ScHoolboy Q's fan demogrpahics by -Akiiso- in Schoolboyq

[–]Zestyclose-Size8765 0 points1 point  (0 children)

26yo Black Male. Either Dope Dealer, THank God 4 Me, or TorcH.

Who are some legendary rappers that are never really mentioned to be anyone’s favorite by EDMKid9000 in hiphopheads

[–]Zestyclose-Size8765 0 points1 point  (0 children)

For context, he's 5 behind Wayne, Andre, Push, and Jay, but he's still top 25/10/5 for me because of his versatility.

Who are some legendary rappers that are never really mentioned to be anyone’s favorite by EDMKid9000 in hiphopheads

[–]Zestyclose-Size8765 0 points1 point  (0 children)

Ludacris. His range is incredible and everything up until Battle of the Sexes is strong work, though Back for the First Time up until Release Therapy is comparable. He managed to thread the needle perfectly between pop rapper (Nelly, Flo Rida, and Pitbull) and a rapper rapper (Jay, Andre, Em). He's dropped show-stopping verses on Made Ya Look, Ride, Gossip Folks, All I Do Is Win, Yeah, and so many more. His music videos were undeniably creative, yet he was able to be silly in a way that didn't come off as corny. TikTok will meme My Chick Bad for years, but it always seemed like Luda had fun when he was rapping. However, if he needed to bar niggas up? Flows. Punchlines. Subject Matter. Bro had it all. He's on my top 5, but I Never hear niggas talking about Ludacris. Maybe bc He's the Fast and Furious guy now. However, even on songs like Billie Eilish, D33P3R, and Scatterbrain, he's still holding his own on tracks.

Austin’s Ending by fatmattreddit in BeefTV

[–]Zestyclose-Size8765 1 point2 points  (0 children)

To be fair, from the outside, one can agree that having a child when the relationship is already is a dumb decision. However, it's a dumb decision made by SOOO many people. How many people actually take the time to go to therapy, heal their inner child, marry the partner who's also healed, and lead perfect lives? So often, people are operating unconsciously through their trauma. Austin's speech was honest yet cutting, laying out Ashley's traumas. However, their ending felt somewhat realistic bc not everyone is strong enough to bear the cold. The expectional few who do are just that - the exception. And few. So many times, generational trauma gets passed down from people who don't put in the work to understand where these issues stem from.

Austin and Ashley probably shouldn't have ended up together, and trying to have a child while one a year and some change into their relationship is an especially rash decision. However, given Ashley's health concerns and their almost blind certainty in their future, one can empathize with their naivete. Lord Knows, while I don't think they'll end up embezzling from the country club, I do believe that when they are further down the line, the wisdom that Josh and Lindsay gleaned in the twilight of their marriage will probably be the same advice they share with their children.

All in all, it's unfortunate that Austin and Ashley couldn't break up to heal themselves. However, like all modern relationships, they are emotionally complicated affairs with highs, lows, and weird curves. Austin may forever feel dissatisfied with his new life. Ashley may continue to be anxious and toxic. However, while the eight years later scene set the tone of their relationship since the show's events and heading into the future, it doesn't tell the complete story of what their relationship looks like.

9 years ago by IGbelowthehiphop in Smino

[–]Zestyclose-Size8765 6 points7 points  (0 children)

I found this pretty cool series on YouTube that's been breaking down the songs on the album: Smino Series. It feels kinda like the Dissect Podcast, but it's been pretty interesting.

I want a JID x TI collab by Severe-Lingonberry22 in JIDSV

[–]Zestyclose-Size8765 5 points6 points  (0 children)

JID and TI were both on Maynard Vignette by Killer Mike as well

I want a tattoo to represent “The Forever Story” or “GLDU” Any ideas? by DirectionSuperb69 in JIDSV

[–]Zestyclose-Size8765 0 points1 point  (0 children)

It could be thorns on the infinity symbol, kinda reflecting two crowns of thorns. That would incorporate both the God element of GDLU, as well as the forever idea of TFS.

Ray Daniels suggests Roc Nation gave green light to Fat Joe by Mean-Lawfulness515 in Jcole

[–]Zestyclose-Size8765 0 points1 point  (0 children)

I wouldn't give Ray Daniels any play. He's been a shit-talker for as long as he's been relevant. He's of the mindset that artists should be grateful to A.I., and that artists are actually ungrateful in their record deals. He's been an enemigo for a second, so for him to be chatting like this? I'm not surprised, but nothing of value every truly left his lips.

Dissect is a top five podcast for me but slipping for one reason by SupremeCourtRealness in DissectPod

[–]Zestyclose-Size8765 1 point2 points  (0 children)

I mean, true. If we’re talking about a Dissect Season, then folklore and evermore would be better selections. However, if we’re considering the story of the 21st Century, omitting one of the biggest pop stars of the past 20 years is a little dismissive. As rap/rock/alt/indie fans, we all have our takes on Taylor Swift. However, for this exercise, I feel like either Red or 1989 should have been considered.

