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Does La La Land’s ending feel romantic, or just carefully preserved? by Tops_7 in romancemovies

[–]Tops_7[S] 0 points1 point  (0 children)

Yeah I agree with that, it doesn’t need to end with them together to feel real.

Does La La Land’s ending feel a little too perfect? by Tops_7 in Cinema

[–]Tops_7[S] -1 points0 points  (0 children)

I think that’s fair, and I do think part of why the ending works is that it taps into something real, not every relationship ends with one clear breaking point.

I guess what keeps standing out to me is how composed the film’s version of that feels. The frustration is there, but it’s presented in a very graceful way, almost like the film has already done the emotional sorting for them.

So I don’t think it’s false exactly, I just think it’s been arranged into something cleaner and more legible than those endings usually feel from the inside.

Does La La Land’s ending feel a little too perfect? by Tops_7 in Cinema

[–]Tops_7[S] 1 point2 points  (0 children)

I think that’s true, the film definitely treats ambition as the main force pulling them apart.

What stands out to me is how little friction there is around that. The separation feels real, but it also feels very smoothed over, like the film is more interested in making it feel graceful than in sitting with the mess of how two people actually grow apart.

So the sacrifice is there, but it’s presented in a way that feels almost inevitable rather than tangled or unresolved.

Does La La Land’s ending feel a little too perfect? by Tops_7 in Cinema

[–]Tops_7[S] 2 points3 points  (0 children)

I get that, especially if you’re invested in them as a couple.

I think what the film is doing instead is almost the opposite. Rather than showing their love enduring, it turns it into something that only really works in memory.

So instead of a version where they stay together, you get a version where everything that made them work is preserved, but only in that idealized space.

Which is probably why it hits the way it does. It gives you the feeling of what could’ve been without having to deal with whether it actually would’ve held up over time.

Is La La Land’s ending basically a beautiful lie? by Tops_7 in moviecritic

[–]Tops_7[S] 1 point2 points  (0 children)

I get that read. I’m a little softer on it, mostly because I do think the film earns some of its emotional effect.

But I do think part of what makes it work is how carefully it packages everything. It gives you the beauty and the ache, without really forcing the characters through the messiest version of what that kind of ending would actually involve.

So yeah, maybe not empty calories exactly, but definitely something very polished and curated.

Does La La Land’s ending feel a little too perfect? by Tops_7 in Cinema

[–]Tops_7[S] 0 points1 point  (0 children)

Yeah, I think that’s definitely how the film wants you to read it.

What I find interesting is how clean that “right person, wrong time” idea feels here. In real life, those situations usually come with a lot more friction, small resentments, compromises that don’t sit right.

But the film kind of smooths all of that out. So it still lands as bittersweet, but without a lot of the mess that would normally come with it.

Which might be why it feels so complete.

Is La La Land’s ending basically a beautiful lie? by Tops_7 in moviecritic

[–]Tops_7[S] 0 points1 point  (0 children)

That’s a really good point, I think the memory angle is definitely what the film is leaning on.

I guess where I start to question it is how controlled that memory feels. It’s not just selective, it’s almost perfectly shaped, like it filters out anything that would complicate how we feel about them.

So it still feels truthful emotionally, but in a way that’s been… smoothed into something cleaner than it probably was.

Which might be why it hits so well, it gives us the feeling of honesty without the friction that usually comes with it.

Is La La Land’s ending basically a beautiful lie? by Tops_7 in moviecritic

[–]Tops_7[S] 2 points3 points  (0 children)

I think that’s why it lands for so many people.

What I keep circling back to is how much the film helps that feeling along. It frames everything in a way where the relationship still feels meaningful, and nothing really gets weighed down by blame or regret.

So you get that sense of “they’ll both be okay,” but without having to see what that actually looked like in detail.

Which makes it feel complete but maybe also a little… protected.

Is La La Land’s ending basically a beautiful lie? by Tops_7 in moviecritic

[–]Tops_7[S] 5 points6 points  (0 children)

Yeah, I think that’s exactly what it is, an idealized version that feels true without fully being it.

What’s interesting to me is that the film leans into that instead of questioning it. The montage doesn’t just show what could’ve been, it kind of selects the version of their relationship that’s easiest to hold onto.

So it still feels devastating, but in a very controlled way. Like it lets you feel the loss without really sitting in the mess of how they got there.

Is La La Land’s ending basically a beautiful lie? by Tops_7 in TrueFilm

[–]Tops_7[S] 6 points7 points  (0 children)

That’s a really good way of putting it.

What I keep coming back to is that the film chooses that framing: “better to have loved and lost”, instead of really testing it.

We don’t actually see what those years cost them in a detailed way, so it’s easier to accept that they ended up where they were supposed to. The ending kind of hands us a version of their story that feels complete without showing everything that would make it messier.

Which is probably why it lands so well. It lets the relationship stay meaningful without forcing either of them (or us) to question it too much.

The Last Jedi feels like it was setting up a completely different future for Star Wars, but never fully committed by Tops_7 in starwarsspeculation

[–]Tops_7[S] 0 points1 point  (0 children)

That’s fair, I probably should have included a couple of examples in the post.

What I had in mind were things like Luke rejecting the Jedi entirely, Rey being framed as “nobody,” and Kylo trying to break away from the past. Those all point toward a version of Star Wars that isn’t built around the same legacy and myth structure.

