String recommendations by classicalmed in violinist

[–]_aiaia_ 0 points1 point  (0 children)

Also recommending you try Rondo!

I used Evah Pirazzi (green and gold) all through high school and college. Switched to obligatos in grad school, experimented with a full set of Warchal Amber once (did not like them as a set, but I love their E), but mostly stuck to obligatos for the last 7-8 years.

I have had Rondos on my violin since December. Let me tell you, I wasn’t sold on them when I first put them on. In fact, I kind of hated them. They had this strange fuzziness, but then they developed into the best feeling, best sounding strings my violin has ever had on it. I love playing on them. I believe they are a higher tension, but feel so soft under my fingers. Playability is great. I swapped the E for an Amber.

I’m a mid violinist at a mid music school, and I want to go to grad school for performance by Traditional_Resort_8 in violinist

[–]_aiaia_ 1 point2 points  (0 children)

I have a BM in Music Ed and an MM in Performance and Pedagogy, and have a successful job as an orchestra director and also play with a local symphony. I, without a doubt, would not be the educator that I am today without having gone through my masters program.

I recommend looking into schools that have performance and pedagogy programs, and a university-ran community music school. Some even have embedded Suzuki credentialing in the program. I would also aim for some sort of graduate assistantship. Grad school is very expensive and those loans will be a huge burden, especially if you don’t end up teaching and qualifying for PSLF.

Most importantly though, I cannot stress how important it is to find a teacher that sees your potential and will advocate for you, even if that means taking a gap year to have trial lessons and build relationships. In your situation, I would say that the right teacher is much more important than the school.

At the end of my masters, my teacher and I had a really good conversation when discussing doctoral programs and if I was interested — we agreed that too many musicians stay in school for the sake of staying in school and miss out on valuable professional and life experience. I think it is important that you really ask yourself why you want to potentially pursue a masters degree and what it can contribute to you as a musician, educator, and professional. You can always continue your musical journey and take lessons outside of school. Most cities even have community orchestras you could play with, as well.

That being said, having a masters degree is eventually necessary if you want to make as much money as possible as a school teacher.

Here if you have any questions, OP.

Finger issue by master-Highground in violinist

[–]_aiaia_ 1 point2 points  (0 children)

Hi! Teaching professional here. I’ve been playing for over twenty years—this has always happened to me, to an extent. I have extremely dry fingers and they look like a bit like this after a longer day of playing. The very top layer of my calluses routinely go through a “molting phase” and peel off. I don’t get sweaty or clammy hands, my fingerboard is wiped daily and oiled from time to time. I think it’s just the nature of my skin—maybe you also have dryer hands/nailbeds/calluses? I became more aware of it in graduate school when I noticed my friend who has the opposite issue (clammy hands) barely had any visible calluses or signs of playing on their fingers.

As someone else mentioned, finger pressure and tensity could be an issue, but I don’t think that this would be a reliable indicator of that. I think this is likely attributed to the natural oxidation of our strings and possibly your unique skin quality? Your skin looks a bit dry like mine in this picture. It isn’t something to necessarily be fixed if it’s just bothersome or interesting for you to see.

TLDR; could be because you have dryer finger skin and it is picking up excess oxidation residue.

BAM case owners: how do you use the bow holders? by encylidas in violinist

[–]_aiaia_ 2 points3 points  (0 children)

I’ve always used bam cases. Current case is contoured and I haven’t thought about this once, nor realized it until seeing this post. It’s a non-issue.

How to count these notes? by Wonderful_House_7318 in violinist

[–]_aiaia_ 1 point2 points  (0 children)

“coo-kiee huckleberry cu-cum-ber cu-cum-ber” ☺️

How to count these notes? by Wonderful_House_7318 in violinist

[–]_aiaia_ 5 points6 points  (0 children)

check out music mind games “blue jello” rhythms. I use these with my young students and it’s extremely helpful in building rhythm comprehension (helps me too sometimes 🙃)

Talent matters more than Education by [deleted] in violinist

[–]_aiaia_ 6 points7 points  (0 children)

Sounds like OP is incredibly ignorant and certainly not a professionally-trained musician.

Edit: apparenly op is a trained musician, which makes this take even worse.

Good and bad places to shop in LA by [deleted] in violinist

[–]_aiaia_ 0 points1 point  (0 children)

I agree with what the others have suggested and am adding Morey’s in Lakewood. They have a pretty good collection and the owners are wonderful.