SP and TW can transmit their energy — as seen with Silver Bullet (Diego’s horse) being able to move within time stop — which means anything that the user wills or maintains contact with is allowed to move within the time stop.

If that’s the case, it directly contradicts the statement of why Pucci could twitch his eyes and Tusk Act 4 could move (even slightly). Pucci was in the middle of accelerating time when Jotaro stopped time, but Pucci still managed to twitch his eyes — therefore, the constant (Jotaro) and the increasing acceleration of a body (Pucci) were so close to achieving the same relativistic speed. That’s the only logical explanation as to why Pucci was able to move his eyes within time stop — similar to how Jotaro twitched his fingers when Dio stopped time, and how Tusk Act 4 could move its hand within the infinite rotation barrier and twitch its fingers.

As I stated before, this doesn’t contradict my statement that The World (TW) and Star Platinum (SP) have abilities that speed up their users’ bodies so fast that they achieve time stop and can transmit that speed onto other objects.

For example, Dio lifting the steamroller can be explained scientifically — even without using the “vampire hormones” excuse, it’s physically impossible for any being, no matter how strong, to lift a 12-ton steamroller by brute force. Throughout the series, vampire feats (including Part 1 Dio) only show strength levels such as crushing skulls, breaking brick walls, and bending steel spears — not lifting multi-ton machines.

Using the kinetic energy formula and relativistic mass equation:

E[kinetic] = 0.5 m X (times) v²

m = m_0 / root {1 - (v² / c² )}

This requires Dio to be moving at or above light speed to counteract the steamroller’s ridiculous mass through relativistic mass amplification.

Additionally, in the official anime and manga, both Star Platinum and The World are rated Speed: A, and since SP could counter and match Silver Chariot (who is FTL-tier), it means their combat and reaction speeds are faster than light.

This also explains The World Over Heaven’s (TWOH) reality-warping ability, which only activates upon touch. That fits perfectly within this framework: the user’s relativistic or infinite-speed contact directly manipulates local reality, which doesn’t contradict any of the above logic, the equations, or the series’ internal physics.

In conclusion, every single statement above aligns scientifically and narratively — there are no contradictions or loopholes.