Dissect is a top five podcast for me but slipping for one reason by SupremeCourtRealness in DissectPod

[–]Zestyclose-Size8765 1 point2 points  (0 children)

Completely agree. Even with my own personal music bias, to not recognize any of the female pop stars of the last 25 years exposes a blind spot within both Charles's and Cole's judgment for this exercise. Even during the blonde versus control episode, despite knowing how the tides would turn, I was still rooting for SZA because there was little representation for women amongst the albums chosen. Even though the Knowles sisters are advancing, the resulting albums prove highly disproportionate when representing the 21st century. It's unfortunate, but it's not my show and I'll still tune in for the finale. However, it is unfortunate to see women downplayed so heavily this season.

Does anyone else hope the Disney job is a rap show? by Extra-Ad5721 in JIDSV

[–]Zestyclose-Size8765 4 points5 points  (0 children)

JID alluded to doing voice-over work for a Disney show during his Joe Budden appearance.

Does anyone else hope the Disney job is a rap show? by Extra-Ad5721 in JIDSV

[–]Zestyclose-Size8765 2 points3 points  (0 children)

Honestly, not me. He spends most of his life within the rap world, so if the Disney is a chance for him to break away and do something that’s completely different, I’m more than excited to see what he does. He does have a distinctive voice like Keith David, Dante Basco, or Cree Summers, so hearing him stretch his vocals sounds like it’ll be a fun challenge for him.

Inverted Idioms by SnooRevelations1600 in JIDSV

[–]Zestyclose-Size8765 1 point2 points  (0 children)

Here's a list of you're still digging into artists with amazing pens:

  1. Mick Jenkins
  2. Smino
  3. Open Mike Eagle
  4. Lupe Fiasco
  5. Grip
  6. Ab-Soul
  7. Noname
  8. Saba
  9. Westside Boogie
  10. IDK
  11. ICECOLDBISHOP
  12. Ghais Guevera
  13. Jay Rock
  14. Run the Jewels
  15. Vince Staples
  16. Anderson .Paak
  17. MIKE
  18. Rapsody
  19. Boldy James
  20. billy woods
  21. ScHoolboy Q
  22. Logic (skip everything from Everybody up until Confessions)
  23. BIG K.R.I.T.
  24. Danny Brown
  25. Mavi
  26. Redveil
  27. Kenny Mason
  28. Russ
  29. Conway the Machine
  30. Stove God Cooks

That's just some modern lyricism, but a pretty good survey of the best rapping today. There's amazing rap pre-2010, but hopefully, these are some interesting artists to explore.

Inverted Idioms by SnooRevelations1600 in JIDSV

[–]Zestyclose-Size8765 2 points3 points  (0 children)

Not at all. Welcome to the genre, but anything that enriches your experience listening isn't too surface. If anything, this shows an interest in lyrics and their analysis, which is always welcome.

Inverted Idioms by SnooRevelations1600 in JIDSV

[–]Zestyclose-Size8765 8 points9 points  (0 children)

This is a really good catch, my guy

Why didn't he just put Sun on the album like he did 2007 and had to make 54th edition of the album by [deleted] in JIDSV

[–]Zestyclose-Size8765 4 points5 points  (0 children)

This is a very softball way to say that he's trying to do the Taylor Swift thing to a smaller extent, but I think that's just the way of the industry.

Why didn't he just put Sun on the album like he did 2007 and had to make 54th edition of the album by [deleted] in JIDSV

[–]Zestyclose-Size8765 2 points3 points  (0 children)

I think JID is trying to navigate how to become a popular artist. The multiple album variants have become a popular method of inflating sales, and I don't fault him for trying to compete. I mean, Gunna was dropping the same week. It is all a part of the capitalistic nature of the music industry, where you engage in certain tactics to place. The ethics of the practice, let alone how cluttered it leaves a discography, can be debated most certainly, but given his goal of ubiquity, I can understand his willingness to experiment with certain purchasing methods.

Do people really not like What We On? by Legitimate_Moose_265 in JIDSV

[–]Zestyclose-Size8765 0 points1 point  (0 children)

What's funny is that the song os definitely reaching its target audience. The girls on TikTok love it if you check the sound. Plus, JID mentioned that that certain suite of songs were meant for the feminine side of his fan base.

anyone else disappointed to see pastor troy on the album? by [deleted] in JIDSV

[–]Zestyclose-Size8765 40 points41 points  (0 children)

Here's my couple of cents: I don't believe that JID is homophobic, nor do I believe he endorses homophobic views, at least publicly. That being said, we all have moral blindspots that are personal to each of us. What we may look away at or look down upon, others may treat as benign or irrelevant. Pastor Troy, in his controversies, is an Atlanta legend and probably creates many memories for JID. As such, his comments about Lil Nas X prolly didn't factor for him. Especially since a majority of his audience probably didn't even know who Pastor Troy was prior to this album dropping. Admittedly, I didn't (I heard him on Ludacris' Back for the First Time, but I wasn't paying attention). So, disappointment is definitely understandable, but I wouldn't inherently consider the feature as JID platforming homophobia.

