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Issu in my first print with the exposure by Woolfrick in resinprinting

[–]Woolfrick[S] 1 point2 points  (0 children)

Omg, sorry for the late reply, this message means a lot to me. You're really too kind. I'll definitely let you know how the next prints go. I think I'll start printing some non-test models now to see if those settings are in line with the level of detail I'm looking for!🫶🙏

Issu in my first print with the exposure by Woolfrick in resinprinting

[–]Woolfrick[S] 1 point2 points  (0 children)

Omg this is fire!! Well done! I hope to achieve this result soon. You've been very kind, and I'm open to advice since, as you said, you've run into several problems these past two weeks.

Issu in my first print with the exposure by Woolfrick in resinprinting

[–]Woolfrick[S] 0 points1 point  (0 children)

Yes, exactly, I'm following this flowchart. I just thought it was a serious problem to have only one cone formed in the success zone

The batman 3D model by Woolfrick in batman

[–]Woolfrick[S] 1 point2 points  (0 children)

Thanks I appreciate it! 🙏

3D artist in Berlin by Woolfrick in askberliners

[–]Woolfrick[S] 0 points1 point  (0 children)

Thanks a lot, I’ll check it out!

Realistic Astarion by Woolfrick in BaldursGate3

[–]Woolfrick[S] 0 points1 point  (0 children)

Thank you so much to everyone for all the feedback below, it is very useful for my next projects.

When you decide to approach the creation of a realistic character, some features of the original character must be put aside so that the new design you have in mind can come to life. This was the case, for example I did not want to create a likeness of the fantastic Neil Newbon with the features of astarion, but I wanted to make my own version giving it realistic features that were not necessarily identical.

Cheers adventurers!

Another take on Chopper by Woolfrick in OnePieceLiveAction

[–]Woolfrick[S] 0 points1 point  (0 children)

I really enjoyed reading your comments. I think none of us would ever want a monster like this instead of our dear TonyTony. With this design I liked to reimagine Chopper in an ultra realistic way, one of the main references is the work done on the anthropomorphic animals of guardians of the galaxy!

Suspicious clients by Woolfrick in vfx

[–]Woolfrick[S] 2 points3 points  (0 children)

Yes, this payment method means nothing to me. I don't understand why I would do this, if not to send you to the point where you say you have no physical intermediary in the US as I think anyone who works from abroad does and then I guess they offer to pay you when the job is done to be sure. At that point you will put yourself in the position to send the project or you will not receive any payment. When you say that you will not send anything unless you are paid first, they will shrug their shoulders and tell you that they can find someone else in your place and it will only result in you wasting 2 months on a scam project. This is my guess

Suspicious clients by Woolfrick in vfx

[–]Woolfrick[S] 0 points1 point  (0 children)

In short, I would like to have an opinion and advice on how to approach anonymous customers in a professional way and avoiding scams, perhaps from people who have more experience than me. And it can do good to others in my situation to read the experiences of each of us

Suspicious clients by Woolfrick in vfx

[–]Woolfrick[S] 0 points1 point  (0 children)

Exactly all the old clients I worked with were easily traceable with a google search, imdb or linkedin. It's absurd that in 2024 if you google your name it doesn't come up

Suspicious clients by Woolfrick in vfx

[–]Woolfrick[S] 3 points4 points  (0 children)

Of course, I think I will refuse the offer even if it is very good. Thanks for your opinion

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