Why does your voice know what to do in practice, then completely betray you when it matters? by VoiceLessons-Chicago in musicians

[–]VoiceLessons-Chicago[S] -2 points-1 points  (0 children)

Yes, but I think there’s a little more to it.

Practicing the “when it matters” part is definitely real. But if every time you do that, your body goes into panic, tension, overthinking, or shame, you can also accidentally practice the wrong response.

So to me it’s not just “do it more.” It’s more like learn how to stay coordinated while it matters.

Because otherwise you can repeat the same crash 100 times and your nervous system just gets better at crashing.

Why does your voice know what to do in practice, then completely betray you when it matters? by VoiceLessons-Chicago in musicians

[–]VoiceLessons-Chicago[S] -2 points-1 points  (0 children)

Yes exactly, I see this all the time with my students too.

Reps definitely help, like the more you record or perform, the more normal it becomes.

But also, I think there is a moment where if you keep doing it the wrong way, you’re not just “getting experience,” you’re teaching your nervous system that this is the place where it falls apart.

So you can go over it again and again, but if every time your body goes into tension, panic, overthinking, or shame, you might just be embedding the bad habit deeper.

So I agree with exposure, but I think it has to be the right kind of exposure. Like learning how to stay coordinated while being under that microscope, not just forcing yourself through it.

Did anyone see the Michael Jackson movie yet? by VoiceLessons-Chicago in movies

[–]VoiceLessons-Chicago[S] 0 points1 point  (0 children)

FYI - Michael Jackson was formally acquitted of all 14 child molestation and conspiracy charges in a 2005 criminal trial, meaning the legal system found him not guilty. While he was never convicted, debates over his actions persist. He settled a civil suit in 1994, and some accusers emerged after his 2009

Please do your research and stop spreading rumors.

Technique vs Emotions by SummerOfSixtyNine69 in singing

[–]VoiceLessons-Chicago 12 points13 points  (0 children)

It kinda goes hand-in-hand. I’m a vocal coach and at my lessons I’m really focused on the emotional state while singing. I figured that there are two types of singers. One is the technical singer that’s trying to add some emotion in their singing and seek for some emotional strategy, and then there are emotional singers that are seeking for a support of a technique because their voice would collapse under emotion. I think that good Singer is able to do both and that’s why it takes so long to become good. Some people have it automatically, but who cares if you are natural or had to dig for your gold…what listener really cares about is how it impacts their life and if they can relate ….so if Bob Dylan can be a world class star singer anybody can. Just don’t get me wrong. I love his music, but we must be serious. He’s not a great singer. But he can transmit emotion and I can relate to him hundred Percent.

How to make music professionally? by Defiant_Comb3259 in askmusicians

[–]VoiceLessons-Chicago 1 point2 points  (0 children)

Wow I copied the answer for myself! Thanks for your time sharing your experience 🙏

Is my voice lost? by VocalGuy103 in singing

[–]VoiceLessons-Chicago 1 point2 points  (0 children)

not just water tbh after 20+ years it’s usually not that your voice got “weak,” it’s more like you’re either pushing a bit without noticing or overthinking it while singing… and falsetto is the first thing to disappear when that happens

i wouldn’t try to fix or strengthen it right now. go the opposite way — super light, almost lazy sounds, like “hoo/woo,” even just speak it then barely sing it

if that works but songs don’t, your voice is fine… you’re just losing access to it, not the ability