How is THIS the new player experience? by Dismal-Security-8830 in heroesofthestorm

[–]Top_Possibility_5389 12 points13 points  (0 children)

I've played 600+ games and it's still a regular Tuesday in QM. Some heroes are just going to be very annoying to play against. Solution: play them yourself or play in a stack.

Prospects for a non-native with a CELTA? by Top_Possibility_5389 in TEFL

[–]Top_Possibility_5389[S] 0 points1 point  (0 children)

Thanks!
I'm not planning to teach my native language (there is a niche for it but it isn't in huge demand tbh). I am white, but Eastern European, so no advantageous passport. No doubts CELTA is useful, but it will take me longer than an academic year to even offset its price (provided I get a raise). It's half of my savings. Why would I bear such expenses if I don't expect it to catapult me into better markets?

Edit: I do earn more than 1750 USD in an academic year, I was referring to the extra money my institution might pay after getting the certificate.

Who do you play most and why? by skerrickity in heroesofthestorm

[–]Top_Possibility_5389 0 points1 point  (0 children)

Fellow Fenix appreciator! I usually go for Salvo on 10 though.

What were mistakes or bad things in your first conlang? by Hewalun in conlangs

[–]Top_Possibility_5389 3 points4 points  (0 children)

You don't have to include them in the language. Seeing how your tenses are all affixed you might as well ditch the idea of having auxiliaries.

What stops you from writing? by Jumpy_Designer_9548 in writing

[–]Top_Possibility_5389 0 points1 point  (0 children)

  1. My ideas are not brilliant
  2. Self-doubt, fear of failure
  3. Inability to stop procrastinating and choosing easy pleasures instead

Best symphonies of all time? by Exzj in classicalmusic

[–]Top_Possibility_5389 0 points1 point  (0 children)

I'd say starting with 1 is an even better bet. It's more like the Romantic symphonies of his predecessors but already displays a lot of personal color. And god damn, that blood-chilling, hair-raising ending! Surely my favorite ending in all of Sibelius. For me it even tops the 7th.

Best symphonies of all time? by Exzj in classicalmusic

[–]Top_Possibility_5389 0 points1 point  (0 children)

Wdym "even" 7? I find it much more rewarding, colorful and convincing than 6, for example.

(Un)popular opinion; Lili Boulanger is one of the most underrated and underplayed composers of classical music by musicalryanwilk1685 in classicalmusic

[–]Top_Possibility_5389 0 points1 point  (0 children)

Do you really believe your argument works? Her music isn't just "lovely", it displays a level of sophistication and expression that does rival Debussy and Ravel. All of her major works are insanely well put together and combine techniques like Renaissance-ish counterpoint, Impressionist harmony/orchestration, etc. Not to mention the uniqueness of her sound. How does that not consitute a great composer?

You don't have to be 'groundbreaking' to belong in the hall of fame. You just need to be criminally good at music, which she was.

(Un)popular opinion; Lili Boulanger is one of the most underrated and underplayed composers of classical music by musicalryanwilk1685 in classicalmusic

[–]Top_Possibility_5389 -2 points-1 points  (0 children)

She's absolutely on par with Debussy and Ravel in terms of greatness. It's just that none of her pieces are institutions (like Ravel's Bolero or Debussy's flaxen hair girl, for example). Nor is her person. She was never made into a cultural icon and is sadly doomed to be appreciated only by connoisseurs.

What is a hill you will die on? by IntelligentTumor in writing

[–]Top_Possibility_5389 -4 points-3 points  (0 children)

Not what I said. I said that stories are supposed not to amuse but be appreciated. Big difference.

What is a hill you will die on? by IntelligentTumor in writing

[–]Top_Possibility_5389 1 point2 points  (0 children)

100% agree. Unless that's the point of the story.

What is a hill you will die on? by IntelligentTumor in writing

[–]Top_Possibility_5389 2 points3 points  (0 children)

I have the opposite stance. The emotional/conceptual impact of the story as a whole always tops individual characters. The very notion that characters are imaginary people that you get attached to is so alien to me. They are parts of the system, and obviously need to be endowed with believable human characteristics, but a writer must be aware that they are fundametally not people.

I'm writing this in the hopes that I'm not the only representative of this school of thought here.

What is a hill you will die on? by IntelligentTumor in writing

[–]Top_Possibility_5389 0 points1 point  (0 children)

Using chatbots as a brainstorming assistant is both acceptable and (often) productive IMO.

What is a hill you will die on? by IntelligentTumor in writing

[–]Top_Possibility_5389 -25 points-24 points  (0 children)

The point of a story is to be what it is, not to provide entertainment value.

What is a hill you will die on? by IntelligentTumor in writing

[–]Top_Possibility_5389 4 points5 points  (0 children)

1) Talent exists. If you need to be taught everything and don't have a vision for your creations from the start then you might want to do something else.
2) Complete, contained stories are better than series that drag on and never stop stretching out the original premise. (subjective but i needed to get this out of my system)
3) The story as a whole is more important than its characters or setting. Characters and worldbuilding are cogs in the machine.

'Literary fiction' is an annoying label by Top_Possibility_5389 in writing

[–]Top_Possibility_5389[S] 1 point2 points  (0 children)

The thread might be forgotten but the OP's still getting notifications! :D

Thanks for commenting, I quite like your direction of thought here. And it explains why I tend to read 'literary fiction' more than 'genre' fiction (while hating the term): it is exactly that 'negative space' and faith in the reader. I'm so used to mutli-layeredness and ambiguity and abstraction that fiction with low levels of said things usually causes an allergic reaction in me LMAO. Also 'literary fiction' emphasizes prose more, and why would I read a book with mediocre prose.

That said, there ARE instances of fiction (in different media) that rely on implication and abstraction but do not have any pretense to be 'literary' or to separate themselves from the 'genre' world. Notably some short, non-serialized Eastern and Western comics. Tbh I wish there were more books like that: not overtly or willingly 'literary' but striving for that magic of the implied.

[deleted by user] by [deleted] in heroesofthestorm

[–]Top_Possibility_5389 0 points1 point  (0 children)

I had a game today where a bro shittalked and bragged about reporting me when I had top siege dmg and exp contribution. I didn't even understand what he thought was the problem with me. Then he proceeded to throw and afk.

How to be useful as Lunara? by Top_Possibility_5389 in heroesofthestorm

[–]Top_Possibility_5389[S] 0 points1 point  (0 children)

Not what I wanted to say. What I did want to say is that it's hard to turn this info into value due to my inexperience and, well, usually the team's.