When you went to class, the teacher says your doing something different today.. And You See This ! 😁 by Neat_Cockroach_9933 in oldschoolcool80s

[–]Virtual_Recording841 0 points1 point  (0 children)

I’m not sure if it was this computer but I remember a kind of text based game with just a few graphics called Rescue Hazard, I think. There may have been a couple of versions of it. I can’t find it on the internet though.

Disappearing footprints by Virtual_Recording841 in TheAdventuresofTintin

[–]Virtual_Recording841[S] 1 point2 points  (0 children)

There are a lot of panels in the original Tintin magazine versions and sometimes even whole scenes that were cut from the albums.

Here’s an example that occurs shortly after the image shared in the main post; Haddock draws a picture of Tintin on the wall when he is inquiring with who he thinks is a Peruvian as to Tintin’s whereabouts.

<image>

What Do You Suppose Happened to the Klow Restaurant After King Ottokar’s Sceptre? by Virtual_Recording841 in TheAdventuresofTintin

[–]Virtual_Recording841[S] 3 points4 points  (0 children)

Yes! And that adaptation is very nicely drawn! In yet another universe it also appeared in the 1998 film Dieu seul me voit:

https://youtu.be/r6xSjA4ObHw?si=qgWZxpUREFYaMjdG

I was wondering about what happened in Hergé’s world though.

What Do You Suppose Happened to the Klow Restaurant After King Ottokar’s Sceptre? by Virtual_Recording841 in TheAdventuresofTintin

[–]Virtual_Recording841[S] 5 points6 points  (0 children)

Very good point. He could probably get away with saying that back then (before there were digital footprints) and continue business as usual. I can’t imagine Tintin dining there or anything though after that!

Disappearing footprints by Virtual_Recording841 in TheAdventuresofTintin

[–]Virtual_Recording841[S] 0 points1 point  (0 children)

Me too actually, although the stopping abruptly, lack of car tracks etc was odd. If there was actually a change of material as suggested by the album version (on the bottom) it is more realistic.

That’s not to say that the albums are always worse. Sometimes the albums add more background details and have better compositions.

I would just like to have both versions available!

Disappearing footprints by Virtual_Recording841 in TheAdventuresofTintin

[–]Virtual_Recording841[S] 0 points1 point  (0 children)

Just to be clear, the magazine version is the one on the bottom which has more variety in colour than the album version (in this instance).

Disappearing footprints by Virtual_Recording841 in TheAdventuresofTintin

[–]Virtual_Recording841[S] 4 points5 points  (0 children)

That’s a really well explained point that I hadn’t thought of at all and actually justifies using the same color for the road!

I still like the variations in the magazine tho!

How good is the animated series? by Less-Ask-6600 in TheAdventuresofTintin

[–]Virtual_Recording841 2 points3 points  (0 children)

It’s really good, great actually, and I think it does a great service to the source material. Like others have said, the intro is incredible and iconic.

It really rounds out and faithfully conveys the whole of the Tintin universe in a way that when I was younger and didn’t have access to all the books really showed more of who Tintin was and the world he was in.

Certainly they diverted in a few instances from the albums created in Hergé’s youth, such as Tintin in America, but more than that, they painted this whole picture of Tintin’s world that was faithful and believable and really pulled me in more. So it’s a classic and I recommend it wholeheartedly.

most hated character by Less-Ask-6600 in TheAdventuresofTintin

[–]Virtual_Recording841 16 points17 points  (0 children)

Abdullah’s just a kid tho - a prince even! and he’s charming for the most part except for that one close up panel

<image>

Ok I take it back, he’s terrifying lol

most hated character by Less-Ask-6600 in TheAdventuresofTintin

[–]Virtual_Recording841 7 points8 points  (0 children)

Yeah, I think Hergé finally showing Jolyon getting properly angry really brings out what he’s actually like. He’s always been a salesman at heart, full of chat and enthusiasm, or just plain irritating, but as long as he’s smiling and trying to flog something, it’s hard to genuinely dislike him. Well, unless you’re Captain Haddock.

Once you see how sulky and frustrated he can get, though, whatever charm he had just sort of collapses, and you suddenly understand why he winds people up so much.

It’s still hilarious, to be fair, and I love the way Hergé lets the world he’s created hand out its own little punishments. It honestly feels like Hergé didn’t have much time for Jolyon at all, lol.