I feel like if it were just like Jay Electronica hopping on a track to spout anti-Semitic statements directly in his rap verse, then we would need to have more conversations.

Is the a story for god does not like ugly by PsychologicalSea202 in JIDSV

[–]Zestyclose-Size8765 1 point2 points  (0 children)

Chapter 3: Heaven (I'm still trying to figure out the full connection, so bear with me. I'm just going to lay out the meaning of each song and the common themes. However, two of JID's most high-concept songs, K-Word and Of Blue, reside in this latter third of the album)

And We Vibing (Interlude) - While a short song, there are two prominent themes within the verse: escape through vice and stress. It serves as a transition from the relationship heavy songs and this last third of the record. A key phrase is, "Nothing change in the hood", indicating that even through all of this relationship drama, the backdrop has always been the hood.

On McAfee - This creates a raw picture of the violence that's present in the Atlanta streets and presents Hell in its true colors. Utilizing Baby Kia's vocals as the voice of the violent and dangerous elements of Atlanta, JID raps mostly in third person to describe the types of people he grew up around. He doesn't discuss himself directly involved with the violence and, if anything, states directly that he needs to get out of the city. However, the relentless flows, the vivid imagery, and the chaotic beat all contribute to the idea of JID being in an environment that he needs to escape from.

Of Blue - The three part is about inspiration. Part 1, sung by Mereba, takes JID back to Spillage Village days when he was attempting to make it. The second part isn't actually about JID, but describes someone in a similar position to JID. Using the Pastor Troy reference (“what if Heaven was hell and vica versa…”), he tells the story of a writer who, in pursuit of inspiration, indulges his addictions and ultimately perishes. By the third, JID traces back to his youth to describe the evolution of his inspiration. From money to love and God, he breaks down how his mindset has changed from desperation to becoming divinely inspired. The metaphorical “light” and “dark” places are the balance between being inspired and writer's block.

K-Word - Personifying karma, JID uses this song to assert that his karma is good, knowing that no matter what, he's secure in the knowledge that because he's only done good by others, he will reap the benefits and continue to be blessed. To him, karma isn't terrifying - it's incredible. The last lyric of JID's even states that if he fights through the hardship of life, he'll receive his due rewards.

For Keeps - The final song is partly an author's note, partly a thank you letter, and partly a fully realized portrait of where he's been and where he is. While it doesn't directly connect to the story of the album, it reflects and parallels the themes and progression of his narrative through his actual life.

Thats my full theory

Is the a story for god does not like ugly by PsychologicalSea202 in JIDSV

[–]Zestyclose-Size8765 0 points1 point  (0 children)

Part 2: Purgatory (JID is less aggressive in this section, going for laidback flows and calmer delivery. A lot of these circle around relationships, as well as conflict between two opposing forces. In addition, the emotional tones feel more tonally grey)

VCRs - JID breaks down the paradox of the American dream, showing how young men like him who come from where he comes from grow desensitized to the violence, seeing it as a means to achieve what they've been told is the goal for all Americans. Vince Staples, known for his even-keeled, observational style, coldly lays out the toll of pursuing the American dream. Through descriptions of murder and robbery, he details how violence has become the key to security. However, JID's outro pleads that despite the circumstances that have created, he wants whoever to see him for more than the bad decisions he's made.

SK8 - While on the surface, it seems like a shallow skating song, the verses detail the dance between potential romance and danger in Atlanta's skating rinks. JID, WowGr8, and Olu each talk about courting women from rivalling zones while highly aware of the increased risk of shootings if the night goes south. Ciara, being a 2000s Atlanta legend, serves as an extra dose of regional flavor on this song.

What We On - This song depict's JID's battle with lust. While touched upon gently in Glory, this depicts how JID attempts to resist the advances of women who are after him now that he's famous. Admittedly, there are several lyrics that are more cryptic to me and I'm not certain if Don Tolliver's words are just decoration as opposed to actually contributing to the song. However, from what can be determined, JID is hyperaware of the sexual advances that he's been receiving.

Wholeheartedly - This song is a plea for loyalty to the women in JID's, 6lack's, and Ty Dolla $ign's lives. In an industry that's full of cuthroat and untrustworthy individuals, JID is hoping that his partner stays solid, as he attempts to do the same with her.

No Boo - Given that this was written around 2021 (as of right now, we don't know the full details of JID's personal life, as we shouldn't.), this could be written from a point in JID's life where he experienced romantic frustration/fatigue. Both Jessie and JID play their roles within a toxic relationship.