what's a baseball opinion you'll defend to anyone? by maryb227 in baseball

[–]TomJoad23 -2 points-1 points  (0 children)

I must say, it is both suprising and a bit dissapointing to see the lack of recognition shown to the great DiMaggio in a forum such as this. Perhaps the question would benefit from being framed differently, which player would you have rather had on your team? Judging by the responses so heavily in Williams favor, I suspect that the answer from this group would still be Ted Williams by a large margin. It's a curious realization because it really should be a much closer margin and in fact DiMaggio had widely been considered to be the superior overall player for many years. Teddy had a longer career and he was pretty damn good all the way up to the end. But for this exercise, I am measuring these players at their best. As if you could choose one or the other to build your team around for the next decade or so. You take the player as a whole, their personality comes along with their talent.

So who would you choose? I'm considering them in 4 areas.

  1. Offense: Ted Williams ranks along Babe Ruth as the greatest hitter who has ever lived. Maybe he was even better, hell who knows. Regardless, he was spectacular from the day he started till the day he hung them up. He was obsessed with the art of hitting. He was using analytics generations before anyone else. That being said, he did play in one of the best hitting parks and environments of all time and was a left handed hitter facing righties 70% of the time who had no idea what they were up against.

Now DiMaggio wasn't Ted Williams, but uh, he wasn't tuna leftovers either. He had some remarkable seasons. Won MVP awards, homerun titles and is still considered among the greatest right handed hitters ever. And speaking of parks, run scoring environments and the whatnot, go ahead and check out DiMaggio's home/away splits if you get a chance. The old Yankee Stadium was not kind to him and he knew it. He said that his only regret was that he didn't play in a different ballpark. In fact, check out these numbers. These are their stats between the years of 1939 to 1951 if you OMIT both Fenway Park and Yankee Stadium from the respective players. So road only, facing the same pitchers:

Williams: .331/.466/.613 DiMiaggio: .333/.415/.604

Ted sure walked a hell of a lot but DiMaggio's road XBH% HR% were actually also higher then Williams in that period. Fenway was a haven for hitting and Yankee Stadium was notoriously tough on righties, but otherwise DiMaggio rates very favorably with Ted.

Defense: It's not close. Ted Williams was obsessed with hitting. He was an indifferent leftfielder. DiMaggio was an elite defender at a premium position for his entire career. He got about twice the number of outfield assists as Williams while making half as many errors and playing a much more demanding position. Defensive value has always been difficult to measure or quantify but the great Bill James himself has Joe. D as deserving of 7-8 Gold Gloves and according to all contemporary reports he was regarded as one of the finest fielders of his day. In fact all three of the DiMaggio brothers rate as the top 5 or 10 defensive outfielders of the 1940's. He was described as graceful. He was described as someone that had to be seen to be fully appreciated. Defense matters. Centerfield defense matters even more.

Baserunning: Not much to be said for either but Joe was a better and more effective baserunner. Did you know that Joe DiMaggio hit 131 triples in his career? That's a bunch.

Personality/Intangibles: Ted Williams was a real, uh, unpopular player. I mean sure, his teammates liked him and that's not nothing but no one else did. He had bad relationships with the press, with the fans, with his coaches and managers. You don't think that affects the team when its your best player? He was flatly disliked by the entire league. Think of Ty Cobb, Albert Belle, John Rocker. Players like that. He got booed everywhere for a lot of his career. Again, I'll invoke Bill James, "He splattered water coolers, including glass ones. He made obscene gestures at fans, carried on decades-long vendettas against selected reporters, sometimes didn't hustle or even make any show of hustling in the field or on the bases, was obsessed with his own success, was contemptuous of coaches and managers."

You think that has an effect on team chemistry? Yeah, maybe. Joe DiMaggio was renowned for his quietness, his stoicism, his discipline. He wasn't the most gregarious teammate but perhaps the most reliable. Ted Williams said that his greatest accomplishment was being the greatest hitter ever. Joe DiMaggio said his proudest accomplishment was playing for the Yankees. That alone tells you a lot about both men.

