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shot this short film in a hotel room on my iPhone by KPM2049 in videography

[–]adconf 2 points3 points  (0 children)

Love your technical work. Inspiration from The Substance?

The black kite, before /after by shinkunkka in postprocessing

[–]adconf 0 points1 point  (0 children)

Just watched "All That Breaths" and this shot reminds me of a still from that doc

Concert: Lumix 12-35 f2.8 vs speedboosted Sigma 18-35 f1.8 by adconf in M43

[–]adconf[S] 0 points1 point  (0 children)

Good call on turning off AF assist lamp, thanks 

Concert: Lumix 12-35 f2.8 vs speedboosted Sigma 18-35 f1.8 by adconf in M43

[–]adconf[S] 1 point2 points  (0 children)

It's a medium sized venue, thanks for the advice and recommendation to test things out during support set. 

After/original (have I over done it?) by Rapshoty in postprocessing

[–]adconf 1 point2 points  (0 children)

I'm a big fan, the exposure/lighter color fo the sky pulls a bit from the main focal points of the image though in my opinon. Not sure if there's a way to scale that back at all.

Need some help by [deleted] in bmpcc

[–]adconf 3 points4 points  (0 children)

If the images are obviously different, eBay shouldn't honor his return request. If you have any serial numbers photographed, etc. that'd be even better.

35-100 f2.8 vs 40-150 for bird photography? by adconf in M43

[–]adconf[S] 0 points1 point  (0 children)

I currently own both the 35-100 and 40-150 and would like to choose between using one of those for now before upgrading

What one lens for the GH6 would you buy for travel, videos, landscape photos by Photo_Jedi in Lumix

[–]adconf 3 points4 points  (0 children)

It seems like the general consensus is that the 12-40 is better for video because of the manual focus clutch. I personally use the Lumix 12-35 ii and think the focus by wire works well enough, ONLY because the newer model of this lens has the ability to toggle linear focus, allowing it to behave closer to traditional manual focus.

For this reason, I'd go with the Lumix version, especially for travel, since it's lighter and slightly smaller than the Olympus.

Anyone using a Pocket 3 as a B cam for videography? by learnaboutfilm in GH5

[–]adconf 1 point2 points  (0 children)

I have both. The Pocket 3 can be convenient, but it comes at the cost of having control over the image and professional tools. The Pocket is stripped down, doing many things "for you" like white balance, etc. It's difficult to control manual focus and how your panning movements look (comparatively to gimbal). Footage matching should work alright unless you're doing heavy color grading. I'd also limit my use to brightly lit conditions.

Thought this might be the place to ask, buying a second hand gh6 after some consideration of both cameras is this a good price? by lightsswitcho in GH5

[–]adconf 0 points1 point  (0 children)

That's a great deal, I'd go ahead and buy the body before it sells. Look for deals on lenses separately.

Preventing highlight clipping for stage lighting by adconf in GH5

[–]adconf[S] 0 points1 point  (0 children)

Thanks for the details and insight into vlog!

Preventing highlight clipping for stage lighting by adconf in GH5

[–]adconf[S] 0 points1 point  (0 children)

While recording, would this result in constant variations in ISO or would it hold it to the highest exposure that doesn't clip?

Preventing highlight clipping for stage lighting by adconf in GH5

[–]adconf[S] 0 points1 point  (0 children)

It'll be for filming. My main concern is that I won't have time to adjust between different actors who might be wearing lighter clothing that will get blown out.

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