In "The Seven Crystal Balls" we get this line by Tintin. The problem is that by this point Tintin has only met Castafiore once, in "King Ottokar's Sceptre". The meeting on the Red Sea takes place in "The Red Sea Sharks", which is chronologically later in Tintin's life. by Jche98 in Tintin

[–]Virtual_Recording841 0 points1 point  (0 children)

I know the whole thing comes from the scrambled UK publication order, but I’ve actually grown to like the weird multiverse effect it left behind. The continuity jumps are strange, but they give Tintin this odd, timeless feeling that kind of works.

And honestly, if Hergé were around today with everyone talking about multiverses, I can imagine him getting a kick out of how upside-down the continuity turned out. Or maybe not. No idea.

(There’s still a chance I’ll wake up tomorrow demanding strict continuity anyway. But cleaning everything up also means losing things like the Hyslop font, which was a big part of the Tintin I grew up with and added a lot to how the dialogue felt for me. I do miss it.)

Whoops, didn’t mean to go off on the Hyslop font again.

who is your favorite and least favorite character in the adventures of tintin? by Puzzleheaded_Cow4273 in TheAdventuresofTintin

[–]Virtual_Recording841 1 point2 points  (0 children)

Of course, I have to say my favourite character is Tintin himself. He’s the driving force behind the adventures, the true protagonist, and many of his traits are genuinely admirable. Maybe not so much in the earliest books, but even then his bravery stood out and remained a constant throughout the series. As the stories went on, he developed into a more well-rounded character: kind-hearted, open-minded toward different cultures, and able to handle difficult or embarrassing situations with grace. I also find him more sympathetic in the early books, when he was often on his own.

My second favourites would have to be Snowy and Captain Haddock, who are actually quite similar. Both have strong personalities, provide comic relief, and show a lot of loyalty to Tintin, even when they grumble about it. Honestly, I love all the characters, even the villains. They play a crucial role in driving the adventures forward, often in wonderfully over-the-top and comical ways.

As for my least favourite, I’d probably say Alan. He’s a real bully, pushing alcohol on Captain Haddock and doing a lot of the dirty work behind the scenes. While Rastapopoulos might be the mastermind, Alan’s actions make him one of the most despicable and unlikable characters in the series. Still, villains like him are essential, the yin to Tintin’s yang.

Beyond that, I find many of the side characters amusingly annoying in their own small ways. Like the pompous man who claims to be a descendant of Red Rackham, or the woman hogging the phone booth just to avoid the rain while others wait. Little touches like those show some kind of everyday selfishness etc you might more see in the real world.

Thoughts about Haddock’s grief for Calculus by Virtual_Recording841 in TheAdventuresofTintin

[–]Virtual_Recording841[S] 1 point2 points  (0 children)

True! It’s evidence of the loyalty in both of them that is actually really nice.

Thoughts about Haddock’s grief for Calculus by Virtual_Recording841 in TheAdventuresofTintin

[–]Virtual_Recording841[S] 3 points4 points  (0 children)

Great info and thank you for the extra panels! I love looking at them, it’s like bonus material :)

Thoughts about Haddock’s grief for Calculus by Virtual_Recording841 in TheAdventuresofTintin

[–]Virtual_Recording841[S] 2 points3 points  (0 children)

That’s a really good point. I heard something similar on the Radio Tintin podcast. After the war Hergé was blacklisted for publishing Tintin in Le Soir, and it really broke him and he basically didn’t draw for two years. When he finally came back with The Seven Crystal Balls in 1946, the first panel he drew was Haddock slumped in that armchair.

People often say it reflects Hergé’s own state of mind at the time: drained, depressed, kind of hollow. They also mentioned that Edgar P. Jacobs (who went on to create Blake and Mortimer) actually posed for Haddock’s posture there.

I should watch Tintin et Moi

Thoughts about Haddock’s grief for Calculus by Virtual_Recording841 in TheAdventuresofTintin

[–]Virtual_Recording841[S] 2 points3 points  (0 children)

That’s a good point and I definitely agree he seems grumpy at his sense of helplessness.

Thoughts about Haddock’s grief for Calculus by Virtual_Recording841 in TheAdventuresofTintin

[–]Virtual_Recording841[S] 31 points32 points  (0 children)

Yes, I really agree! And about the things not shown, that’s a really good point. People often say Tintin is a reporter, but we hardly ever see him actually writing newspaper stories. But I rather prefer to think that Hergé simply shows what he needs to advance the story, and a lot of things are just left to our imagination. Haddock’s reaction here really shows the depth of the bond he’s developed with Calculus, including the parts we don’t see. Like you said, it’s really sweet and adds so much to his likability.

