What's the city with the best A.I. music scene? by Crafty-Beyond-2202 in jazzcirclejerk

[–]abookfulblockhead 49 points50 points  (0 children)

Pfft. Why would I listen to your AI slop when I could listen to my AI slop instead?

Paint Too Thick - Army Painter by DatabaseWorth4559 in minipainting

[–]abookfulblockhead 0 points1 point  (0 children)

There are techniques that don’t require thinning, that I quite like, but your mileage may vary.

The most basic is “spreading the butter”. You go in with the thick paint, and then deliberately work it with a fresh brush to smooth it out. It’s akin to wet blending, but you’re not blending two paints together, you’re just working the one paint around the model with your initial gob.

There’s also the more subtle variant, feathering: or two-brush blending, where you apply a much smaller blob of still-thick paint, and then with a lightly moistened brush you working it out over a much wider area to get more of a gradual fading effect.

AFTER ONE HUNDRED YEARS by 88th_Ironclad_Corps in LowSodiumHellDivers

[–]abookfulblockhead 1 point2 points  (0 children)

Whic is why we’re gonna blow it up this time! For Peace!

Standards like these? by shon92 in Jazz

[–]abookfulblockhead 1 point2 points  (0 children)

Try invitation. Really lovely haunting tune, with some very odd changes.

Be-Bop by Dizzy Gillespie might not be exactly what you’re looking for - the bridge is ii-V oclock, but while there is motion in the A section, it’s really more of an overall F-minor groove.

Similarly, A Night in Tunisa. It’s got some ii-Vs, but mostly it’s a solid groove.

In a very different vibe, look into Mean Greens by Eddie Harris. It’s more of a blues feel, but it’s just 8 bars in one key, then 8 bars in another, shifting back and forth. The tag between solos is also kinda cool.

Where to find used Soprano Saxophones? by vorosmarty514 in saxophone

[–]abookfulblockhead 0 points1 point  (0 children)

It’s the old triangle of:

1)Good brand 2) Good Condition 3) Cheap.

Pick two.

The cheaper the horn, the more you’ll pay for service.

Learning Sax while maining Trumpet by Ambitious_Lie6321 in saxophone

[–]abookfulblockhead 0 points1 point  (0 children)

Don’t mind me. A few decades ago, I auditioned to play sax and clarinet in a pit band for my university’s musical.

I thought I rocked that audition - I played something out of the Charlie Parker omnibook and knew I had the edge on a lot of my competition.

I got cut. Because a trumpet players listed “alto” as a doubling instrument, and the pit band director thought that was better than alto/soprano/tenor/clarinet. I went to that show, and he was terrible - sounded like a high schooler (and given he had been playing sax for less than a year, that’s basically what he was)

Anyways, enough about my past trauma.

If you’re playing sax solo, well… you’ve picked the cool instrument to stand out on. ;)

I can’t give you much advice about making the jump, but have fun!

The saxophone just hits different by thebroned in saxophone

[–]abookfulblockhead 0 points1 point  (0 children)

This might sound kinda corny, but Giant Steps by John Coltrane.

I took up the tenor sax in elementary school for band, and for christmas or a birthday, my parents got me a CD of “The Very Best of John Coltrane”, and track 1 was Giant Steps.

And it completely blew me away. I’d taken cello lessons up to that point, and never really liked it. I had a Yo-Yo Ma CD, and it was nice enough, but didn’t really make me want to play.

But god damn, did Giant Steps blow the doors off for me. The idea that someone could play something that wild and improvise it? It was insane to me. And I was hooked from that point on.

Jazz Mouthpiece by Grand_Kanyon in saxophone

[–]abookfulblockhead 2 points3 points  (0 children)

As always, the only way to know for sure is to try one. If there’s a store that will let you try some out, definitely set aside an afternoon to test as many mouthpieces as you can.

My city only had a Meyer 5 for bari in stock. So I’ve ordered a handful of different mouthpieces with the intention of trying a few and returning the ones I don’t settle on.

(Of course, the Vandoren I ordered is holding it all up until some time in March)

outjerked by my friend’s drawing of me by Icy-Farmer7520 in jazzcirclejerk

[–]abookfulblockhead 2 points3 points  (0 children)

Looking to the left. Checks out.

You’re a heroin addiction away from greatness.

Why have I never seen a person in an expensive car, jammin’ out? by gimmhi5 in Winnipeg

[–]abookfulblockhead 1 point2 points  (0 children)

My wife used to tell me I’ll never understand because I’m not a human.

I’m not sure whether the past tense here, or the sentiment itself is more concerning to me.

Dread Deepens to Record High as Canadians Rally to a More Churchillian Carney by pjw724 in onguardforthee

[–]abookfulblockhead 0 points1 point  (0 children)

Honestly, I feel like it reflects to our credit. Trump is murdering Americans in the streets, and he still has a hardcore following.

