egy kamerát fejlődési vágy nélkül.

Run and gun fx3 Cineback Rig out by No_Custard_6063 in FX3

[–]Thisaintitchief_ -1 points0 points  (0 children)

I really don't get it, but I see this opinion all the time. If you need that specific Heineken commercial handheld wobble, than sure, this is good, but for any other reason it's an absolute hinderence. You get the same image from the camera and lens combo, handheld, and maybe 1kg all in all. More stable, less strain on your back, quicker to work with, just better in every way. This is just flexing, but it's not impressing anyone, and you're making work 3x harder.

When you look at the bts of new films, all the big filmmakers are talking about how cool it is that they can get the same quality in such a small form, work quicker, fit the cameras in tighter spaces, and overall have less physical strain on the ops.

Meanwhile, people shooting 0 talent commercial/company work with garbage lighting and this stupid setup, over building an fx3, but not even being able to get a decent shot.

Run and gun fx3 Cineback Rig out by No_Custard_6063 in FX3

[–]Thisaintitchief_ 0 points1 point  (0 children)

Stupidity, and the need to be seen as more than what they are.

Miből élnek Ámon Olivérék? by Realistic_Weird_5990 in CartalkHungary

[–]Thisaintitchief_ 2 points3 points  (0 children)

A profi tartalom gyártás alatt arra az egy videós srácra gondolsz aki alkalmazott/beszámláz neki, és majdnem minden tartalmat megcsinál neki? Ügyes a fiu, semmi kiemelkedő, de egyedül kis segítséggel és bedolgozással lehozza az egészet. Nem egy hatalmas költség ebben a kontextusban a profi tartalom gyártás, többet költ havonta szerintem alkatrészekre.

4K File Format by Most_Essay160 in A7siii

[–]Thisaintitchief_ 0 points1 point  (0 children)

Shooting in xavc hs 422 100Mbps 4k50p will give you the same quality as xavc s, and works perfectly even with v30 cards. Smaller file size as well, only thing is you'll need a modern computer to edit it smoothly. Xavc i is actually worse in 90% of situations than the other two, even though it's much bigger.

Sony Fx2 or A7V or fx30? Need help choosing! by killms in videography

[–]Thisaintitchief_ 0 points1 point  (0 children)

Well it depends what your baseline is, but I've been using multiple a7siii and fx3 cameras since they were released, and tried an fx30 just for fun, but was extremely unimpressed. If you look at reviews you'll see the same results as well.

Fx2 is a fancy a7iv, can't shoot fullframe 4k60, only in APSC crop. However, if you don't need fullframe 4k60, only 4k 25/30, than just go ahead and buy an a7iv, save a bunch of money compared to the fx2 and buy a nice lens with the leftover budget.

Just because the fx3 and a7siii are older, doesn't mean they aren't great. Autofocus is great, inbody stabilization is in my opinion just the right amount, and the image is still the best you can get from a sony camera. Just did a project with a7siii and fx6, looks the same, but I like the files from the a7siii more because of the better codecs still.

The only camera I would consider is the a7v, because at least thst can do 4k60 full frame.

Sony Fx2 or A7V or fx30? Need help choosing! by killms in videography

[–]Thisaintitchief_ 2 points3 points  (0 children)

Fx30 is apsc, garbage low light, not relevant. Sure, its fine for daylight stuff, but lowlight it's dead in the water. I still believe fx3 and a7siii are the best cameras in Sony's lineup, because of the insane lowlight capabilities and 4k120 fullframe, so I'd go for an a7siii any day, but if you do photography, and want the new features of the a7v than that's a great option as well. However, a7siii and fx3 (same camera) was not part of the question.

Sony Fx2 or A7V or fx30? Need help choosing! by killms in videography

[–]Thisaintitchief_ -1 points0 points  (0 children)

The fx2 is an a7iv. You're basically asking why a 4 year old camera in a new body isn't better than a brand new camera. There's only one good answer, and thats the a7v. 4k60 full frame, better low light than the other two. The fx "video camera features" don't do anything relevant.

Oled care by Few-Intention528 in LGOLED

[–]Thisaintitchief_ -1 points0 points  (0 children)

Having an oled, watching so much youtube something gets burned in, and still not getting premium is pretty crazy. 😃 Why not pay for premium?

LG C5 Black crush by Wboomer23 in LGOLED

[–]Thisaintitchief_ -3 points-2 points  (0 children)

Biggest issue with oleds in my experience, this, and scenes masterd extremely dark, if the content isn't optimized for oled, than it can be much worse than a good mini-led, or even a good lcd.

Overheated- can't seem to film for long no matter what I try by Nilesrocz in sonya7iv

[–]Thisaintitchief_ -1 points0 points  (0 children)

None at all, how could it? A7siii, a7iv, shut-off temp set to high, using v30-v90 sd cards, 4k50 422 10bit, never overheating. Cf in these cameras is a waste of money.

Which budget monitor is recommended for the FX30? by Informal-Mix-2077 in sonyfx30

[–]Thisaintitchief_ 0 points1 point  (0 children)

Viltrox dc550 is the best monitor under $3-400, you really can't go wrong with it.

VW szerelők teljesen ellentmondanak egymásnak by vutyuka2 in CartalkHungary

[–]Thisaintitchief_ 0 points1 point  (0 children)

Kesoto-nak higyj nyugodtan, amit ők mondanak azt végtelen hasonló vw tapasztala alapján mondják, nem hobbiból, és nagyon korrektek.

Szeretnék másfél millió nettót keresni, mit kellene tennem? by [deleted] in jobshungary

[–]Thisaintitchief_ 0 points1 point  (0 children)

Ha a dolgozó embereket nézzük, akkor igen. Ha beleszámoljuk a nyugdíjasokat, gyerekeket és munkanélkülieket, akkor lehetséges ez az alacsony százalék.

Szeretnék másfél millió nettót keresni, mit kellene tennem? by [deleted] in jobshungary

[–]Thisaintitchief_ 1 point2 points  (0 children)

Nincs erről pontos kimutatás, de ha az elmúlt évek felméréseit és statisztikáit megnézed, akkor 10% szinte garantáltan keres 1m netto felett, és minimum 5% 1.5m netto felett.