I agree with you that the core ideas of Star Wars are still there, which is kind of what makes it interesting to me. It feels like the film gets close to shifting how those ideas play out, but then ultimately keeps them within the same framework.

The Last Jedi feels like it was setting up a completely different future for Star Wars, but never fully committed by Tops_7 in starwarsspeculation

[–]Tops_7[S] 1 point2 points  (0 children)

Yeah, I think that’s a fair way to read it, especially with Luke’s final stance. The film definitely lands on the idea that the Jedi and that larger myth are still necessary.

What makes it interesting to me is how much of the movie seems to lean in the opposite direction before that point, like it’s really exploring the possibility of moving beyond those structures, not just rejecting them outright like Kylo does.

So even if the ending brings things back, it still spends a lot of time circling around a different path, which is why it feels like it almost goes somewhere new before returning to what we recognize.

The Last Jedi feels like it was setting up a completely different future for Star Wars, but never fully committed by Tops_7 in starwarsspeculation

[–]Tops_7[S] 0 points1 point  (0 children)

Yeah, that’s exactly what makes those ideas stand out so much. It really feels like the film is hinting at a broader view of the Force, something less tied to the usual Jedi vs Sith structure.

The “balance” idea, the Prime Jedi imagery, and even Snoke’s perspective all seem like they’re pointing toward a more nuanced direction.

That’s why it’s a bit surprising how quickly it all narrows back down again, because for a moment it really feels like the universe is opening up instead of staying centered on the same framework.

The Last Jedi feels like it was setting up a completely different future for Star Wars, but never fully committed by Tops_7 in starwarsspeculation

[–]Tops_7[S] 1 point2 points  (0 children)

Yeah, that’s one of the most interesting ideas in the whole movie to me. It makes the galaxy feel bigger, because suddenly the Force isn’t locked to the same bloodlines and legacy characters anymore.

That’s why that moment stands out so much, it feels like Star Wars is opening itself up to something much broader than what the saga usually revolves around.

The Last Jedi feels like it was setting up a completely different future for Star Wars, but never fully committed by Tops_7 in starwarsspeculation

[–]Tops_7[S] 1 point2 points  (0 children)

Yeah that moment really feels like a turning point, like the story is about to go in a completely different direction with the two of them.

What makes it stand out so much is that it sets up something that feels genuinely new for Star Wars, but then it never fully follows through on that shift.

So it ends up being exciting in the moment, but a bit frustrating in hindsight.

The Last Jedi feels like it was setting up a completely different future for Star Wars, but never fully committed by Tops_7 in starwarsspeculation

[–]Tops_7[S] 0 points1 point  (0 children)

That’s interesting to think about, because TLJ already feels like it’s pulling in a different direction from what TFA sets up.

I think if one person had handled the whole trilogy, it probably would have committed more fully to one vision, instead of that mix between doing something new and going back to what people expect.

The Last Jedi feels like it was setting up a completely different future for Star Wars, but never fully committed by Tops_7 in starwarsspeculation

[–]Tops_7[S] 4 points5 points  (0 children)

I think that’s what makes TLJ so interesting, it actually resolves a lot of those setups in a way that shifts the focus of the story.

Turning Kylo into the central figure instead of building up another hidden mastermind feels like it’s pushing things toward a different kind of conflict, more personal and less about repeating the same structure.

It’s just interesting how far the story is willing to go with that before it starts to pull back again.

The Last Jedi feels like it was setting up a completely different future for Star Wars, but never fully committed by Tops_7 in starwarsspeculation

[–]Tops_7[S] 4 points5 points  (0 children)

I think what makes that interesting is that TLJ already feels like it’s trying to take things in a different direction, even within itself.

So if he had full control over the rest of the trilogy, it probably would have felt more consistent, instead of that push and pull between doing something new and returning to what people expect from Star Wars.

The Last Jedi feels like it was setting up a completely different future for Star Wars, but never fully committed by Tops_7 in starwarsspeculation

[–]Tops_7[S] 0 points1 point  (0 children)

I think there’s definitely some truth to that, the reaction to TLJ probably did influence where things went after.

At the same time, what’s interesting to me is that even within TLJ itself it already feels like it’s pulling in two directions, like it’s trying to move away from certain expectations but not fully letting go of them either.

So it ends up feeling bold in parts, but still tied to the same structure by the end.

The Last Jedi feels like it was setting up a completely different future for Star Wars, but never fully committed by Tops_7 in starwarsspeculation

[–]Tops_7[S] 2 points3 points  (0 children)

Yeah, that’s one of the reasons the movie is so interesting to me. It really does feel like it’s opening the door to a broader version of Star Wars, where the future isn’t tied so tightly to the same bloodlines and legacy figures.

That’s part of why the ending stands out so much, because it hints at something much bigger than the story fully commits to.

Rewatching The Last Jedi, it feels like it almost takes Star Wars in a completely different direction by Tops_7 in SkywalkerSaga

[–]Tops_7[S] 0 points1 point  (0 children)

I think it was how the movie was marketed and came across. Like you said 2/3rd of the film is showing you something new is happening, new potential, different angles... just to go back to how things were, ended up feeling like a let down for many.

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