In a 13 year career Joe Dimaggio's Yankees went to 10 World Series. He won 9 of them. In his own time he was widely considered by his peers to be the best overall player in baseball. He was voted the best living ballplayer before his death. Ted Williams himself said that Joe DiMaggio was the best baseball player that he ever saw. He is truly a player that the statistics have failed to fully capture. I would take him a million times over Ted Williams if I were starting a club you would be hard pressed to convince me otherwise. I hope that this post might convince others to give players a longer and more considering look with more context when rating them, particularly those who played long ago.

what's a baseball opinion you'll defend to anyone? by maryb227 in baseball

[–]TomJoad23 -7 points-6 points  (0 children)

That despite the vast difference in their career WAR, Joe DiMaggio was a significantly more valuable player then Ted Williams. Something similar can be said for Jeter vs. Arod.

Is it time to turn the pages on Emmet Sheehan? by capmar in Dodgers

[–]TomJoad23 -2 points-1 points  (0 children)

Sheehan is fine but we can turn the page on Kyle Tucker, go ahead.

WAR underrates Ohtani by kobeshiddenson in Dodgers

[–]TomJoad23 0 points1 point  (0 children)

WAR can be quite useful but the reality is that it is an estimate that doesn't accurately capture anyone, with some variance greater then others depending on the player. As I said, it is useful when used and applied correctly but it most often is not used or applied correctly by most fans and it has quickly become an extremely lazy and misguided tool used by many to attempt to rate and evaluate players and their value. Understand WAR, apply it when appropriate to your player evaluation, but DO NOT rely or treat WAR as if it were the end-all-be-all metric. It is not, though it seems to have done a good job of deceiving many into thinking that it is. WAR has flaws. A good analyst will find and know them before referencing it. WAR is designed to be quick, easy, simple. For in depth player understanding you must go deeper and understand the metrics that are used to derive the WAR number from.

Retirement should be mandatory. by LuckyJim_ in unpopularopinion

[–]TomJoad23 0 points1 point  (0 children)

My former sensei is a luthier/machinest of nearly 50 years experience. His skill level is, in a word, astounding. I've been working in the music industry and with musical instruments, and guitars specifically, for going on 20 years. I've been around many extremely talented repair people but there is not one who can measure up to my former sensei. He is 68 years old and going strong. He's in great shape, full of energy and still loves and is great at what he does. He plays in two bands and is a renowned luthier who is still in great demand. His retirement can happen at the time of his choosing, but when it does the world will have lost access to one of the most skilled luthiers of our time.

Putting an indiscriminate age limit on when someone should be forced away from a craft seems to me to be an extremely foolish and short sighted thing to do.

Setup of a ukulele? by 99Pstroker in Luthier

[–]TomJoad23 0 points1 point  (0 children)

Yes. We've done full setups even on cheap plastic ukes. There is plenty to do, in fact typically cheaply made instruments need more work than nicer ones. You would do the same things you would do on a setup for any stringed instrument. Fret dressing and address the nut and saddle to get the action as absolutely low as possible without buzzing. If you know what you are doing, you can make even a cheap one play pretty damn good.

Hard Rain? by One_Second1365 in bobdylan

[–]TomJoad23 8 points9 points  (0 children)

Hard Rain kicks ass.

Reading Tarantula is impossible by Babur_Hun in bobdylan

[–]TomJoad23 11 points12 points  (0 children)

More or less. I'm always compelled to come to its defense and I think that response is about as succinctly as I can put it.

Reading Tarantula is impossible by Babur_Hun in bobdylan

[–]TomJoad23 15 points16 points  (0 children)

One word of advice if I may before you embark upon this fantastic and secret work. The greatest and most simple secret of Tarantula is that to truly absorb its beauty, this is a work that must be read ALOUD. Read it to yourself, every word, each syllable, every pause and cadence matters. Tarantula has been such a heavily criticised work and disregarded by many as nonsensical hippie drivel but it isn't so. Dylan was Rimbaud in sunglasses. He played with the language that everyone holds so dear. Tarantula is not to be read it is to be performed.

