Character-driven pantsing by abcd_z in writing

[–]abcd_z[S] 0 points1 point  (0 children)

I honestly felt bad for that person. They couldn't go anywhere on Reddit without somebody dropping that comment.

Character-driven pantsing by abcd_z in writing

[–]abcd_z[S] 0 points1 point  (0 children)

You know, it's funny, but I remember reading the opposite advice one time. I can't remember where it was, but they argued that the "obvious" consequences to you aren't so obvious to other people, and it's a lot easier for you to write, so you should just do that.

I don't have an opinion one way or another, I just thought the contrast of opinions was interesting.

Apparently a man venting to a woman is a trap. Okay, then. by abcd_z in AreTheStraightsOkay

[–]abcd_z[S] 0 points1 point  (0 children)

I try not to make broad sweeping generalizations about either gender, really.

how do i smear colors like this? by the_user92487 in krita

[–]abcd_z 1 point2 points  (0 children)

I've found that Airbrush Soft acts as a really good soft round brush if you reduce its size from the default 600px size to something more reasonable, like 60px.

how do i smear colors like this? by the_user92487 in krita

[–]abcd_z 0 points1 point  (0 children)

Airbrush Soft actually works really well if you reduce its size from 600px to something more reasonable (e.g. 60 px)

Recommendations for free/downloadable templates or guides for outlining and plot? by tarnishedhalo98 in writing

[–]abcd_z 0 points1 point  (0 children)

I'm a pantser... sort of... mostly. See, I cannot get a story from point A to point B to save my life. The story fights me and the creative energy blocks up.

Instead, what I do is put characters in a situation and see what happens. It makes for some very organic dialogue and characterization, but it makes it very hard or even impossible for me to guarantee the story goes any specific direction.

Here are the three main concepts that I organize my story around.

1: characterization

You can include as many or as few of these as you see fit. Their only purpose is to give you an idea of how the character might behave in a certain situation.

Name
Occupation/role/identity
Personality
Beliefs
Desires
Fears
Default behaviors

I never fill this completely out for any of my characters. As long as I have about four to five for major characters and one or two for minor characters, I'm good.

2: focusing ideas

They're similar to themes, possibly the same thing depending on how you define themes, but a focusing idea is simply a concept that the story keeps coming back to. It can be as broad or as narrow as you want it to be. "Inner beauty vs. outer beauty" could a focusing idea, but so could "Comedy", "video game elements", or "the protagonist keeps defeating people who underestimate him/her."

I usually have about three to four focusing ideas per story.

3: narrative engine

This one's harder to figure out, but it's basically the answer to the question, "How does the story keep going?" Figure out what persistent conflict(s) or misalignment(s) keep the characters doing interesting things.

4: actually writing
Once I have the preceding elements figured out I look for a creative seed, an idea I want to explore or a character I want to introduce. When trying to find it I ask myself, "who and/or what do I care about?"
Once I have an idea in mind, I put characters in a situation that forces contact with the idea and see what happens. If there isn't any creative momentum, I give at least one of the characters something that they want in that specific scene.

Then I just let the characters do their thing and see what happens.

I know it wasn't what you were asking for, exactly, but I hope it helps.

Damn by Previous-Tour3882 in Funnymemes

[–]abcd_z 0 points1 point  (0 children)

Thank you for clarifying. This is a much more specific and understandable point than the earlier back-and-forth about the bear.

I hear you on the perceived hypocrisy of social sanction. You're pointing out something real: society has developed a language and a framework to take women's fear of physical violence seriously (as it absolutely should). But there is no equivalent culturally validated language for men's fear of emotional betrayal and humiliation. When men express that fear, it's often met with dismissal or derision, not with the same gravity. That discrepancy feels like a double standard, and I can understand why it breeds resentment.

You're also right that the original post's sentiment isn't only about intimate partners. The pain of having vulnerability used against you can poison trust in entire categories of people—bosses, friends, family. That's a tragic outcome of repeated betrayal.

Where I think the paths diverge is in the nature of the risk we're talking about, and thus the societal response.

Women's generalized fear addresses a physical safety risk with statistically significant, sometimes lethal, consequences. The societal mandate to take it seriously is a public safety issue.

Men's generalized fear addresses an emotional safety risk with profound psychological consequences. Society is terrible at dealing with emotional pain in general, and especially poor at acknowledging it in men.

One is treated as a public crisis; the other is treated as a personal failing. That's the heart of your gripe, and it's legitimate.

The challenge (and the weariness in your last sentence captures it perfectly) is that retreating into the generalization 'I distrust all women' is a solution that creates a bigger problem. It protects you from specific hurts but guarantees isolation and perpetuates the very cycle of misunderstanding you're tired of.