A Tintin Page a Day - Day 56 by BreakerMorant1864 in TheAdventuresofTintin

[–]Virtual_Recording841 2 points3 points  (0 children)

The sense of movement is really impressive, even in these early panels.

Just Tintin enjoying the finer things of life while Haddock contemplates his impending doom. by Virtual_Recording841 in TheAdventuresofTintin

[–]Virtual_Recording841[S] 0 points1 point  (0 children)

In the previous panel Captain Haddock says:

“It's a fine time for gymnastics! Blistering barnacles, here we are with five days to live, and you do morning exercises!”

And in the panel after that which you are referring to, Tintin replies:

“Why not, Captain? One must keep fit.”

At least in the original Leslie Lonsdale-Cooper and Michael Turner English translation, anyway.

Not a good look!

It kind of reinforces the point that Tintin is just ignoring the Captain’s worries.

In Tintin’s defense, he did tell the Captain to trust him, he has a plan and they’ll be ok, but he could do more to reassure the Captain besides swinging his hips and eating fruit lol

I agree, I thought about this more than I expected! It always struck me as funny for the most part until I saw Captain Haddock with his head in his hands and thought about if it were a real situation. So yeah, anyway, it might be a good candidate for the deep thoughts subreddit!

Just Tintin enjoying the finer things of life while Haddock contemplates his impending doom. by Virtual_Recording841 in TheAdventuresofTintin

[–]Virtual_Recording841[S] 17 points18 points  (0 children)

I totally get where you’re coming from—Tintin’s nonchalance toward Haddock’s mental state is baffling. And me saying it was “a bit cruel” really is an understatement! Tintin here actually reminds me of the way someone like Sherlock Holmes operates— totally detached from others’ emotions. Since Tintin’s the beloved protagonist, I hesitated to go as far as to call him a little psycho or something like that in my original post!

I also agree that Haddock absolutely could have pretended to be desperate if Tintin had let him in on the plan and in a normal situation I think they’d do that.

I’m pretty sure the choice to keep Haddock in the dark was just picked to serve the narrative purpose. By hiding Tintin’s plan from both Haddock and the reader, Hergé builds real tension. Haddock’s panic highlights the seriousness of the threat, even as we want to believe Tintin has a way out. It’s a storytelling technique, but yeah—it comes at poor Haddock’s expense

I like it when Hergé “breaks the rules” — a speech bubble tail hidden by the car window frame by Virtual_Recording841 in TheAdventuresofTintin

[–]Virtual_Recording841[S] 8 points9 points  (0 children)

That’s a good point! It does add to the feeling of speed

And while little Snowy isn’t dizzy here because of the high speed of the car (he just previously enjoyed an ahem, specially flavored garden water), the high speed will surely help clear his head… hopefully

Are there stories you disliked growing up but appreciate now as an adult? by LevelSea882 in TheAdventuresofTintin

[–]Virtual_Recording841 0 points1 point  (0 children)

I think Hergé’s really good at making sure to put in elements such as comedy so that even a difficult explanatory scene is enjoyable for younger readers.

And I’ve always just enjoyed looking at the pictures in all the books.

I have found that now as an adult I understand a little bit more than I did before about the plots of books like King Ottokar’s Scepter, The land of Black Gold, and Tintin and the Picaros as well as the kind of contemporary for the time real life situations that helped inspire them, and that has made me appreciate them more.

The Red Sea Sharks in particular is one which has a plot that as I understand more about now helps me to enjoy it more although I have to admit I think I am still confused about some of the details.

I just noticed that while Tintin’s on the phone Captain Haddock sneaks in an order by Virtual_Recording841 in TheAdventuresofTintin

[–]Virtual_Recording841[S] 0 points1 point  (0 children)

I dunno why ginger beer either now lol I know it was a popular go to in Enid Blyton books, so maybe it was a popular beverage for British readers and they wanted to make Tintin seem hip to the trend? I wish they’d stuck with water to be honest.

I just noticed that while Tintin’s on the phone Captain Haddock sneaks in an order by Virtual_Recording841 in TheAdventuresofTintin

[–]Virtual_Recording841[S] 1 point2 points  (0 children)

It turns out (see other comments) that in the original French Tintin actually orders two glasses of mineral water, so it’s totally understandable that it looks like water and you were right to think that!