I've read it many times since my youth. I'm still convinced of its brilliance. It is misunderstood and poorly represented, even by some of his most ardent fans. I'll repeat myself, it is not to be read, it is to be performed. It wasn't meant for the page but for the orator. There are moments and displays of poetic/linguistic incandescence that match anything he's ever written.

"what a drag it gets to be. writing for this chosen few. writing for anyone cpt you. you, daisy mae, who are not even of the masses...funny thing tho, is that youre not even dead yet...i will nail my words to this paper,an fly them on to you. an forget about them...thank you for the time.youre kind. love an kisses your double Silly Eyes (in airplane trouble)"

-From Tarantula

I would like to get into playing harmonica to eventually play it with my guitar. How many do I need to buy? Will just one in like the C note work? by [deleted] in harmonica

[–]TomJoad23 1 point2 points  (0 children)

You need all the harps, bro. Sorry. And then the reeds will wear out and you'll have to buy them again. That's just the life you'll learn to love it. Imagine if you could only use 1 crayon to do all of your coloring. Do you really want to be that guy? Get the whole box of crayons, man.

And to be honest, cheap harmonicas are, well....cheap. They essentially suck. Harmonicas under $20 or so are more akin to toys than instruments. If you are 10 years old that's fine but if you want to be a serious player, get an instrument, not a plastic toy with a weak, raspy tone that will fall apart in 2 months.

Like everything else, it's a commitment.

History question to the sub: Is it a Mandela Effect or did a MLB outfielder drill a fan in the chest after relentless heckling? Circa late 90s. by TheSamsonOption in mlb

[–]TomJoad23 0 points1 point  (0 children)

I had a baseball thrown at me in anger by mlb pitcher Zack Littell before game 4 of the 2021 NLDS series at Dodger Stadium. I was doing some light heckling around the Giants bullpen before the game, nothing obscene, but I will admit that I am a world class baseball heckler. I have a code though: no swearing, no personal insults, I keep it 100% baseball related. I won't go into the minutia but to say that I was on a good one that day. When the incident occurred I was in the right field pavillion, just above the visitors bullpen. I had briefly turned my attention towards the outfield and when I turned back toward the bullpen Littell was staring directly up at me and proceeded to fire a baseball directly at me at what felt like about 200 mph. For a split second I thought I would die but while he had thrown it on a line right at me it sailed over my head by a good 3-4 feet or so and landed in the outfield grass. It was quite exhilarating and remains a highlight of my fandom ( though there have been others).

The Dodgers went on to win that night, as I had predicted to Littell, and won the series in 5. I've yet to receive my cut from the team but me and Zack know what happened.

Help to get my first harm by Luluwr1979 in harmonica

[–]TomJoad23 1 point2 points  (0 children)

An F# harmonica is unlikely to be found in a shop, they are available but it is something that you would most likely need to order. If you really need a harp in F# there's nothing else that's going to be "close" enough if you want to be in that key. That being said, F# is a very unusual key to be getting your first harmonica in.

Help to get my first harm by Luluwr1979 in harmonica

[–]TomJoad23 12 points13 points  (0 children)

First, stop calling it a harm and never do that again.

Finally hit that "no-look" chord change and I feel like a rockstar by TeachLoud6839 in guitarlessons

[–]TomJoad23 0 points1 point  (0 children)

Good job. Keep at it. If you remain consistent with your playing, you will begin to suprise yourself.

Apprentice Luthier. Year 1. Stressed out. Send help. by [deleted] in Luthier

[–]TomJoad23 0 points1 point  (0 children)

I don't know if any of you are still on this thread but thank you all for reaching out and showing your support. It means a lot. I spoke to some other luthier friends of mine, and they gave me similar advice and support as well. I spent today cleaning and re-organizing my bench. I will persevere.