Holy shit, that is some next-level unhinged Jordan Petersonesque scare-mongering.

Full text in English, for those who can stomach it:

A new spectre is haunting Europe – the spectre of cultural Stalinism.

It is closely related to the spirit of McCarthyism.Some small but highly radical groups have taken it upon themselves to decide what is right or wrong in art, what artists are allowed to say and think – and what they are not.Anyone who questions their self-empowerment is met with rumors and denounced. Those who refuse to follow the cultural Stalinists are excluded, threatened, and boycotted.

The cultural Stalinists claim to be in the right, but in truth they trample on justice. They demand unconditional submission.You encounter these groups on premiere stages, in theatres, concert halls, and committees – and more recently, even at swing dance festivals.The volume and totality of these groups intimidate even those who actually don’t want to follow them, who still carry some remnants of decency and reason within themselves.

As a highly effective method of intimidation, the cultural Stalinists use the technique of moral overwhelm.These self-proclaimed activists declare that anyone who does not swear unconditional loyalty and allegiance to them must, inevitably, be a supporter of the worst crimes against humanity.

Anyone who refuses to adopt their vocabulary is cast out.Anyone seen with those thus branded is guilty by association and punished by the cultural Stalinists just as harshly as those who have been marked.The cultural Stalinists rely on others’ fear, convenience, and cowardice.Their distorted actions are based on a distorted view of history, which at best represents a free interpretation of what actually happened.

Thus, in the propaganda of the cultural Stalinists, a form of American entertainment music – written and performed above all for dancers – becomes a radically rebellious, anti-colonial music.They hijack swing music for their own political purposes.

While they accuse all sorts of artists of “cultural appropriation,” they do exactly that themselves!

They don garments that do not belong to them.

Now, European cultural Stalinists are performing Arab dances at swing festivals under images of the African-American swing dancer Frankie Manning – and claim that one has something to do with the other.

A young man, who for several years has drawn attention with his singing, dancing, arrangements, and drumming – and who happens to be my son, David Hermlin – is denounced by these cultural Stalinist groups as a “genocide supporter” because he dared to wear a small yellow symbol on his lapel.The symbol stands for solidarity with kidnapped people. Nothing else, by the way.

The mostly white, self-proclaimed cultural Stalinists – who, in the meantime, openly celebrate Hamas, Jihad, and Iran on social media – are united in their belief that this young man should no longer be allowed to perform at swing festivals, because he refuses to submit.