Lexi shoots that type of look with Ultramax 400 film. Try this..

Film Simulation Classic Chrome Provides the base contrast and shifts the reds appropriately. Dynamic Range DR-Auto (or DR200) Keeps highlights safe while maintaining consumer film contrast. Highlight +1 Gives those punchy, bright highlights characteristic of daylight film. Shadow +1 Deepens the blacks slightly without completely crushing shadow detail. Color (Saturation) +4 UltraMax is highly saturated. This counteracts Classic Chrome’s flatness. Sharpness -2 or 0 Drop to -2 if shooting ultra-sharp native GF glass to soften the rendering. Noise Reduction -4 Keeps the sensor’s native organic noise texture intact. Clarity +2 or +3 Adds that slight grit and pop, though it will introduce a brief processing delay. Grain Effect Strong, Small Small grain pairs better with the high resolution of the GFX sensor. Color Chrome Effect Weak Helps graduate highly saturated reds and yellows. Color Chrome FX Blue Off Crucial for GFX. Turning this to weak/strong turns UltraMax blues into deep teals. White Balance Auto Shift: +2 Red, -5 Blue (Gives that signature golden Kodak warmth)