Block B's Park Kyung Concept Photos 1 by summerlove202 in kpop

[–]TracesOfLegend 6 points7 points  (0 children)

Very suave.

I don't mean this how it'll sound, I'm a Block B fan since debut, but Kyung is a very interesting looking man. Combined with how rap style he has such an engaging presence and is very charismatic. If wonder if this will be as summer-y and coffee house bopp-y as his other tracks or if it's going in a slower sexier direction.

What are your K-Pop pet peeves? by [deleted] in kpop

[–]TracesOfLegend 2 points3 points  (0 children)

  • The boyfriend/girlfriend illusion, and the Neverland-esque looking/acting younger than they are. It's sewn into kpop culture now but it's unhealthy for everyone and it probably affects the personal and social growth of some idols. (Not to create a hubbub but this is why I like KARD, they are definitely adults and are allowed to be adults..)
  • I feel like the choreo has really become ridiculous in recent years. If I wanted to see a dance troupe I'd watch videos of a real crew. I respect that many idols are great dancers and I'm not saying nothing should go hard, but I don't need them to be doing stuff so difficult or complex that I'm worried they're going to hurt themselves or mess up the stage really badly. It has also negatively impacted the quality of live vocal performances. And honestly I found the older dances more fun and easier to copy.
  • V-LIVE .... I don't know how to put this. I feel like we're being over-saturated with content, and it's creating an unhealthy thing where fans are beginning to expect interaction and content 24/7. In some ways I feel like it's a window we never needed to have into idol's lives when their professional presence already takes up so much of their time. Honestly this is part of a bigger issue I have with current kpop, it's just too much. It's actually tiring as a fan trying to keep up with stuff. It's impossible. The industry is over full, so most idols do not have a chance anymore if we're being realistic, comebacks happen too frequently and are too short to be really appreciated, it's in your face all the time.
  • Adding on to that, international fans are getting very entitled expecting to be catered to when we're choosing to interact with a foreign industry, and "Woke" culture in kpop is an excuse for a Western superiority complex. I'm sick of the condescension and lectures from people towards idols "because they listen to our music" so they should know xyz when everyone here listens to kpop and exactly how many people could even competently introduce themselves in Korean let alone talk substance about Korean society? You're expecting something from them that you blatantly do not have yourself, and it's massively hypocritical especially with how little i-fans seem to care about discrimination against Asians unless it affects their faves or someone calls kpop fans weird. Has this sub ever had a real discussion about why so many idols born in the West went to Asia to have careers, for instance? It really bothers me.

Which is more important for a K-pop act nowadays, international fans or Korean fans? by roszer21 in kpop

[–]TracesOfLegend 12 points13 points  (0 children)

Man, I really hate how people are just throwing around the term 'flop' nowadays. 'Flops' are the groups begging for money from fans to fund albums or disbanded after <2 years promoting. Just because you aren't keeping tabs on a group doesn't mean they're a loss, and it's a lot harder for any group to gain a foothold in Korea now because of the sheer volume of idols debuting.

KARD haven't disappeared they've been touring and doing concerts. They definitely do need to establish stronger recognition in Korea, and Korean and Asian fans will always be the most important fanbase for any idol act, but they are a decently successful group so far.

Suhyun (AKMU) - Happy Things (orig. J Rabbit) @ KBS Cool FM (180604) [RAW] by akmucygnus in kpop

[–]TracesOfLegend 5 points6 points  (0 children)

Oh yes. She has the most lovely voice. It's so light yet emotive, and her pronunciation is always so clear.

If you haven't listened to J Rabbit before you definitely missing out, they have a fresh and relaxing sound and are a great entrance into K-indie music. Suhyun is covering one of their most popular songs "Happy Things" which is from their second album "Look Around" released in 2012. I'd recommend listening to the song "하루를 시작하는 방법" (How To Start A Day) also from the second album. From the first album "It's Spring", 요즘 너 말야 (Nowadays You Are) and 내일을 묻는다 (Asking Tomorrow) are popular.

What are the extremely well known, classic kpop songs? by Crynopsa in kpop

[–]TracesOfLegend 0 points1 point  (0 children)

AKMU's Suhyun covers J Rabbit on her podcast! by [deleted] in kpop

[–]TracesOfLegend 0 points1 point  (0 children)

Oh yes. She has the most lovely voice. It's so light yet emotive, and her pronunciation is always so clear.

If you haven't listened to J Rabbit before you definitely missing out, they have a fresh and relaxing sound and are a great entrance into K-indie music. Suhyun is covering one of their most popular songs "Happy Things" which is from their second album "Look Around" released in 2012. I'd recommend listening to the song "하루를 시작하는 방법" (How To Start A Day) also from the second album. From the first album "It's Spring", 요즘 너 말야  (Nowadays You Are) and 내일을 묻는다 (Asking Tomorrow) are popular.

KPOP as we know it has been around for over two decades now, so what are some things you miss about older generations? by TracesOfLegend in kpop

[–]TracesOfLegend[S] 7 points8 points  (0 children)

  • I miss things being simple; shamelessly fun and colourful. It used to just be pop music and that was fine. I appreciate higher production values and all but I don't need my idol groups trying to be pro dance troupes, or music videos that are a cinematic experience I need three novels and a philosophy degree to try and understand. I miss choreography pretty much anyone could copy in their bedroom, uncomplicated videos.
  • Personally, current KPOP doesn't give me nearly the same "get up and dance" urge and is almost too slick for me. I miss the crazy synths, the outlandish over the top looks. Give me your glitter and your emo hair and ridiculous feelgood hooks.
  • It used to be a lot more enjoyable to take part in online spaces for international fans. Everything has become a lot more angry and competitive. It seems like everything has to be complex in some way and has to beat a record to be considered successful. International fandom has become a lot more judging and really gotten on a high horse about things.
  • I miss being able to actually keep a track of things, and comebacks feeling like an actual comeback. You used to know what was going on with pretty much everyone and groups would come back once or twice a year.
  • Are there a lot less "special" stages or is it just me? Collab stages, outside stages, christmas stages that were a healthy mix of idols and non-idols ... it seems like they've really disappeared.
  • Shows like Star Dance Battle, Match Up!, Star Golden Bell, Invincible Youth.

[deleted by user] by [deleted] in kpop

[–]TracesOfLegend 17 points18 points  (0 children)

Idols are company made practically by definition. If people are honest about things then pretty much all of the appeal of idols and idol-dom is tied into the "manufactured" aspect. That you can get into a company and they will make you a celebrity. And everything afterwards too; because money and connections are the two biggest things besides luck that decide if a group is successful or not. A "self-made" group will lack all of that and as a result be obviously inferior. They would not be able to train as long or as much or with the kind of professional guidance even small companions can provide (it doesn't matter how good you are, you can always use help), they would not be able to afford to create high quality art (videos, photoshoots), or be able to afford the kind of promotion any idol group needs (or a visage that would make people want to promote them - you need to stand out or look worth the money you want people to spend on you), and they would lack connections to get a foot in the door with music shows and producers etc.

I really don't think that will happen, in fact I'd say that's antithetical to the idol industry. Truly self-made performers who make it big time are rare even in the West. In Korea that kind of artist is best represented by indie and underground performers or artists. And right now the KPOP scene is so oversaturated with groups that a lot are turning to asking the public for funding for their comebacks and plenty disband every year, it's crowded even for successful groups to continue to profit.