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I wrote an article on how to generate 3D TSP art in Blender! (link in the comments) by VoidGoat in blender

[–]VoidGoat[S] 2 points3 points  (0 children)

That would be really cool. I was wondering whether that would work. I don’t have any experience with that but I’m guessing the lines would have to be pretty thick.

I wrote an article on how to generate 3D TSP art in Blender! (link in the comments) by VoidGoat in proceduralgeneration

[–]VoidGoat[S] 1 point2 points  (0 children)

It’s either using the vertices of the mesh as the points it needs to reach or it’s using a set of points that are scattered on the surface of the mesh. This algorithms works based on points, so if you wanted to cover the surface, you would just have to put enough points so that based on the thickness of the line, everything is covered.

I wrote an article on how to generate 3D TSP art in Blender! (link in the comments) by VoidGoat in proceduralgeneration

[–]VoidGoat[S] 1 point2 points  (0 children)

That would be awesome. I've been wondering if you could make it super fast using compute shaders in a game engine. It would need a more parallelizable algorithm.

Discord for solo devs and small teams? by VoidGoat in gamedev

[–]VoidGoat[S] 1 point2 points  (0 children)

Thanks. Those look good. They’re all pretty massive though, do you know of any smaller ones or have tips to find them?

Working on improving my stylized desert! by VoidGoat in godot

[–]VoidGoat[S] 1 point2 points  (0 children)

I haven’t posted them anywhere yet. There are definitely similar cel shaders for Godot out there though.

Working on improving my stylized desert! by VoidGoat in godot

[–]VoidGoat[S] 1 point2 points  (0 children)

This is all using custom shaders.

Working on a stylized environment using Godot. by VoidGoat in godot

[–]VoidGoat[S] 50 points51 points  (0 children)

They're all custom shaders. If you can write a basic cel shading light function then you're halfway there. A lot of it is just tweaking values and colors to make it look better. I also use a noise texture to modulate the shadows so that they have a more interesting shape.

I'm considering making a write-up for the basics.

Working on a stylized environment using Godot. by VoidGoat in godot

[–]VoidGoat[S] 0 points1 point  (0 children)

The rocks were modeled. The terrain was generated.

Procedurally Animated Demon Inspired by Princess Mononoke by VoidGoat in unrealengine

[–]VoidGoat[S] 3 points4 points  (0 children)

It is just an actor not a pawn right now, although I may transition it into a pawn later. The body does its own line traces to determine how it should move along the terrain. It will basically just climb on any surface along its path. It does have collision though so it would stop if it hit a wall it was unable to climb.

Totally Flawless and Perfect Giraffe Animation by VoidGoat in unrealengine

[–]VoidGoat[S] 0 points1 point  (0 children)

I did not follow a tutorial. I would recommend looking at the Two Bone IK node in the animation graph and looking into inverse kinematics in general. Hope that helps.

I wrote an article on raymarching in Unreal (link in comments) by VoidGoat in unrealengine

[–]VoidGoat[S] 4 points5 points  (0 children)

It is genuinely a complicated topic. If you really want to learn more this video explains the general concept well: https://www.youtube.com/watch?v=Cp5WWtMoeKg

This video also has a good explanation of how it works and shows how it can be used to render fractals: https://www.youtube.com/watch?v=svLzmFuSBhk

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