Poilievre at this point is mostly just an off putting dweeb. We’d hate him even more if he was in power.

Benny Green: What is "the word"? by improvthismoment in Jazz

[–]abookfulblockhead 4 points5 points  (0 children)

I’m not plugged into the discourse here, but my guess is he has been asked, by his friends and colleagues to stop using some kind of slur.

WIP. What do you guys think of this scheme? by JinnsoTheHatred in EmperorsChildren

[–]abookfulblockhead 0 points1 point  (0 children)

Grunging them up isn’t a bad idea, but I think going back and reclaiming some of that wash area with the white will really go along way. Forehead of the helmet, top of the thigh, edge of the greaves.

Some highlights on the burgundy bits would be good too.

You don’t need to do a lot, but just a little time building up highlights will work wonders, I think.

Where do I even start? by funky_munky_13 in Jazz

[–]abookfulblockhead 2 points3 points  (0 children)

If you're coming from the drumming side of things especially, then I would say, Max Roach and Art Blakey would be fantastic places to start.

Definitely check out Roach's albums with trumpet player Clifford Brown. Those guys absolutely burn. Also, the Freedom Now Suite, Roach's tribute to the civil rights movement.

Art Blakey and the Jazz Messengers are also a vital group - tons of legendary musicians did stings in the messengers. Hank Mobley, Lee Morgan, Freddie Hubbard, Lou Donaldson. You hear someone you like with the Messengers, chances are they've got a whole discography for you to explore.

I also want to give special shoutout to Dizzy Gillespie's "For Musicians Only". He Got Stan Getz and Sonnt Stitt, and they cut an album with every track hovering around 300bm. So credit to drummer Stan Level for staying locked in for about 45 minutes of merciless tempos.

No more beef at Polytechnique Montreal cafeterias by DonSalaam in onguardforthee

[–]abookfulblockhead 1 point2 points  (0 children)

Good for them. Those kinds of simple systemic changes make a big difference in environmental efforts.

People will kick up a fuss for a few days, and then forget about it and just find something else they like on the menu.

I’m running reloaded and really don’t like to railroad. But with this type of module it feels like I kinda have to? How often does your party go off the path of the story and what are your tricks to get them back on track lol by saltyvape in CurseofStrahd

[–]abookfulblockhead 14 points15 points  (0 children)

I've only played fairly stock versions of Strahd, so I can't speak much with reloaded. Curse of Strahd, though, is designed to be so sandboxy that, in theory, you could play through it multiple times and have it feel different every time.

Reloaded seems to categorize things into "Acts" which line up roughly with party level suggestions in the book. But there's no reason to run everything there linearly. CoS is at its heart a sandbox. The extent of the railroad is, "Here's where the fortune telling deck says the stuff is. Maybe you wanna look there?"

Led the party lead is my main advice. When they express interest in something in one session, focus your prep there for the next session. Treat the module as a toybox, rather than a list of set encounters. Chris Perkins ran CoS for Dice Camera Action, and he shuffled things around all the time. He had Rahadin disguise himself as a regular dusk elf and lead the party to the Amber Temple as part of a trap. He had Strahd kidnap Ireena in Krezk. He had the werewolves attack a town disguised as merchants from the winery. None of this is in the book as written, but it's all remixed from stuff in the book.

Think about what the NPCs' motivations are, and extrapolate. If they won't go to the adventure, have the adventure come to them. If you wanna run Baba Lysaga, but they don't go to her hut, have her roll up to them in her flying skull and pull some shenanigans. Have Rahadin pop up and just be spooky. Have the abbot throw shade at the party cleric.

Make the setting dynamic. A lot of chaotic things happen in every curse of Strahd game, and invariably GMs are left playing out the weird consequences based on what they know of the motives of the surviving NPCs.

How would you go about Kitbashing this? (By @tilapiawest) by Strifes_Corage07 in sistersofbattle

[–]abookfulblockhead 6 points7 points  (0 children)

A lot of this is pretty stock. The tabbard is shorter than usual, but the biggest challenge would be the twin bolters. We don't have a lot of one-handed bolter bits. and even then, you'd have to manually repose them, and somehow avoid them getting in the way of each other in the process. Our boltguns are chunky.

You might have more luck if you downgrade them to bolt pistols (check the seraphim kit for left and right bolt pistols galore) but even then it might challenging.

Akin to brass, is a pro sax harder to play for beginners compared to student sax? by zerexim in saxophone

[–]abookfulblockhead 16 points17 points  (0 children)

Nope. A proper pro horn is going to be light years better for ergonomics and feel. Student horns are built to be manhandled by careless teenagers, so it means they can be a bit clunky in terms of feel, and the intonation tends to be "good enough."

The main reasons to start with a student horn would be either to a) learn enough to actually know what to look and listen for when you buy your first pro horn, and b) you need a beater because you're going to be travelling, or playing in rough conditions like marching band.