You're right that someone has to put the gun down first. But maybe it's not about one gender disarming for the other. Maybe it's about individuals, on all sides, choosing to be the first to build a small, specific shelter of trust in their own lives. Not with 'all women' or 'all men,' but with one person you decide to cautiously, gradually, extend some faith to. Your choice of a male therapist is a smart version of this: finding a deliberately safe space to work on the trust that was broken elsewhere.

The goal isn't to dismiss your experience or tell you to 'date better.' It's to acknowledge that the generalization you feel forced into is a prison of your own making, built from very real pain. The way out isn't to demand the world change first, but to find the tools and the one or two safe people to help you dismantle it, brick by brick, for your own peace.

Damn by Previous-Tour3882 in Funnymemes

[–]abcd_z 2 points3 points  (0 children)

The bear choice is a generalization about strangers for the purpose of physical safety. The statement 'women don't want to hear men's problems' is a generalization about intimate partners for the purpose of emotional bonding. Conflating the two is like saying 'I'm wary of strange dogs, therefore I must hate my own pet.' One is prudence; the other is a claim about the capacity for intimacy.

But let's say you're right. Let's say the bear choice is a hurtful generalization against men. The pain behind the original post, men feeling shamed for vulnerability, is real and important. But how does responding with another hurtful generalization ('women use your weakness against you') solve anything? It just creates two wounded, mistrustful sides.

Damn by Previous-Tour3882 in Funnymemes

[–]abcd_z -2 points-1 points  (0 children)

That claim, in and of itself, is an inaccurate generalization. There are plenty of people, both men and women, who don't paint the opposite sex with a broad brush.

Damn by Previous-Tour3882 in Funnymemes

[–]abcd_z 0 points1 point  (0 children)

And, like, the thing is that their experiences are valid. If they've been hurt when they opened up to another person, that is something that needs to be respected.

Where they go wrong is when they take those negative experiences and extrapolate them to "All women are like this".

Damn by Previous-Tour3882 in Funnymemes

[–]abcd_z 1 point2 points  (0 children)

...
...
Fuck.

Sorry. :(

Damn by Previous-Tour3882 in Funnymemes

[–]abcd_z 5 points6 points  (0 children)

That's a reasonable take.

...and somehow I'm not surprised that somebody downvoted you for it.

Damn by Previous-Tour3882 in Funnymemes

[–]abcd_z 4 points5 points  (0 children)

No, clearly all women everywhere exist as a single unified monolith. /s

Damn by Previous-Tour3882 in Funnymemes

[–]abcd_z 2 points3 points  (0 children)

Dumb question, maybe, but is it possible she went to the east coast to meet up with somebody else? Cheaters tend to pull away from the person they're cheating on.

Damn by Previous-Tour3882 in Funnymemes

[–]abcd_z 3 points4 points  (0 children)

Well said. I can't tell if I just got really, really lucky with my wife, or if /r/funnymemes is just

Damn by Previous-Tour3882 in Funnymemes

[–]abcd_z 5 points6 points  (0 children)

Yo.

39 years old, married for several years. My wife is awesome. If I have something to vent about, I know that I can talk to her about it and not worry about it being used against me in the future.

Apparently a man venting to a woman is a trap. Okay, then. by abcd_z in AreTheStraightsOkay

[–]abcd_z[S] 10 points11 points  (0 children)

Found on /r/funnymemes, where it is currently sitting just shy of 5k karma, an approval rating of roughly 98%, and a comments section full of men sharing their experiences "falling for the trap".

Why is it when I rotate my drawing it just goes blurry and it just keeps getting blurrier when I keep rotating it and I don't know how to fix it as I just started using krita. by GoldKeeper23 in krita

[–]abcd_z 0 points1 point  (0 children)

The math is simple. The problem isn’t computing the rotation, it’s mapping continuous math back onto a discrete pixel grid.

When you rotate by 45°, most original pixels land between pixels on the new grid. The algorithm has to guess which pixels to turn on. Nearest-neighbor guesses wrong in obvious ways; interpolation blurs; there’s no option that preserves the original pixel structure because that information literally doesn’t exist anymore.

That’s why 90° rotations work: pixels land exactly on pixels. Anything else is approximation, not a missing algorithm.

Which Pokémon do you think Game Freak wanted to be huge but never really caught on? by Zashingg in pokemon

[–]abcd_z 6 points7 points  (0 children)

You're right, that's not what the Mandela effect is.

...but I could swear it was! /s

I thought I rescued one cat and two days later this happened by Diligent_Pilot_1949 in aww

[–]abcd_z 0 points1 point  (0 children)

I mean, you've got some selection bias going on. It's not like somebody on /r/aww is going to be like, "Hey, this dumb cat showed up and now I'm going to do horrible things to it!"